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2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2005

18 items from 2017


Black Lives Matter Drama in the Works at AMC From Into the Badlands Writer

11 September 2017 6:37 PM, PDT | TVLine.com | See recent TVLine.com news »

AMC is turning the Black Lives Matter movement into a TV drama.

RelatedAMC Eyes Rainn Wilson Alien Dramedy, Orders Marti Noxon’s Dietland to Series

The cable network is developing a scripted series based on the bestselling nonfiction book They Can’t Kill Us All, according to our sister site Deadline. The book, by Washington Post reporter Wesley Lowery, looks at how decades of racial bias against African-Americans tie into the recent accusations of police abuse and rioting in Ferguson and Baltimore and led to the formation of the Black Lives Matter protest movement.

Into the Badlands writer Latoya Morgan »

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TVLine Items: Scott Glenn Moves to Castle Rock, ER Vet Joins Star and More

15 August 2017 12:39 PM, PDT | TVLine.com | See recent TVLine.com news »

Scott Glenn has traded in life in the Big Apple for a castle in Maine.

The Leftovers alum has been cast as a series regular in the upcoming Hulu psychological-horror drama Castle Rock. Set in the Stephen King multiverse, Glenn will play retired Sheriff Alan Pangborn, who presided over the fictional titular town  during its darkest years.

RelatedSissy Spacek, Suburgatory‘s Jane Levy Join Cast of Hulu’s Castle Rock

Previously announced cast members include Andre Holland, Sissy Spacek, Melanie Lynskey, Jane Levy and Bill Skarsgard.

Glenn can be seen next reprising his Daredevil role Stick in The Defenders »

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How the Chilling Epilogue of The Handmaid's Tale Foreshadows Season 2

29 July 2017 12:10 PM, PDT | POPSUGAR | See recent BuzzSugar news »

Warning: Spoilers for the end of the Handmaid's Tale book below! Many intriguing tidbits about The Handmaid's Tale's second season have been confirmed, but how the book ends opens the floodgates as to what more we can expect from future episodes. Having just read (and then reread) the chilling epilogue from Margaret Atwood's dystopian novel, I'm practically bursting with anticipation as to how the show's writers will spin the drama. While the biggest plot points from the book have already played out in season one, what happens in the epilogue has yet to appear in the show. If the show stays true to its source material, here's what plot developments might occur in season two (and possibly beyond). Gilead Expands Its Influence According to the epilogue, Gilead redraws the map of the world, especially in the North American hemisphere. We know Gilead is planning on trading handmaids in Mexico, »

- Anna Monette Roberts

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Tim Roth's Tin Star Lands at Amazon

21 July 2017 7:01 AM, PDT | TVLine.com | See recent TVLine.com news »

Tin Star, a thriller/dark comedy starring Tim Roth (Lie to Me) and Christina Hendricks (Mad Men), has found a Stateside home on Amazon, it was announced on Friday by Endemol Shine Group and Sky Vision.

The 10-episode series will premiere later this year.

RelatedCable/Streaming Scorecard: What’s Renewed? What’s Cancelled?

Penned by Rowan Joffe (28 Weeks Later), Tin Star tells the story of Jim Worth, a British detective-turned-small town police chief who brings his family to the tiny and tranquil town of Little Big Bear for a better life. What follows is described as a “tale of the corruption of innocence, »

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Julia Roberts' Homecoming Drama Nabs Two-Season Deal at Amazon

19 July 2017 9:18 AM, PDT | TVLine.com | See recent TVLine.com news »

Amazon is officially in business with the Pretty Woman.

The streaming service has given a two-season order to Homecoming, a half-hour political thriller starring Academy Award winner Julia Roberts, our sister site Deadline reports.

Written by Mr. Robot creator Sam EsmailHomecoming is described as a political thriller that centers on three characters: a caseworker at a secret government facility (played by Roberts), her supervisor, and a soldier. The project is based on the fictional podcast of the same name, which starred Catherine Keener (as the caseworker), Oscar Isaac, David Schwimmer, Amy Sedaris and David Cross.

RelatedErinn Hayes to »

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‘Spider-Man: Homecoming’ Tops Studios’ TV Ad Spending

4 July 2017 7:29 AM, PDT | Variety - Film News | See recent Variety - Film News news »

In this week’s edition of the Variety Movie Commercial Tracker, powered by the TV advertising attention analytics company iSpot.tv, Columbia Pictures claims the top spot in spending with “Spider-Man: Homecoming.”

Ads placed for the superhero film had an estimated media value of $5.71 million through Sunday for 1,374 national ad airings across 40 networks. (Spend figures are based on estimates generated from June 26-July 2. Estimates may be updated after the chart is posted as new information becomes available.) Columbia appears to be targeting a wide audience, prioritizing budget across CBS, TNT and Nick, and airing the ads frequently during shows including Snapped, Botched and SportsCenter.

Just behind “Spider-Man: Homecoming” in second place: Twentieth Century Fox’s “War for the Planet of the Apes,” which saw 1,660 national ad airings across 47 networks, with an estimated media value of $5.48 million.

TV ad placements for Universal Pictures’ “Despicable Me 3” (Emv: $5.17 million), Stx Entertainment’s “Valerian and the City of a Thousand Planets” ($4.52 million »

- iSpot.tv

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‘Transformers: The Last Knight’ Again Tops Studios’ TV Ad Spending

19 June 2017 6:25 PM, PDT | Variety - Film News | See recent Variety - Film News news »

In this week’s edition of the Variety Movie Commercial Tracker, powered by the TV advertising attention analytics company iSpot.tv, Paramount Pictures claims the top spot in spending for the second week in a row with “Transformers: The Last Knight.”

Ads placed for the latest installment of the sci-fi/action franchise had an estimated media value of $6.8 million through Sunday for 1,422 national ad airings across 39 networks. (Spend figures are based on estimates generated from June 12-18. Estimates may be updated after the chart is posted as new information becomes available.) Paramount prioritized budget for its “Transformers” TV commercials during the 2017 NBA Finals.

Just behind “Transformers” in second place: Universal Studios’ “Despicable Me 3,” which saw 1,448 national ad airings across 43 networks, with an estimated media value of $6.61 million.

TV ad placements for Walt Disney Studios’ “Cars 3” (Emv: $5.41 million), Sony Pictures’ “Spider-Man: Homecoming” ($5.27 million) and Entertainment Studios’ “47 Meters Down” ($3.75 million) round out the chart. »

- iSpot.tv

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The Handmaid’s Tale: The Spoiler Guide to Season 1

18 June 2017 5:45 PM, PDT | POPSUGAR | See recent BuzzSugar news »

Hulu's adaption of Margaret Atwood's 1985 dystopian novel, The Handmaid's Tale, has easily become one of the most talked about shows in 2017 - and for good reason. The idea that one day women are stripped of all their rights, separated from their families, and forced to bear children for wealthy Commanders and their barren wives is a pretty terrifying reality. Throw in a few Tinder and Uber references, and it feels all too real. The show follows a handmaid named Offred (Elisabeth Moss) and flashes back and forth between life before the government falls and what happens when she decides it's time to fight back and join the resistance. Let this serve as your guide to season one - spoilers follow! 1. Life Before the Republic of Gilead Before she is captured and renamed Offred, June is a wife and a mother. She has an affair with a married man named Luke, »

- Lindsey Kupfer

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‘The Handmaid’s Tale’ Finale Review: How ‘Night’ Echoed the Past While Making Us Crave the Future

14 June 2017 7:58 AM, PDT | Indiewire | See recent Indiewire news »

[Editor’s note: Spoilers follow for “The Handmaid’s Tale” Season 1, Episode 10, “Night.”]

The first season finale of “The Handmaid’s Tale” was rich with one of the show’s best traits: its ability to find human and relatable moments within these extraordinary yet awful circumstances.

And the emotion captured is as diverse as it is heart-wrenching. Offred/June (Elisabeth Moss), upon learning she’s pregnant, snapping at Serena Joy (Yvonne Strahovski): “You think I prayed to bring a baby into this house?” Nick’s (Max Minghella) quiet acknowledgement that it is, technically, his child. Moira (Samira Wiley) discovering via a license plate that she’d made it to freedom, and later stunned by the depth of human kindness that would greet her in Canada. Serena Joy snapping at her husband: “I know the law. I helped write it.” And of course, June opening the package smuggled to her from Jezebel’s, discovering something truly dangerous inside: the words of women like her, »

- Liz Shannon Miller

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‘The Handmaid’s Tale’ Finale Review: How ‘Night’ Echoed the Past While Making Us Crave the Future

14 June 2017 7:58 AM, PDT | Indiewire Television | See recent Indiewire Television news »

[Editor’s note: Spoilers follow for “The Handmaid’s Tale” Season 1, Episode 10, “Night.”]

The first season finale of “The Handmaid’s Tale” was rich with one of the show’s best traits: its ability to find human and relatable moments within these extraordinary yet awful circumstances.

And the emotion captured is as diverse as it is heart-wrenching. Offred/June (Elisabeth Moss), upon learning she’s pregnant, snapping at Serena Joy (Yvonne Strahovski): “You think I prayed to bring a baby into this house?” Nick’s (Max Minghella) quiet acknowledgement that it is, technically, his child. Moira (Samira Wiley) discovering via a license plate that she’d made it to freedom, and later stunned by the depth of human kindness that would greet her in Canada. Serena Joy snapping at her husband: “I know the law. I helped write it.” And of course, June opening the package smuggled to her from Jezebel’s, discovering something truly dangerous inside: the words of women like her, »

- Liz Shannon Miller

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Film Review: ‘The Mummy’ is a Marvel of a Muddled Mess

9 June 2017 4:42 AM, PDT | HollywoodChicago.com | See recent HollywoodChicago.com news »

Chicago – Universal Studio’s “Dark Universe,” which is centered around its stable of classic movie monsters, isn’t a bad idea. But in the darkly inauspicious debut feature called “The Mummy,” everything unravels. This is a mixed, muddled, marvel of a mess that contains an assembly of special effects, but precious little life.

Someone apparently forgot to tell those involved, in this exercise in building a blockbuster, that monsters can be fun.

Rating: 1.5/5.0

Tom Cruise’s character of Nick aims for irresistible rogue, but can’t quite hit the mark. He’s an American soldier with a profitable side job ripping off antiquities to be sold on the black market. After an airstrike in modern day Iraq (played for laughs) he uncovers an ancient Egyptian tomb. Turns out an ancient princess (Sofia Boutella) went on a murderous spree when she learned she wouldn’t get to be queen, and massacred her father, »

- adam@hollywoodchicago.com (Adam Fendelman)

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‘Captain Underpants: The First Epic Movie’ Tops Studios’ TV Ad Spending

23 May 2017 2:01 PM, PDT | Variety - Film News | See recent Variety - Film News news »

In this week’s edition of the Variety Movie Commercial Tracker, powered by the TV advertising attention analytics company iSpot.tv, Twentieth Century Fox claims the top spot in spending with “Captain Underpants: The First Epic Movie.”

Ads placed for the animated film had an estimated media value of $5.56 million through Sunday for 1,290 national ad airings across 30 networks. (Spend figures are based on estimates generated from May 15-21. Estimates may be updated after the chart is posted as new information becomes available.) Understandably, Twentieth Century Fox is targeting a family-friendly crowd, with network-specific spend prioritized across Nick, E! and Cartoon Network, and show-specific spend for airings during The Voice, SpongeBob SquarePants and The Loud House.

Just behind “Captain Underpants: The First Epic Movie” in second place: Paramount Pictures’ “Baywatch,” which saw 1,098 national ad airings across 38 networks, with an estimated media value of $5.5 million.

TV ad placements for Universal Pictures’ “The »

- iSpot.tv

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Spider-Man’s suit upgrades for Spider-Man: Homecoming detailed

25 April 2017 2:00 PM, PDT | Flickeringmyth | See recent Flickeringmyth news »

As we already know, the friendly neighborhood Spider-Man will be receiving a few costume upgrades for Spider-Man: Homecoming, as Robert Downey Jr.’s Tony Stark kits out the wall-crawler with all manner of gadgetry.

Some of these tech upgrades were showcased in a video back in January, and now The Los Angeles Times has posted a breakdown of the enhancements to the web-slingers classic costume, which include:

Peter Parker’s Little Helper

The detachable chest piece transforms into a drone and sends information back to the suit.

Gps Tracking System

The classic spider tracer has been upgraded with a holographic display and complex Gps system.

Upgraded Web Shooter

Enhanced web shooters with multi-settings, a variety of webbing and a laser targeting system.

Explosive Web Snares

The snares automatically deploy upon approaching targets.

Web Wings

Spider-Man’s web wings act like a glider — a kid’s fantasy come to movie life. »

- Gary Collinson

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Legion episode 6 review: Chapter Six

15 March 2017 8:17 PM, PDT | Den of Geek | See recent Den of Geek news »

Nick Harley Mar 16, 2017

Legion offers intriguing insights into where this all could be heading in another delightfully twisted episode...

This review contains spoilers.

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1.6 Chapter Six

Primarily I’ve had nothing but positive things to say about Legion’s addictively disorienting first season, but I have criticised the show in the past for stalling the story. That ends tonight; this episode’s recess from the plot while David, Syd, and the Summerland crew are trapped inside David’s mind with The Devil with the Yellow Eyes is not only full of the stylistic flourishes that make the series great, but it’s also illuminating. This episode begs the viewer to look at the series from a different perspective while delivering key pieces of information and hints about where things might be heading. »

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Legion episode 5 review: Chapter Five

8 March 2017 10:17 PM, PST | Den of Geek | See recent Den of Geek news »

Nick Harley Mar 9, 2017

Our villain's true nature is finally revealed on a spellbinding new episode of FX's Legion. Read our spoiler-filled review here...

This review contains spoilers.

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1.5 Chapter Five 

Legion is unreal. No other show on air is taking narrative and stylistic risks like this, and who would have ever thought such invention was possible with a Marvel property? Certainly an almost 80 year history of amazing fantasies, cosmic adventures, and elaborate science fiction in the comics proves that there’s a wealth of mind-bending source material available, but for all intents and purposes it would be much easier and safer to make a series like Netflix’s new, bland Iron Fist than to create something as challenging and visionary as Legion. Kudos to Noah Hawley and the kind folks at FX, take a bow.

Anyway, Legion »

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Legion episode 4 review: Chapter Four

1 March 2017 10:17 PM, PST | Den of Geek | See recent Den of Geek news »

Nick Harley Mar 2, 2017

Legion keeps reminding us that memory can't be trusted, so is that why we feel like we've seen this all before?

This review contains spoilers.

1.4 Chapter Four

After Legion’s confident, stylish pilot episode, I was immediately impressed with Noah Hawley’s slice of the Marvel universe. However, in that first review, I worried about Legion favouring style over substance and now four episodes in, that worry is starting to manifest itself. I’m a savvy viewer; I don’t need every plot detail spoon fed and I’m fine lingering in mystery, but that being said, I really feel like we’re spinning our wheels here. A lack of forward momentum seems to be shrouded by new questions, delivered in eye-catching ways, sure, but the rabbit hole is starting to look shallow.

A somewhat climactic ending aside, Chapter Four bides its time throwing small wrinkles into David’s story, »

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Legion episode 3 review: Chapter Three

22 February 2017 8:17 PM, PST | Den of Geek | See recent Den of Geek news »

Nick Harley Feb 24, 2017

When Legion leans into its horror influences, things get very interesting...

This review contains spoilers.

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1.3 Chapter Three

The best superhero stories experiment with genre. The Dark Knight is a crime drama, Captain America: The Winter Soldier is a classic espionage tale, Guardians Of The Galaxy is a space opera, and Deadpool is a satire. By using the conventions of other genres, these films told heroic tales that felt fresh in the face of superhero fatigue. Instead of Jessica Jones playing like a superhero show with noir elements, it stands apart as a detective series that just so happens to feature a super strong protagonist.

Legion has had a chance to try on a couple different hats in its early episodes, indulging in psychedelic surrealism, »

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The Detour's Natalie Zea on Season 2: Robin's Shady NYC Past, an 'Incredible' Home Birth and Sam Bee's Return

20 February 2017 2:09 PM, PST | TVLine.com | See recent TVLine.com news »

Remember, at the end of The Detour‘s first season, when the cops showed Nate all the photos of a woman who looked a lot like Robin? All those hairdos? Those ’80s and ’90s styles?

If you liked that, series star Natalie Zea says, you’ll be quite satisfied with the TBS comedy’s Season 2, which kicks off Tuesday at 10/9c.

VideosThe Detour Season 2 Promo: The Parkers Prove ‘It’s Fun Being Weird’

“Oh, you just wait,” she tells TVLine, laughing. “I’m hanging on to these incredible photographs that I haven’t been able to post on social media, »

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2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2005

18 items from 2017


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