Wah-Wah (2005)

User Rating:

6.8/10   

Director:

Richard E. Grant

Writer:

Richard E. Grant (writer)

Release Date:

2 June 2006 (UK)

Genre:

Drama

Tagline:

Every family has its own language.

Plot:

Set at the end of the '60s, as Swaziland is about to receive independence from Great Britain, the film follows the young Ralph Compton...

Plot Keywords:

Africa | Divorce | Alcoholism | Brain Tumor | Cuckold

Awards:

4 nominations

Cast

Gabriel Byrne	...	Harry Compton
Emily Watson	...	Ruby Compton
Julie Walters	...	Gwen Traherne
Nicholas Hoult	...	Ralph Compton - 14 years
Miranda Richardson	...	Lauren Compton
Zac Fox	...	Ralph Compton - 11 years old
Celia Imrie	...	Lady Riva Hardwick
Julian Wadham	...	Charles Bingham
Fenella Woolgar	...	June Broughton
John Matshikiza	...	Dr. Zim Mzimba
Sid Mitchell	...	Vernon
John Carlisle	...	Sir Gifford Hardwick
Mathokoza Sibiya	...	Dozen
Sindisiswe Nxumalo	...	Regina
Michael Richard	...	Tobias

Also Known As:

Wah Wah (International: English title) (informal alternative title)

MPAA:

Rated R for some language and brief sexuality.

Runtime:

USA:120 min | Canada:97 min (Toronto International Film Festival) | Argentina:120 min

Country:

UK | France | South Africa

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | DTS

Certification:

USA:R | UK:15 | Ireland:15A | Australia:M | Argentina:13

Filming Locations:

Swaziland

Company:

Scion Films

Trivia:

According to Richard E. Grant's diaries the part of the father was meant to be younger but all the actors were asked in that age range passed so an older actor was chosen.

Goofs:

Factual errors: The movie supposedly starts in 1969 with the date appearing on the screen. Yet Swaziland received independence on 6 September 1968.

Movie Connections:

References A Clockwork Orange (1971)

Soundtrack:

The Lusty Month of May

Growing up in Camelot

Richard E Grant's "autobiopic" is an illustration of Tolstoy's adage that while happy families resemble one another, each unhappy family is unhappy in its own way. Grant's childhood in Swaziland as the son of a top colonial administrator (in education) could have been idyllic, but the idyll was shattered by his mother's infidelity and eventual desertion of the family and his father's severe alcoholism. Yet Grant could not stop loving either of them, and in the movie he seems to be saying, "yes, it hurt at the time, but I understand – and forgive." So despite the trauma, Grant gives us a fair account of his parents, lightly disguised as the Comptons, of their love for each other and their love for him.

The second striking feature of the movie is the portrait of a small but immensely snobbish colonial society that was about to disappear. Appearances are everything so clandestine adultery is condoned but divorce very much disapproved of. Outsiders (for example Harry Compton's new American wife Ruby) are scarcely tolerated. This stern moral code was hardly needed to impress the natives, who were polygamous. The choice of "Camelot" as the entertainment put on by the denizens of the white social club for the Independence celebrations is ironically appropriate – for some of the whites it was indeed Camelot, and now it was about to end.

Another theme of Grant's is growing up, generally a painful experience with or without dysfunctional parents. Here he is greatly helped by a fine performance from Nicholas Hoult as the 14 year old Richard ("Ralph" in the film). Miranda Richardson as the errant mother and Gabriel Byrnes as the father are also excellent and there are strong performances from the supporting cast, particularly Julie Walters as a deserted wife and Celia Imrie as the impossibly snobbish High Commissioner's wife. I'm not sure why, but Emily Watson's Ruby was only so-so. The people of Swaziland don't get much of a look-in – this is white mischief after all, but the actor who plays the warm-hearted local doctor (John Matshikiza?) should get an honorable mention.

Since independence Swaziland has not done too well; according to Wikipedia it now has 39% of the adult population with HIV and the world's lowest life expectancy -32.6 years. The combined rule of the present king and "Great She-Elephant" (his mother) has not been a conspicuous success. The colonial days, which took the light form of a British Protectorate, must seem like Camelot even to the Swazis. This movie seems to have captured the atmosphere of the time as well as the pains of growing up.