Christine (Sandy McLeod) takes a job selling tickets at a porno theater near Times Square. Instead of distancing herself from the dark and erotic nature of this milieu, she develops an ... See full summary »
Nick's made poor choices professionally and personally. A man feared and envied by many, he's lived a life seduced by crime, money, beautiful women, and burlesque. Now he wants out and he's... See full summary »
Amy Jo Brogan,
Clyde J. Bruff,
A world record orgy, wild sex scenes, ninjas... just a typical day at the office when you happen to work on a porn set. Director Chuck Steak is making his last film and wants to go out with... See full summary »
Jay Michael Ferguson
Uninhibited swinging young gal Roxanna can't control her raging libido. Roxanna has sordid carnal encounters with a predatory lesbian, some hairy guy, a transvestite, and a tireless ... See full summary »
When submitted to the MPAA, the film was unofficially given an NC-17 rating. In order to obtain an R rating, the filmmakers had to remove a shot of urination in someone's mouth. Rather than re-cut the scene, the filmmakers removed the entire (two-minute) sequence, which also includes male frontal nudity. See more »
US 102m, Colour Director: Brett Wood; Cast: Jane Bass, Bryan Davis, Veronika Duerr, Sandra L. Hughes, Ted Manson, Daniel May, Rob Nixon, Lisa Paulsen, Daniel Pettrow, Rachel Sorsa
Named after Richard von Krafft-Ebing's infamous 1886 "medical text" of the same name, Psychopathia Sexualis is a documentary-style narrated period re-enactment based on hundreds of late nineteenth century case studies of sexual behaviour. Once considered authoritative, these clinical writings are interwoven into a number of vignettes which obliquely suggest that some of the doctors should have also looked at their motivations. Potentially more interesting than entertaining, this Victorian sexual history unfortunately lacks direction and an overall sense of purpose, and largely misses much of the real story the treatment and mistreatment of the patients documented in these writings (Klaus Ming September 2013).
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