Ben works in a morgue. Ben's wife left him and he is into various kinds of alternative sexuality. Teresa dies of an ecstasy overdose on the dance floor. When she is brought to the morgue, ... See full summary »
Didier Le Pêcheur
Christine (Sandy McLeod) takes a job selling tickets at a porno theater near Times Square. Instead of distancing herself from the dark and erotic nature of this milieu, she develops an ... See full summary »
Nick's made poor choices professionally and personally. A man feared and envied by many, he's lived a life seduced by crime, money, beautiful women, and burlesque. Now he wants out and he's... See full summary »
Amy Jo Brogan,
Clyde J. Bruff,
Uninhibited swinging young gal Roxanna can't control her raging libido. Roxanna has sordid carnal encounters with a predatory lesbian, some hairy guy, a transvestite, and a tireless ... See full summary »
The story of a Crack addicted prostitute named Honey. A girl who goes to a party out in the desert where she falls victim to drugs and gang rape. Spoon feeding herself crack, Honey decides to settle the score.
Known to her clients as Dagmar, she's a classy Swedish call girl in Copenhagen. After two years, she's ready quit, and we follow her on what she hopes is her last day in the trade. She ... See full summary »
Vernon P. Becker
Anne Grete Nissen
When submitted to the MPAA, the film was unofficially given an NC-17 rating. In order to obtain an R rating, the filmmakers had to remove a shot of urination in someone's mouth. Rather than re-cut the scene, the filmmakers removed the entire (two-minute) sequence, which also includes male frontal nudity. See more »
A cinematic adaptation of the studies of sexual deviancy by Richard von Krafft-Ebing, Sigmund Freud's mentor and the major precursor to Kinsey's studies. The film is structured after the silent documentary Häxan (aka Witchcraft Through the Ages), and kind of mimics the visual styles of silent horror films and German Expressionist films, albeit in vibrant color cinematography. Most viewers seem to have found the film dull, but I really liked it. It's fascinating to be transported to Victorian times, and the film doesn't do too much winking to demonstrate that it's own mores are modern. It mostly feels worn and dated. The one thing that I think will pull most people out of the film is the acting, but I don't think it ought to. It's mediocre, to be sure, but with cinematic recreations like these, I think the performers' woodenness works in the film's favor. It reminds me a lot of Guy Maddin, and perhaps is influenced by his work. The two elements that should be especially praised are the art direction and the musical score. It looks beautiful, and sounds beautiful. I think director Bret Wood, if he's given more chances after this fascinating experiment, might turn out to be somebody really special.
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