Maria is an Escort working in the city of Las Vegas to support her 4 kids. When 2 friends from her past come back into her life, it pushes her to re-evaluate the choices she made and what the future holds.
M is the most esteemed professional of the many girls at Scarlet's but, even on her birthday, it's business as usual. M's trade is sex, but sex doesn't sell the way it used to; what clients are searching for, paying for, is love.
Christine (Sandy McLeod) takes a job selling tickets at a porno theater near Times Square. Instead of distancing herself from the dark and erotic nature of this milieu, she develops an ... See full summary »
Richard M. Davidson
Someone is killing off the female leads of the movie production "Bad Girls from Mars." The producers feel they should try to finish the film, even though they're making a lucrative amount ... See full summary »
Fred Olen Ray
A beautiful heiress is kidnapped and held hostage until her wealthy father comes up with a ransom. The heiress develops an attraction to one of her kidnappers, but another member of the gang tries to rape her, leading to a deadly triangle.
Wanda ist von Berufs wegen grausam. Ihre Spezialitaet: das Erfinden von Fallen fuer ihre Liebhaber/innen. Gregor, der romantische Schwaermer, wird aus seinem Traum gerissen. Justine, die ... See full summary »
Angie is having no luck auditioning for movies. She thinks about going back home, but her roommate Claudia convinces her to try working at the "gentleman's club" with her in order to gain ... See full summary »
A cinematic adaptation of the studies of sexual deviancy by Richard von Krafft-Ebing, Sigmund Freud's mentor and the major precursor to Kinsey's studies. The film is structured after the silent documentary Häxan (aka Witchcraft Through the Ages), and kind of mimics the visual styles of silent horror films and German Expressionist films, albeit in vibrant color cinematography. Most viewers seem to have found the film dull, but I really liked it. It's fascinating to be transported to Victorian times, and the film doesn't do too much winking to demonstrate that it's own mores are modern. It mostly feels worn and dated. The one thing that I think will pull most people out of the film is the acting, but I don't think it ought to. It's mediocre, to be sure, but with cinematic recreations like these, I think the performers' woodenness works in the film's favor. It reminds me a lot of Guy Maddin, and perhaps is influenced by his work. The two elements that should be especially praised are the art direction and the musical score. It looks beautiful, and sounds beautiful. I think director Bret Wood, if he's given more chances after this fascinating experiment, might turn out to be somebody really special.
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