Ben works in a morgue. Ben's wife left him and he is into various kinds of alternative sexuality. Teresa dies of an ecstasy overdose on the dance floor. When she is brought to the morgue, ... See full summary »
Didier Le Pêcheur
Known to her clients as Dagmar, she's a classy Swedish call girl in Copenhagen. After two years, she's ready quit, and we follow her on what she hopes is her last day in the trade. She ... See full summary »
Vernon P. Becker
Anne Grete Nissen
A world record orgy, wild sex scenes, ninjas... just a typical day at the office when you happen to work on a porn set. Director Chuck Steak is making his last film and wants to go out with... See full summary »
Jay Michael Ferguson
Uninhibited swinging young gal Roxanna can't control her raging libido. Roxanna has sordid carnal encounters with a predatory lesbian, some hairy guy, a transvestite, and a tireless ... See full summary »
In a Middle Eastern country, a traveling American saves the life of the local sheik. In gratitude, the sheik takes him to The Street of a Thouand Pleasures, where he can choose from any of ... See full summary »
In Zola's Paris, an ingenue arrives at a tony bordello: she's Nana, guileless, but quickly learning to use her erotic innocence to get what she wants. She's an actress for a soft-core ... See full summary »
When submitted to the MPAA, the film was unofficially given an NC-17 rating. In order to obtain an R rating, the filmmakers had to remove a shot of urination in someone's mouth. Rather than re-cut the scene, the filmmakers removed the entire (two-minute) sequence, which also includes male frontal nudity. See more »
A cinematic adaptation of the studies of sexual deviancy by Richard von Krafft-Ebing, Sigmund Freud's mentor and the major precursor to Kinsey's studies. The film is structured after the silent documentary Häxan (aka Witchcraft Through the Ages), and kind of mimics the visual styles of silent horror films and German Expressionist films, albeit in vibrant color cinematography. Most viewers seem to have found the film dull, but I really liked it. It's fascinating to be transported to Victorian times, and the film doesn't do too much winking to demonstrate that it's own mores are modern. It mostly feels worn and dated. The one thing that I think will pull most people out of the film is the acting, but I don't think it ought to. It's mediocre, to be sure, but with cinematic recreations like these, I think the performers' woodenness works in the film's favor. It reminds me a lot of Guy Maddin, and perhaps is influenced by his work. The two elements that should be especially praised are the art direction and the musical score. It looks beautiful, and sounds beautiful. I think director Bret Wood, if he's given more chances after this fascinating experiment, might turn out to be somebody really special.
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