| Marty Sader | ... | Julius | |
| Laura Keys | ... | Erica | |
| Kenyon Robertson | ... | Al | |
| Josh Taback | ... | Billy | |
| John Klemantaski | ... | Doctor Brewster | |
| Sarah Scott | ... | Jessie | |
| Nick Roberts | ... | Jack | |
| Ringo Hayden | ... | May | |
| Regina Berger | ... | Zandra | |
| Matt Stasi | ... | Miles | |
| Tony Savant | ... | James | |
| Thomas Joseph Adams | ... | Jason | |
| Kim Beuche | ... | Nurse Mary | |
| Jen McAllister | ... | Mother | |
| Petunia Phillips | ... | Dr. O'brien (as Dana Walsh) | |
| Dana Walsh | ... | Dr. O'Brien | |
| Raymond Parker | ... | X-Ray Technician | |
| Erin Smith | ... | Interviewer | |
| Katie Hyde | ... | Sarah | |
| Teri Quickley | ... | Nightshift nurse | |
| Bailey Chadwick | ... | Daughter | |
| Tyrone | ... | Cashier | |
| William Hall | ... | Patient Playing Chess | |
| Moses | ... | Himself | |
| Jo-Ann Pantoja | ... | Miles' girl | |
| rest of cast listed alphabetically: | |||
| Lori Clark | ... | Girl On Couch | |
| David Christopher Dishoyan | ... | Young Julius | |
| Andy Forrest | ... | Clown (as Andrew Forrest) | |
| David Hugget II | ... | EMT#1 | |
| Shelly Klawitter | ... | Young Erica | |
| Alma Martinez | ... | Nurse In Hall | |
| Robert Nassry | ... | Bouncer | |
| Saritha Reddy | ... | X-Ray Docotor | |
| Kevin M. Smith | ... | EMT#2 | |
| Joe Todoran | ... | Mop Guy | |
Directed by | |||
| Marty Sader | |||
Writing credits(in alphabetical order) | ||
| Laura Keys | ||
| Marty Sader | ||
Produced by | |||
| Thomas Joseph Adams | .... | co-producer | |
| Richard D. Erlich | .... | associate producer (as Richard Erlich) | |
| Jimmy Evangelatos | .... | executive producer | |
| George Gallo | .... | executive producer | |
| Anthony Imburgia | .... | co-producer | |
| Laura Keys | .... | executive producer | |
| Julie Lott | .... | executive producer | |
| Kenyon Robertson | .... | producer | |
Original Music by | |||
| Albert Chang | |||
| Paul Oehlers | |||
Cinematography by | |||
| Gur Shlapobersky | |||
Film Editing by | |||
| David Rosenblatt | |||
Casting by | |||
| Craig Colvin | |||
Makeup Department | |||
| Eva Lohse | .... | key makeup artist | |
Sound Department | |||
| Patrick O. Bird | .... | sound re-recording mixer | |
| Rob Cunningham | .... | boom operator | |
| Tim Forrest | .... | sound mixer | |
| John W. Frost | .... | sound re-recording mixer | |
| Jim Ridgley | .... | production sound mixer | |
| Eric Stolz | .... | sound editor | |
Visual Effects by | |||
| Adrian Dimond | .... | lead visual effects artist | |
Camera and Electrical Department | |||
| Olivier Desplat | .... | gaffer | |
| Sean Haeseler | .... | gaffer | |
| William Hall | .... | key dolly grip | |
| Chris Knitter | .... | loader | |
| Mitch Morales | .... | gaffer | |
| Jeff Saldin | .... | first assistant camera | |
| Marc Yannette | .... | second assistant camera | |
Editorial Department | |||
| Cresta Cavanaugh | .... | assistant editor | |
Other crew | |||
| Suzanne C. Swindle | .... | script supervisor (as Sue Swindle) | |
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| Day of the Wacko | Spun | The Acid House | SLC Punk! | Hate Crime |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I saw Most High at an LA screening, dreading what looked like a vanity project (written by, starring, directed by Marty Sader, co-written and starring his wife Laura Keys etc.) with a tired subject. Requiem For a Dream anyone? Instead I was overwhelmed by one of the most remarkable debuts I have ever witnessed. The film has an uncanny ability to connect to the heart, stun you and surprise you in its no-holds barred detail of a good soul spinning downward, addicted to doing good and then thrown into a hell of crystal meth addiction. What sets this apart from the rest of the drug genre is its refusal to editorialize and encourage weepy sympathy. Sader actually goes from 230 pounds down to something like 95 pounds over the two year shooting schedule, and the results are nothing short of harrowing.