Guinevere Pettigrew, a middle-aged London governess, finds herself unfairly dismissed from her job. An attempt to gain new employment catapults her into the glamorous world and dizzying social whirl of an American actress and singer, Delysia Lafosse.
When a young accountant is devastated after discovering his inspiringly beautiful girlfriend is cheating on him, his best friend, who's engaged to a girl he doesn't love, convinces him to ... See full summary »
Takes place in the days before Christmas near a little-known border crossing on the Mohawk reservation between New York State and Quebec. Here, the lure of fast money from smuggling ... See full summary »
Successful Carolinian George Johnsten meets Chicago art gallery owner Madeleine at an electoral benefit art auction- love at first sight. Madeleine decides to meet a Southern original artist, so George seizes the opportunity to come along and present her to his North Carolina parents Eugene and Peg, drop-out brother Johny and his high-pregnant wife Ashley. Confronting the outsider soon opens a can of worms as emotions revive or emerge, like admiration and jealousy. Written by
Embeth Davidtz was chosen as a replacement at the 11th hour and arrived on set the day before principal photography began. See more »
When Madeline is trying to convince David Wark to sign with her company, he takes his painting off her to get closer and to talk to her, the scene cuts to a shot over her shoulder where she is seen to still be holding the painting. See more »
I hate hospitals, but it wasn't really all that scary. All the needles and stuff. It wasn't that bad. I'll tell you what the scariest thing is to me - the scariest thing to me is Johnny. It is. He didn't say nothin'. Not one word. At least I don't know what it is, and I think he really did want it, too. Just a boy - you know how I know? I heard him tell your pa to paint the cradle brown. You just wouldn't put a baby girl in a brown cradle. You just wouldn't.
[starts to cry]
I don't know what ...
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A list of 121 extras is included in the credits, although these credits are given separately from the cast list, after most of the crew credits have been shown. See more »
An excellent study of characters with a strong sense of place.
A very intelligent script, with direction that does it justice. Rather than spelling out exactly what we're supposed to be thinking and feeling at every moment, the filmmakers respect the audience's ability to infer meaning from the mood and tone, from the light in a frame or the ambient noise of a scene (or, for that matter, from the complete silence in which we occasionally are allowed to contemplate the house and small town where the story is set). As for the actors, they must have been thrilled to have the chance to play such complex, well-rounded characters, each of them at times being fine and even something like noble, at other times frustrating and perhaps even cruel. Just like real people, in other words. Amy Adams deserves the praise she's received for a role that could have easily been a caricature, but I'd like to also mention Embeth Davidtz for her precise and empathetic work in another part that might have easily been done in a hackneyed way.
All through this film, there are moments where we fear that its makers are going to settle for the cliché, but they never do. By the end, we feel that we've learned a great deal about the characters and the community which produced them, and we also sense that we'll never fully grasp all of their mysteries and contradictions. Very fine work from everyone involved.
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