Jarhead (2005)

Based on former Marine Anthony Swofford's best-selling 2003 book about his pre-Desert Storm experiences in Saudi Arabia and about his experiences fighting in Kuwait.

Director:

Sam Mendes

Writers:

William Broyles Jr. (screenplay), Anthony Swofford (book)

Stars:

Jake Gyllenhaal, Scott MacDonald, Jamie Foxx

5 wins & 10 nominations.

Cast

Cast overview, first billed only:
Jake Gyllenhaal	...	Anthony Swofford
Scott MacDonald	...	D.I. Fitch
Peter Sarsgaard	...	Alan Troy
Jamie Foxx	...	Staff Sgt. Sykes
Ming Lo	...	Bored Gunny
Lucas Black	...	Chris Kruger
Kevin Foster	...	Branded Marine
Brian Geraghty	...	Fergus O'Donnell
Damion Poitier	...	Poitier
Riad Galayini	...	Nurse
Craig Coyne	...	Young Mr. Swofford
Katherine Randolph	...	Young Mrs. Swofford
Honorine Bell	...	Swoff's Sister (as Rini Bell)
Dendrie Taylor	...	Mrs. Swofford
James Morrison	...	Mr. Swofford

Storyline

Anthony "Swoff" Swofford, a Camus-reading kid from Sacramento, enlists in the Marines in the late 1980s. He malingers during boot camp, but makes it through as a sniper, paired with the usually-reliable Troy. The Gulf War breaks out, and his unit goes to Saudi Arabia for Desert Shield. After 175 days of boredom, adrenaline, heat, worry about his girlfriend finding someone else, losing it and nearly killing a mate, demotion, latrine cleaning, faulty gas masks, and desert football, Desert Storm begins. In less than five days, it's over, but not before Swoff sees burned bodies, flaming oil derricks, an oil-drenched horse, and maybe a chance at killing. Where does all the testosterone go?

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Plot Keywords:

desert | sniper | saudi arabia | boot camp | boredom | 

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Taglines:

Welcome To The Suck

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Genres:

Biography | Drama | War

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Motion Picture Rating (MPAA)

Rated R for pervasive language, some violent images and strong sexual content

Details

Official Sites:

UIP [France] UIP [Japan]

Country:

Germany USA

Language:

English Spanish Arabic Latin

Release Date:

4 November 2005 (USA)

Also Known As:

Soldado anónimo

Filming Locations:

Brawley, California, USA

Box Office

Budget:

$70,000,000 (estimated)

Opening Weekend:

$1,106,718 (Australia) (10 February 2006)

Gross:

$2,340,121 (Australia) (24 February 2006)

Company Credits

Production Co:

Universal Pictures, Red Wagon Entertainment, Neal Street Productions

Technical Specs

Runtime:

125 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Shot on 35mm film, Walter Murch then cut it on Final Cut Pro.

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Goofs

When Fergus is cooking sausages on the gas stove the fire spreads to the surrounding area in the back of the truck. As we see Fergus try to put it out the fire the stove clearly falls over. The scene then cuts away and then returns and the stove is once again upright.

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Quotes

[first lines]
Anthony 'Swoff' Swofford: A story: A man fires a rifle for many years, and he goes to war. And afterward he turns the rifle in at the armory, and he believes he's finished with the rifle. But no matter what else he might do with his hands, love a woman, build a house, change his son's diaper; his hands remember the rifle.

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Crazy Credits

The title of the movie is the only opening credit at the beginning of the movie.

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Connections

Features CBS Evening News with Dan Rather (1981)

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Soundtracks

"Jesus Walks"
(Instrumental)
Written by Kanye West, Curtis Lundy, Miri Ben-Ari and Rhymefest
Performed by Kanye West
Courtesy of Roc-a-Fella Records, L.L.C.
Under license from Universal Music Enterprises
Contains a sample of "Walk with Me"
Performed by The Arc Choir
Courtesy of Mapleshade Records

User Reviews

Not a John Wayne Movie

"Every war is different," says Anthony Swofford as the movie "Jarhead" comes to a close. "Every war is the same." Looking back on his experience, he sees that the first Gulf War and the Marine Corps have become ineradicable parts of who he is: "Every jar-head is me." The screen shimmers and shifts into a scene of a desert patrol dwarfed by distance and hazed by heat waves. "We are still in the desert," he says. The screen darkens. The credits begin to roll.

A critic once observed that audiences emerge from a comedy talking animatedly with one another, but after a tragedy they come forth subdued and solitary, each absorbed by his or her own thoughts.

"Jarhead" is not a tragedy but a tragic coming-of-age story. As in "The Last Picture Show," a young man discovers what a cruel, destructive business life can be. Swofford emerges from a war that has consisted of a long, maddening wait followed by a hard march through the surreal aftermath of battles already won by jets dropping smart bombs, toward a horizon blackened by Saddam's burning oil wells. He returns home to find that his girlfriend has left him for another man. His best friend, who suffered with him through the combat that never came, dies as a civilian, possibly a suicide, as he was thrown out of the Corps with a dishonorable discharge.

Subdued and solitary, I waited outside the theater for my wife.

"So, what did you think?" I asked her when she came out. "Definitely not a John Wayne movie," she said. "No," I responded, reminded of Clint Eastwood sharing a victory cigar with a young Marine beneath an American flag raised atop a hill in Grenada in "Heartbreak Ridge."

"It wasn't as dark as the book," I said. "In the book," she replied, "you couldn't see Swofford's smile."

Jake Gyllenhaal does display an engaging, youthful grin in the early part of the movie. He plays the twenty-year-old Swoff very well. And Jamie Foxx does Sgt. Sykes brilliantly. Against the backdrop of a night made at once hellish and spectacular by blazing oil wells, the Sergeant tells Swoff that he (Sykes) could have joined his brother and had a nice safe job stateside, but with no chance to see such sights as this. "I love this job," he says. "I thank God for every day he gives me in the Corps. Oorah... You know what I mean, Swoff?" Foxx's delivery is flat, point blank, neither sarcastic nor enthusiastic. He is an exhausted soldier giving himself a pep talk he scarcely believes in any longer. Get out your Oscar Nomination forms.

At dinner we tried to recall what was book and what was movie. I did not remember the scene in which the soldiers are interviewed by a TV journalist from the book, but from Kubrick's "Full Metal Jacket." From "Full Metal Jacket" also, I believe, came the bizarre business of a soldier's sardonically making a corpse his buddy. The war-is-surreal-hell moral of the movie reminded me of Coppola's "Apocalypse Now" - a film the young jar-heads watch with sexual intensity in Mendez's movie. But the scene in which the soldiers sit down to enjoy a home movie one Marine's wife has made - of herself being humped by their next door neighbor - that, we all agreed, was in the book.

I remember when "Battle Cry" came out in 1955. Unlike the Boy-Scout-clean soldiers of most WW II movies of that era, these Marines said Hell and Damn. And one of them actually shot the finger at some troops riding past - What a shocker!

A Jacksonville, NC Daily News reporter interviewed several Marines from the local base who saw the movie. Excerpt:

Their reviews seemed to be positive, especially concerning the portrayal of the relationship between Marines and how deployments and war are mostly about sitting around and waiting.

"I thought it was good," said Lance Cpl. Richard Usher, 19, from Tampa, Fla. "From what I know, it's accurate. They did say 'Oorah' way too much."

Lance Cpl. Josh Rader, 29, of Georgia, said he thought the movie was one of the more accurate portrayals of the Marine Corps, with the only more accurate movie being Stanley Kubrick's "Full Metal Jacket."

"A lot of the training, they dramatize it more," Rader said. "I'd say it's probably more accurate."

Lance Cpl. Adam Blades, 20, with 1st Battalion, 2nd Marines, agreed, but took exception to the actors' ages.

"The actors were a little old," he said. "The majority of guys going over there are like 18 and 19. But it was pretty cool. As accurate as I've seen." +++