Inside Deep Throat (2005)

Directors:

Fenton Bailey
Randy Barbato

Writers:

Fenton Bailey
Randy Barbato

Release Date:

21 April 2005 (Russia)

Genre:

Documentary | History

Tagline:

It was filmed in 6 days for 25 thousand dollars. The government didn't want you to see it. It was banned in 23 states. It has grossed over 600 million dollars. And it is the most profitable film in motion picture history.

Plot:

More than 30 years after Deep Throat's provocative debut, this documentary examines the legacy that the most profitable film of all-time left on society.

Plot Keywords:

Deep Throat | Mob | Oral Sex | Porn Industry | Politics

Awards:

1 win

Cast

Dennis Hopper	...	Narrator (voice)
Gerard Damiano	...	Himself
John Waters	...	Himself
Larry Flynt	...	Himself
Erica Jong	...	Herself
Ruth Westheimer	...	Herself (as Dr. Ruth Westheimer)
Dick Cavett	...	Himself
Camille Paglia	...	Herself
Linda Lovelace	...	Herself (archive footage)
Hugh M. Hefner	...	Himself (as Hugh Hefner)
Bill Maher	...	Himself
Norman Mailer	...	Himself
Charles Keating	...	Himself
Alan M. Dershowitz	...	Himself (as Alan Dershowitz)
Larry Parrish	...	Himself
Gore Vidal	...	Himself
Al Goldstein	...	Himself
Francis Ford Coppola	...	Himself (archive footage)
Georgina Spelvin	...	Herself
Ron Wertheim	...	Himself
Andrea True	...	Herself
Wes Craven	...	Himself
Harry Reems	...	Himself
Patsy Carroll	...	Herself - Linda's Friend
Barbara Boreman	...	Herself - Linda's Sister
Len Camp	...	Himself - Location Manager (as Lenny Camp)
Sepy Dobronyi	...	Himself (as The Swinger Count)
Linda Williams	...	Herself
Helen Gurley Brown	...	Herself
John V. Lindsay	...	Himself (archive footage) (as Mayor John Lindsay)
John Goreman	...	Himself - Former NYPD Officer (as John Gorman)
Mike Sullivan	...	Himself - Former NYPD Officer
Herb Kassner	...	Himself - Deap Throat Attorney
William Purcell	...	Himself - Deep Throat Prosecutor
Ralph Blumenthal	...	Himself
Xaviera Hollander	...	Herself
Carl Bernstein	...	Himself
Joel J. Tyler	...	Himself - Judge (archive footage) (as Judge Tyler)
Arthur Sommer	...	Himself - Theater Manager
Bill Kelly	...	Himself
Peter Bart	...	Himself
Peter Manouse	...	Himself
Ray Shipley	...	Himself
Bruce Kramer	...	Himself
Roy M. Cohn	...	Himself (archive footage)
Tony Bill	...	Himself
Jack Nicholson	...	Himself (archive footage)
Warren Beatty	...	Himself (archive footage)
Susan Brownmiller	...	Herself
Tom Snyder	...	Himself (archive footage)
Gloria Steinem	...	Herself (archive footage)
Jon Lewis	...	Himself
Annie Sprinkle	...	Herself
Lindsay Marchiano	...	Herself
Terry Sommer	...	Herself
rest of cast listed alphabetically:
Johnny Carson	...	Himself (archive footage) (uncredited)
Jeff Conaway	...	Kenickie (archive footage) (uncredited)
Gerard Damiano Jr.	...	Himself (uncredited)
Eric Edwards	...	Himself (archive footage) (uncredited)
Bob Hope	...	Himself (archive footage) (uncredited)
Michael Pataki	...	Ziggy ("The Last Porno Flick") (archive footage) (uncredited)
Chuck Traynor	...	Himself (archive footage) (uncredited)

Directed by
Fenton Bailey
Randy Barbato

Writing credits (in alphabetical order)
Fenton Bailey
Randy Barbato

Produced by
Fenton Bailey	....	producer
Randy Barbato	....	producer
Mona Card	....	co-producer
Brian Grazer	....	producer
Ian Mallahan	....	associate producer
Kim Roth	....	executive producer
Ashley York	....	associate producer
Ron Howard	....	producer (uncredited)

Original Music by
David Benjamin Steinberg

Cinematography by
David Kempner
Teodoro Maniaci

Film Editing by
William Grayburn
Jeremy Simmons

Casting by
Ed Arenas

Makeup Department
Anouck Sullivan	....	makeup artist

Production Management
Beau J. Genot	....	post-production supervisor
Devon Schneider	....	production manager

Sound Department
Gregg Barbanell	....	foley artist
Michael Bergman	....	additional sound
Paul Berolzheimer	....	foley recordist
Lance Brown	....	sound re-recording mixer
Lance Brown	....	supervising sound editor
Michael Camello	....	sound effects designer
Joe Crabb	....	additional sound
Thomas Craca	....	additional sound
Stephanie Flack	....	dialogue editor
Bruce Fortune	....	supervising adr editor (as Bruce D. Fortune)
Michael Geisler	....	foley recordist
Albee Gordon	....	sound recordist
Paul Hackner	....	dialogue editor
Joe Hettinger	....	additional sound
Eddie Kim	....	sound effects designer
Kimberly Ellen Lowe	....	dialogue editor (as Kimberly Lowe Voigt)
Del Martin	....	digital engineer
David McRell	....	digital engineer
Chris Navarro	....	adr recordist
James Azizi Penny	....	sound effects editor
Jason Piatt	....	foley editor
Eric Raber	....	digital sound transfer engineer
Brion Regan	....	sound mixer: New York
Jayme Roy	....	sound recordist
Mark Roy	....	additional sound
George Shafnaker	....	additional sound
David Benjamin Steinberg	....	additional sound designer
Eric Thompson	....	adr mixer
Mark Weber	....	sound mixer
Nathan Whitehead	....	first assistant sound editor
Tom Williams	....	additional sound
James Wright	....	consultant: Dolby surround
Lars Bjerre	....	dialogue denoising (uncredited)

Visual Effects by
Orlando Delbert	....	graphic designer (uncredited)

Camera and Electrical Department
Lonn Bailey	....	assistant camera: Memphis
Mark Braun	....	assistant camera: Tucson
Oliver Cary	....	assistant camera: New York
Harry Frith	....	additional photographer
Pat Kelly	....	assistant camera: Boston
Ilya Lyudmirsky	....	assistant camera: Los Angeles
Allan Palmer	....	additional photographer
Katie Strand	....	assistant camera: Los Angeles
Curt Wallin	....	assistant camera: Park City

Editorial Department
Marc Fisher	....	finishing editor
Joe Fontes	....	post-production assistant
Clay Foster	....	second assistant editor
Ricardo Gonzalez	....	second assistant editor
Ryan Growney	....	post-production assistant
Terry Haggar	....	color timer
Christine Seino	....	assistant on-line editor
Michael R. Taylor	....	post-production assistant
Tom Wolf	....	head of post-production
Craig Sawczuk	....	post-production coordinator (uncredited)

Music Department
Danny Bramson	....	music consultant
Ed Bruno	....	music assistant
Erik Masone	....	music assistant
Angelos Skordos	....	music coordinator (as Angelo 'Pepe' Skordos)
Casey Stone	....	music scoring mixer
Ronald J. Webb	....	music editor

Other crew
Blake Armstrong	....	production assistant
Prudence Arndt	....	archival researcher
John Branston	....	researcher
Liz Carriere	....	production accountant
Frederick Dechow	....	production accountant
Charlie Dibe	....	production assistant
Leah Estrin	....	assistant: Ms. Roth
Nicole Flowers	....	production accountant
Bill Georgiou	....	titles and graphics
Diane Glosson	....	researcher
Mitchell Gutman	....	production assistant
Alanna Haderly	....	production assistant
Keith Heiley	....	production assistant
Nicole Hickman	....	researcher
Kari Hubert	....	production assistant
Moye Ishimoto	....	assistant to director
Mark Lennon	....	production assistant
David Lott	....	production assistant
Ian Mallahan	....	archivist
Scott Masterson	....	production assistant
Guy Morrison	....	archival researcher
Derek Natzke	....	production assistant
Pablo Pagan	....	production assistant
Miguel Raya	....	assistant: Mr. Grazer
David Schiff	....	head of production: World of Wonder
John Sergeant	....	researcher
Tess Smalley	....	production assistant (as Teresa Reilly Smalley)
Thairin Smothers	....	researcher
Michael Speelman	....	archival researcher
Caroline Stack	....	archival researcher
Lea Stenson	....	production assistant
Michael Zeininger	....	production assistant

Thanks
Johann Benét	....	special thanks
Barbara Boreman	....	acknowledgment: still photographs courtesy of
Jamie Boulton	....	thanks
Steven Corfe	....	thanks
Gerard Damiano	....	special thanks
Richard Dreyfuss	....	special thanks
Eric Edwards	....	special thanks
David Flint	....	special thanks
Elliott Gould	....	thanks
Lindsay Marchiano	....	acknowledgment: still photographs courtesy of
Paul Mazursky	....	thanks
Sheila Nevins	....	special thanks
Raymond Pistol	....	special thanks (as Ray Pistol)
Brad Rosenberger	....	special thanks

Production Companies

• Imagine Entertainment
• HBO Documentary Films
• World of Wonder
• Home Box Office (HBO)

Distributors

• Universal Pictures (2005) (USA) (theatrical)
• Central Partnership (2005) (Russia) (theatrical)
• Columbia TriStar Nordisk Film Distributors (2005) (Finland) (theatrical)
• Filmcoopi Zürich (2005) (Switzerland) (theatrical)
• Independent Films (2005) (Netherlands) (theatrical)
• Mediasoft Films (2005) (South Korea) (theatrical)
• Metropolitan Filmexport (2005) (France) (theatrical)
• Mikado (2005) (Italy) (theatrical)
• Momentum Pictures (2005) (UK) (theatrical)
• Quasar Films (2005) (Argentina) (theatrical)
• Shaw Organisation (2005) (Singapore) (theatrical)
• Constantin Film (2006) (Germany) (DVD)
• Oy Nordisk Film (2006) (Finland) (DVD)
• Tornado Film (2007) (Japan) (theatrical)
• Canvas (2007) (Belgium) (TV) (first national airing)
• Cecchi Gori Home Video (2005) (Italy) (DVD)
• Dolmen Home Video (2005) (Italy) (DVD)
• Dolmen Home Video (2005) (Italy) (VHS) (rental)
• Dutch FilmWorks (DFW) (2006) (Netherlands) (DVD)
• Giangiacomo Feltrinelli Editore (2005) (Italy) (DVD)
• Universal Studios Home Entertainment (2005) (USA) (DVD)

Other Companies

• Arrow Productions  footage: Deep Throat
• Dolby Laboratories  sound post-production
• Elizabeth Bardsley & Associates  script annotation
• New Beverly Cinema, The  special thanks
• Something Weird Video (SWV)  moving image archives provided by
• Sony Pictures Stock Footage  footage
• Widget Post Production  sound re-recording

Also Known As:

MPAA:

Rated NC-17 for explicit sexual content

Runtime:

USA:92 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Argentina:18 | Canada:16+ (Quebec) | Canada:18 (Nova Scotia) | Canada:R (Alberta/British Columbia/Manitoba/Ontario) | Finland:K-18 | Ireland:18 | Singapore:R21 (cut) | UK:18 | USA:NC-17 | Germany:16 | Norway:15 | USA:R (edited version) | Switzerland:16 (canton of Vaud) | Switzerland:16 (canton of Geneva) | Australia:R | Hong Kong:III | Sweden:15 | Netherlands:16 | Japan:R-18 | Switzerland:16 (canton of Zurich) | Malaysia:(Banned) | Philippines:R-18 | Iceland:16 | Portugal:M/16 | Italy:VM14 | France:-12 | South Korea:18 | Denmark:15 | New Zealand:R18

Company:

Imagine Entertainment

Trivia:

Inside Deep Throat was the first NC-17-rated film aired on HBO.

Goofs:

Factual errors: Early in the film, an unseen projectionist starts the film and we can see the projected image through the projection room window. He carelessly allows the leader to show on the screen. A frame marked "FOOT" is shown. Unless he is running the film backwards, this is wrong. The beginning of a film is marked "HEAD".

Quotes:

Older Lady:[archive footage] I just saw it, and I liked it! I liked it. I wanted to see a dirty picture, and that's what I saw. But I want the right to see that picture. I don't want somebody telling me that I can't see a dirty picture.

Movie Connections:

Features Changes (1970)

Soundtrack:

More Tingles

This Film is Not About Deep Throat

Sure, there are the corny jokes, the innuendo, and of course, the deep throat scene (you knew that was...erm...coming...sigh), but this film is beyond that. It's about a phenomenon - a phenomenon that changed the way North America views sex, pornography, censorship, and feminism.

Deep Throat changed America. Stop laughing, shaking your head - it's true! After Deep Throat, the government tried to shut down 'lewd' and 'vulgar' behaviour, and tried to keep it from the screens - but it was too powerful. The streets were filled with people who proclaimed their rights to watch the 'filth' if they wanted to - and these people weren't just shady perverts, protest-hungry college students and free-loving hippies, they were the middle class, the bourgeois, the suburban, the housewives and businessmen, older ladies and middle-age soccer moms - they were suburban middle America, and they were hungry to take part in this wave of commercial sexuality. America had been repressed for forty years and they needed to LET IT OUT!

The downside is that the phenomenon won. And one thing led to another, and somewhere along the way it lost its edge and we lost the sensual, leaving us with the sexual alone. The explicit, the clinical, the self-stimulating - we have it all on the click of the satellite remote, the DVD player, the internet - but there's no love in it any more. Deep Throat was hokey. It was crap. But it celebrated sex in a FUN way. And the 70s porn industry loved the body, it loved being sexy, it loved sultriness and sexuality. All you have to do is look at the art-house softcore films of the era - Emmanuelle, Camillle 3000, etc - to see this. Feminists were split - some loved the sexual freedom, others hated the exploitation - but everyone agreed that it was all RELEVANT. In a way, Deep Throat opened doors that desperately needed to be opened, but in a way it ruined what could have been beautiful. We won the right, but lost the passion.

Meanwhile, how often are you gong to have Larry Flynt, Dick Cavitt, Camille Paglia, John Waters, Alan Dershowitz, Normal Mailer, Bill Maher, Erica Jong, Xaviera Hollander and GORE VIDAL (!!!), one after the other lauding the most successful film in history??

This film is fascinating because it looks beyond the porn. It gives the curious, and the porn-hungry, that Deep Throat scene and a little sex thrown in for good measure. But those looking for XXX-friendly masturbation material are in the wrong theater, and will be bored by the talking heads, as they argue the pros and cons of a cheaply made, hokey porn flick that wouldn't elicit more than a half-chuckle from today's film-going audience (or from today's multi-billion dollar porn industry).

We see those who applaud and those who oppose. We see how Andrea True became a one-hit wonder (More More More!!), we see how Harry Reems became the scapegoat/fall guy and was convicted and incarcerated for obscenity (it probably should have been for bad acting...), and we see how Linda Lovelace was used and abused by everyone from her husband to the porn industry to feminists, each with their own agenda. Will the real Linda Lovelace please stand up? (Question: did Gloria Steinem exploit Lovelace any less than the porn industry did...??)

Fact: The porn industry has degenerated into everything it was expected to

Fact: Those in the porn industry who aspire to higher standards are 99% likely to be doomed to fail miserably and get blacklisted in Hollywood

Fact: Inside Deep Throat is the first documentary to really look at the shift within the industry, and where it all went wrong.

Not for the overly prude, the overly perverted or the closed minded. For the few of you who are left, it's an easy 7.5/10.