Nelson Mandela, in his first term as the South African President, initiates a unique venture to unite the apartheid-torn land: enlist the national rugby team on a mission to win the 1995 Rugby World Cup.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
In 1945, the Marines attack twelve thousand Japaneses protecting the twenty square kilometers of the sacred Iwo Jima island in a very violent battle. When they reach the Mount Suribachi and six soldiers raise their flag on the top, the picture becomes a symbol in a post Great Depression America. The government brings the three survivors to America to raise funds for war, bringing hope to desolate people, and making the three men heroes of the war. However, the traumatized trio has difficulty dealing with the image built by their superiors, sharing the heroism with their mates. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In explaining the importance of a successful bond drive, the treasury representative says that the fuel dumps are empty and "our Arab friends only take bullion." At the time of World War II, America was essentially self sufficient in oil production and not dependent on Arab oil. While oil was discovered in some Arab countries before the war, it was not extensively developed until after the war. See more »
Corpsman! Corpsman! Corpsman! Corpsman! For God sakes, corpsman! Corpsman! Corpsman!
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There is an additional short sequence after the credits have ended. See more »
I'll Walk Alone
Written by Sammy Cahn and Jule Styne
Performed by Dinah Shore
Courtesy of The RCA Records Label
By Arrangement with Sony BMG Music Entertainment
Main title performed by Don Runner See more »
In two and a half hours Clint Eastwood paints a thought provoking piece on heroism and war-propaganda. The film tells three stories: first it is the WW II battle of Iwo Jima where thousands of soldiers (Japanese and American) died 'conquering' that island. In the style of Saving Private Ryan (Spielberg is a producer of Flags) the viewer gets a astounding look at war with a lot of blood, guts and CGI. Second is the story of a son of one of the flag raisers on that island, who interviews other survivors of that battle to understand his dad a little better. This is very moving stuff, but stands a little pale in comparison to the final storyline. This is where veteran-director Eastwood really shines. Like his meditation on violence Unforgiven, Flags takes a closer look at heroism where soldiers by chance get into the spotlight of the war-propaganda-machine. Some may say that Eastwood made an anti-war film or even an anti-America film, but they're wrong. Flags is very critical on the way war is sold to the public. There's nothing honorable about killing or to be killed on the battlefield. The only thing that matters is that you protect you're friends in your platoon and that they protect you. Flags is one of the best war movies I ever saw, maybe even better than Ryan, because it's never sentimental and always honest in its portrayal of the soldiers and war in general.
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