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Flags of Our Fathers (2006)

The life stories of the six men who raised the flag at The Battle of Iwo Jima, a turning point in WWII.

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(screenplay), (screenplay) | 2 more credits »
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Nominated for 2 Oscars. Another 15 wins & 24 nominations. See more awards »

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Cast

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Storyline

In 1945, the Marines attack twelve thousand Japaneses protecting the twenty square kilometers of the sacred Iwo Jima island in a very violent battle. When they reach the Mount Suribachi and six Marines raise their flag on the top, the picture becomes a symbol in a post Great Depression America. The government brings the three survivors to America to raise funds for war, bringing hope to desolate people, and making the three men heroes of the war. However, the traumatized trio has difficulty dealing with the image built by their superiors, sharing the heroism with their mates. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Every Soldier Stands Beside A Hero See more »

Genres:

Drama | History | War

Motion Picture Rating (MPAA)

Rated R for sequences of graphic war violence and carnage, and for language | See all certifications »

Parents Guide:

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Details

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Release Date:

20 October 2006 (USA)  »

Also Known As:

La conquista del honor  »

Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend:

$10,245,190 (USA) (20 October 2006)

Gross:

$33,574,332 (USA) (8 December 2006)
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Company Credits

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Technical Specs

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

'Flags of Our Fathers' cost $55 million although it was originally budgeted at $80 million. In a 2006 interview Paul Haggis stated that Clint Eastwood had shot the movie in just over 50 days, or nearly half the original shooting schedule. Variety subsequently downgraded the price-tag to $55 million. The budget for the companion piece Letters from Iwo Jima (2006) was officially credited at $20 million but again, according to Variety, the actual cost was "under $70 million" for both movies combined (this would place the cost of 'Letters' as $15 million). It is possible that WB inflated the budget as part of its campaign when it became evident that 'Letters' had Academy Award potential (the same thing happened in 2004 with 'Million Dollar Baby'). As of April 2007 'Flags' and 'Letters' had a combined worldwide theatrical gross of $135 million, with 'Flags' having performed, according to Variety, "very strongly" in its home video bow. See more »

Goofs

Daylight pictures of "Soldier Field" (the flag raisers learn they will be climbing a paper mache hill) are actually filmed at the Rose Bowl (note the trees above the bowl which are the characteristic live oaks that surround the Rose Bowl). Of course, the "Soldier Field" stadium shots at night are computer graphics aided as the signature columns are no longer visible from inside the bowl since the recent massive renovation of this 80 year old stadium. See more »

Quotes

[first lines]
Soldiers: Corpsman! Corpsman! Corpsman! Corpsman! For God sakes, corpsman! Corpsman! Corpsman!
See more »

Crazy Credits

There is an additional short sequence after the credits have ended. See more »

Connections

Featured in The 64th Annual Golden Globe Awards (2007) See more »

Soundtracks

Summit Ridge Drive
Written by Artie Shaw
Performed by Artie Shaw and His Gramercy Five
Courtesy of Bluebird/Novus/RCA Victor
By Arrangement with Sony BMG Music Entertainment
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
War vs Hollywood
14 October 2006 | by (Netherlands) – See all my reviews

In two and a half hours Clint Eastwood paints a thought provoking piece on heroism and war-propaganda. The film tells three stories: first it is the WW II battle of Iwo Jima where thousands of soldiers (Japanese and American) died 'conquering' that island. In the style of Saving Private Ryan (Spielberg is a producer of Flags) the viewer gets a astounding look at war with a lot of blood, guts and CGI. Second is the story of a son of one of the flag raisers on that island, who interviews other survivors of that battle to understand his dad a little better. This is very moving stuff, but stands a little pale in comparison to the final storyline. This is where veteran-director Eastwood really shines. Like his meditation on violence Unforgiven, Flags takes a closer look at heroism where soldiers by chance get into the spotlight of the war-propaganda-machine. Some may say that Eastwood made an anti-war film or even an anti-America film, but they're wrong. Flags is very critical on the way war is sold to the public. There's nothing honorable about killing or to be killed on the battlefield. The only thing that matters is that you protect you're friends in your platoon and that they protect you. Flags is one of the best war movies I ever saw, maybe even better than Ryan, because it's never sentimental and always honest in its portrayal of the soldiers and war in general.


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