Norway, WWII: A group of British and German soldiers find themselves stranded in the wilderness after an aircraft battle. Finding shelter in the same cabin, they realize the only way to survive the winter is to place the rules of war aside.
It's a heroic tale of three blood brothers and their struggle in the midst of war and political upheaval. It is based on "The Assassination of Ma," a Qing Dynasty (1644-1911) story about ... See full summary »
Jewish brothers in Nazi-occupied Eastern Europe escape into the Belarussian forests, where they join Russian resistance fighters and endeavor to build a village in order to protect themselves and about 1,000 Jewish non-combatants.
In this sequel to Red Cliff, first minister Cao Cao convinces Emperor Han to initiate a battle against the two Kingdoms of Xu and Wu, who have become allied forces, against all expectations... See full summary »
Tony Chiu Wai Leung,
In 1945, the Marines attack twelve thousand Japaneses protecting the twenty square kilometers of the sacred Iwo Jima island in a very violent battle. When they reach the Mount Suribachi and six soldiers raise their flag on the top, the picture becomes a symbol in a post Great Depression America. The government brings the three survivors to America to raise funds for war, bringing hope to desolate people, and making the three men heroes of the war. However, the traumatized trio has difficulty dealing with the image built by their superiors, sharing the heroism with their mates. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
David Rasche appears in the film in a cameo role. Rasche is famous for his lampoon of Clint Eastwood's "Dirty Harry" character in the sitcom Sledge Hammer! (1986). Eastwood is known for his sense of humor and apparently liked the show. See more »
In explaining the importance of a successful bond drive, the treasury representative says that the fuel dumps are empty and "our Arab friends only take bullion." At the time of World War II, America was essentially self sufficient in oil production and not dependent on Arab oil. While oil was discovered in some Arab countries before the war, it was not extensively developed until after the war. See more »
Corpsman! Corpsman! Corpsman! Corpsman! For God sakes, corpsman! Corpsman! Corpsman!
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There is an additional short sequence after the credits have ended. See more »
In two and a half hours Clint Eastwood paints a thought provoking piece on heroism and war-propaganda. The film tells three stories: first it is the WW II battle of Iwo Jima where thousands of soldiers (Japanese and American) died 'conquering' that island. In the style of Saving Private Ryan (Spielberg is a producer of Flags) the viewer gets a astounding look at war with a lot of blood, guts and CGI. Second is the story of a son of one of the flag raisers on that island, who interviews other survivors of that battle to understand his dad a little better. This is very moving stuff, but stands a little pale in comparison to the final storyline. This is where veteran-director Eastwood really shines. Like his meditation on violence Unforgiven, Flags takes a closer look at heroism where soldiers by chance get into the spotlight of the war-propaganda-machine. Some may say that Eastwood made an anti-war film or even an anti-America film, but they're wrong. Flags is very critical on the way war is sold to the public. There's nothing honorable about killing or to be killed on the battlefield. The only thing that matters is that you protect you're friends in your platoon and that they protect you. Flags is one of the best war movies I ever saw, maybe even better than Ryan, because it's never sentimental and always honest in its portrayal of the soldiers and war in general.
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