Nelson Mandela, in his first term as the South African President, initiates a unique venture to unite the apartheid-torn land: enlist the national rugby team on a mission to win the 1995 Rugby World Cup.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
In 1945, the Marines attack twelve thousand Japaneses protecting the twenty square kilometers of the sacred Iwo Jima island in a very violent battle. When they reach the Mount Suribachi and six Marines raise their flag on the top, the picture becomes a symbol in a post Great Depression America. The government brings the three survivors to America to raise funds for war, bringing hope to desolate people, and making the three men heroes of the war. However, the traumatized trio has difficulty dealing with the image built by their superiors, sharing the heroism with their mates. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
At the Cannes Film Festival, filmmaker Spike Lee criticized director Clint Eastwood for not displaying African-American marines who had fought on Iwo Jima. Eastwood's response was that the movie was about the marines who raised the flag on Mount Suribachi. He went on to explain that although African-Americans did fight on Iwo Jima, the Marine Corps was segregated during WWII, and none of the men who raised the flag were black. Eastwood finally told Lee to "shut his face". Through the media, Lee responded that Eastwood was being an angry old man. Lee was filming Miracle at St. Anna (2008) at the time, a film about four black soldiers fighting WWII in Italy. See more »
Petty officer Badley's white uniform is post war. You can see two slits for the pockets. Pre-war dress whites had such pockets, but with a blue yoke and cuffs. Postwar dress white uniforms have them as well. During WWII, a simple patch pocket of the Undress White uniform was used, dress whites being discontinued for the duration. See more »
Corpsman! Corpsman! Corpsman! Corpsman! For God sakes, corpsman! Corpsman! Corpsman!
See more »
There is an additional short sequence after the credits have ended. See more »
In two and a half hours Clint Eastwood paints a thought provoking piece on heroism and war-propaganda. The film tells three stories: first it is the WW II battle of Iwo Jima where thousands of soldiers (Japanese and American) died 'conquering' that island. In the style of Saving Private Ryan (Spielberg is a producer of Flags) the viewer gets a astounding look at war with a lot of blood, guts and CGI. Second is the story of a son of one of the flag raisers on that island, who interviews other survivors of that battle to understand his dad a little better. This is very moving stuff, but stands a little pale in comparison to the final storyline. This is where veteran-director Eastwood really shines. Like his meditation on violence Unforgiven, Flags takes a closer look at heroism where soldiers by chance get into the spotlight of the war-propaganda-machine. Some may say that Eastwood made an anti-war film or even an anti-America film, but they're wrong. Flags is very critical on the way war is sold to the public. There's nothing honorable about killing or to be killed on the battlefield. The only thing that matters is that you protect you're friends in your platoon and that they protect you. Flags is one of the best war movies I ever saw, maybe even better than Ryan, because it's never sentimental and always honest in its portrayal of the soldiers and war in general.
286 of 384 people found this review helpful.
Was this review helpful to you?