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Flags of Our Fathers (2006)

R  |   |  Drama, History, War  |  20 October 2006 (USA)
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Ratings: 7.1/10 from 97,550 users   Metascore: 79/100
Reviews: 412 user | 280 critic | 39 from Metacritic.com

The life stories of the six men who raised the flag at The Battle of Iwo Jima, a turning point in WWII.



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Nominated for 2 Oscars. Another 13 wins & 22 nominations. See more awards »



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Cast overview, first billed only:


In 1945, the Marines attack twelve thousand Japaneses protecting the twenty square kilometers of the sacred Iwo Jima island in a very violent battle. When they reach the Mount Suribachi and six soldiers raise their flag on the top, the picture becomes a symbol in a post Great Depression America. The government brings the three survivors to America to raise funds for war, bringing hope to desolate people, and making the three men heroes of the war. However, the traumatized trio has difficulty dealing with the image built by their superiors, sharing the heroism with their mates. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis


Heroes are something we create, something we need. See more »


Drama | History | War

Motion Picture Rating (MPAA)

Rated R for sequences of graphic war violence and carnage, and for language | See all certifications »

Parents Guide:





Release Date:

20 October 2006 (USA)  »

Also Known As:

La conquista del honor  »

Box Office


$53,000,000 (estimated)

Opening Weekend:

$10,245,190 (USA) (20 October 2006)


£366,722 (UK) (29 December 2006)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Jared Leto turned down a key role in order to commit his time to his band, 30 Seconds to Mars. See more »


When Ira Hayes goes to visit Ed Block (Harlon Block's father) at his farm near Weslaco, Texas you see mountains in the background. The Block farm was in the lower Rio Grande Valley of deep South Texas, which is quite flat. (Despite its name, it isn't a valley at all but the delta of the Rio Grande). The nearest mountains are in northern Mexico, over 100 miles to the south. See more »


[first lines]
Soldiers: Corpsman! Corpsman! Corpsman! Corpsman! For God sakes, corpsman! Corpsman! Corpsman!
See more »

Crazy Credits

There is an additional short sequence after the credits have ended. See more »


Featured in The Hour: Episode #7.104 (2011) See more »


Flags of Our Fathers
Written by Clint Eastwood
Performed by Bruce Forman, Kyle Eastwood, Michael Stevens, Andrew McCormack and Graeme Flowers
See more »

Frequently Asked Questions

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User Reviews

An amazing accomplishment
18 October 2006 | by (United States) – See all my reviews

I've always felt that when you fictionalize a story about war, you dishonor the memory of so many people who have a compelling story to tell by choosing to make something up instead *cough*privateryan*cough*.

The problem with war movies about real people is that you have to deal with complexities of character and plot that the genre simply doesn't lend itself easily to.

So when the story at hand aims to pose questions like "what does it mean to do the wrong things for the right reasons" and tries to debunk the popular myth of herodom, there's very little margin for error.

Enter Clint Eastwood. Never one to shy away from challenging stories, this is a much bigger effort than his usual understated character dramas. On the one hand, it doesn't "feel" like a Clint Eastwood movie, but on the other, it feels at home in his themes of used-up heroes -- the person behind the larger than life persona. These are complex characters in very difficult situations, and he presents them in a way that's straightforward and non-judgmental, so we're left to decide the answers to the film's central conflicts ourselves.

To a person, the cast is up to the challenge. It's hard not to admire Ryan Phillippe for a restrained and thoughtful performance, but the real kudos go to Adam Beach. Almost every aspect of Beach's character is cliché, with one minor exception - that's really the way Ira Hayes was. So the challenge was to portray Hayes as a real person despite the cliché, and the result is one of the most heartbreaking and troubling performances in the film. Here's a guy who is portrayed as a hero, who really has no answers at all.

There's a lot not to like about the film. It's not "entertaining" per se, in the same way that any war memorial in DC is not entertaining. Nor is it a particularly approachable film. What it lacks in popcorn-munching entertainment value, it replaces with gravitas. This is an important film, about an important time. It's status as a valuable history lesson is secondary to it's reflections on human nature and our society. As such, it deserves to be seen, and contemplated, and appreciated.

I can't wait for Letters From Iwo Jima (the companion piece, also from Clint Eastwood, told from the Japanese point of view.) Taken together, the scope of this project is breathtaking.

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