| Steffany Huckaby | ... | Heather | |
| Melanie Lewis | ... | Devon | |
| Yolanda Pecoraro | ... | Elizabeth | |
| Kristin Novak | ... | Ashley | |
| Annie Burgstede | ... | Tori | |
| Jason Lasater | ... | Richie | |
| Gary Wolf | ... | Gio | |
| Robyn Corum | ... | Leah | |
| Gill Gayle | ... | Professor | |
| Brian Dyer | ... | Dr. Vangard | |
| Reenie Varga | ... | Ghost Nurse | |
| Jilon VanOver | ... | Mason (as Jilon Ghai) | |
| Jesse Bernstein | ... | Cameron | |
| George W. Harr Jr. | ... | Death in Sanatorium (as George 'Big John' Harr) | |
| B.J. Winslow | ... | Death in Morgue | |
| Joan Farrell | ... | Traci | |
| Laura Corum | ... | Nurse from Past | |
| Sarah Tilford | ... | Lizzie the Ghost Girl | |
| Lucy Cabrera | ... | Lizzie in Past | |
| Annika Klein | ... | Little Girl in Car | |
| Eric Rasper | ... | Patient | |
| Matt Young | ... | Patient | |
| Sean Penn | ... | Doctor | |
| Kendra Hale | ... | Ghostly Twin 1 | |
| Ashley Neighbors | ... | Ghostly Twin 2 | |
| Ashley Fultz | ... | Girl on Stage | |
| rest of cast listed alphabetically: | |||
| Whitney Kayrouz | ... | Girl | |
Directed by | |||
| Philip Adrian Booth | |||
Writing credits(in alphabetical order) | ||
| Christopher Saint Booth | ||
| Philip Adrian Booth | ||
Produced by | |||
| Christopher Saint Booth | .... | producer | |
| Jessica Lynn Morris | .... | assistant producer | |
| Pejman Partiyeli | .... | associate producer | |
| Corky Taylor | .... | executive producer | |
Original Music by | |||
| Christopher Saint Booth | (as Christopher Saint) | ||
Cinematography by | |||
| Philip Adrian Booth | |||
| Marcel Cabrera | (director of photography) | ||
| Roberto Correa | |||
Film Editing by | |||
| Philip Adrian Booth | |||
Casting by | |||
| Greg Dehn | |||
Production Design by | |||
| Christopher Saint Booth | (as Christopher Saint) | ||
Art Direction by | |||
| Christopher Saint Booth | (as Christopher Saint) | ||
| James Smith | |||
Set Decoration by | |||
| Jessica Lynn Mathis | |||
Costume Design by | |||
| Christopher Saint Booth | (as Christof) | ||
Makeup Department | |||
| Marlena Glick | .... | makeup artist | |
| Keith McDowell | .... | hair stylist | |
| Keith McDowell | .... | makeup artist | |
Production Management | |||
| Archie Borders | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Brian O'Sullivan | .... | first assistant director | |
| Matt Young | .... | second assistant director | |
Art Department | |||
| Maureen Carter | .... | painter | |
| Aaron Chamberlain | .... | art department assistant | |
| Vincent Pulliam | .... | art department assistant | |
| James Smith | .... | set dresser | |
| Alecia Ann Walters | .... | art department assistant | |
Sound Department | |||
| Christopher Saint Booth | .... | sound (as Saint) | |
| Philip Adrian Booth | .... | sound editor | |
| Joe McGill | .... | sound mixer | |
| Joe McGill | .... | sound recordist | |
| Peter Rand | .... | sound mixer | |
| Adam Snyder | .... | boom operator | |
Special Effects by | |||
| Ron Karkoska | .... | special effects | |
| Mark Villalobos | .... | special effects | |
Visual Effects by | |||
| Philip Adrian Booth | .... | digital compositor | |
| Robert Costanza | .... | high definition engineer | |
Stunts | |||
| Charlie Miller | .... | stunts | |
Camera and Electrical Department | |||
| Christopher Saint Booth | .... | still photographer | |
| Richard Brush | .... | grip | |
| Cameron Cannon | .... | gaffer | |
| Carl Coates | .... | gaffer | |
| Jerry Coatney | .... | gaffer | |
| Rowland Egerton | .... | electrician (as Rowland M. Egerton) | |
| Rowland Egerton | .... | grip | |
| Tim Fuller | .... | second assistant camera | |
| Luis Gomez | .... | grip | |
| William Jones | .... | grip | |
| Greg J. Kowalewski | .... | third assistant camera | |
| John Rheamount | .... | grip | |
| Dave Ryan | .... | key grip | |
| Kevin Stanton | .... | best boy | |
| Matt Ware | .... | best boy | |
| Michael Wright | .... | first assistant camera | |
Costume and Wardrobe Department | |||
| Gabor Szabo | .... | costumer | |
| Phyllis Vaught | .... | costumer | |
Editorial Department | |||
| Christopher Saint Booth | .... | assistant editor | |
Other crew | |||
| Keith Age | .... | research consultant: Waverly Hills | |
| Aaron Chamberlain | .... | floater intern | |
| Laura Corum | .... | production assistant | |
| Robyn Corum | .... | production accountant | |
| Robyn Corum | .... | production assistant | |
| George W. Harr Jr. | .... | security officer | |
| Charles Mattingly | .... | location manager (as Charlie Mattingly) | |
| Charles Mattingly | .... | research consultant: Waverly Hills (as Charlie Mattingly) | |
| Tina Mattingly | .... | location manager | |
| Tina Mattingly | .... | research consultant: Waverly Hills | |
| Jessica Lynn Morris | .... | assistant to producer | |
| Jessica Lynn Morris | .... | continuity | |
| Jessica Lynn Morris | .... | research specialist | |
| Ron Parkhurst | .... | research consultant: Waverly Hills | |
| Sean Penn | .... | production assistant | |
| Cora Russell | .... | assistant accountant | |
| Joshua S. Schechter | .... | film property agent (as Josh Schechter) | |
| Tara Shackelford-Lawton | .... | production assistant (as Tara Shackelford) | |
| Lawrence Strauss | .... | legal services | |
| Robert Strent | .... | legal services | |
| Sarah Tilford | .... | floater intern | |
| Truman Van Dyke | .... | insurance | |
| Ryan Weitz | .... | documentarian | |
Thanks | |||
| Heather Ashlyn Booth | .... | very special thanks | |
| George W. Harr Jr. | .... | special thanks (as George 'Big John' Harr) | |
| Ron Parkhurst | .... | special thanks | |
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| Boo | An American Haunting | 1408 | Prozac Nation | Darkness Falls |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
If you watch this movie without knowing any of the history, I can understand why you would say it sucks; and I would agree. However, you need to understand what the director is trying to accomplish in order to appreciate what is going on.
Waverly Hills Sanatorium is a real place in Kentucky. It was built as a hospital to fight TB back in the early 1900's. There wasn't a cure, and morale was low, so the death tunnel was built to export bodies out of the building without the living seeing them. Patients not seeing the high death rate were given a new hope. It's an amazing building with an intriguing past, and is truly believed to be haunted.
Many of the scenes the director portrayed are actual accounts of what people have said to have witnessed. He's taken these stories and attempted to derive a horror flick. For this reason, and this reason alone, I would recommend the movie.
Now, to get to the movie.
First off, the acting isn't brilliant. Kristin Novak's character Ashley is ridiculously obnoxious, and the others are over-dramatic. The storyline isn't put together well, and it doesn't do a very good of explaining what is going on, so it's hard to follow. (If you know the history of Waverly Hills, it's not as bad).
I dug the movie because of it's history, not because it's good. I would definitely recommend checking out the episode of Ghost Hunters (Sci-Fi Channel) where they investigate the building; or check out the documentary (Also directed by Booth and aired on the Sci-Fi Channel).
The Waverly Hills Sanatorium is an amazing place, and it's a shame that the movie isn't any better.