A series of overlapping stories about four suburban families dealing with different maladies. Esther Gold's life is consumed by caring for her comatose son; Jim Train is sent into a ... See full summary »
Mary Kay Place
L.A. soft-porn writer Carter Webb is frustrated enough after his actress girlfriend dumps him to need a serious break. He decides to spend it with his grandmother, who can't really take ... See full summary »
After a blurred trauma over the summer, Melinda enters high school a selective mute. Struggling with school, friends, and family, she tells the dark tale of her experiences, and why she has chosen not to speak.
Robert John Burke
A massage therapist looking to overcome her addictions and reconnect with her son, whose father is an anthropologist in South America studying the Yanomani people, moves in with a wealthy ex-client in New Jersey.
The Munns, father John and sons Chris and Tim, recede to the woods of rural Georgia. Their life together is forever changed with the arrival of Uncle Deel, though the tragedy that follows ... See full summary »
A family relocates from the city to a dilapidated house in the country that was once a grand estate. As they begin to renovate the place they discover their new home harbors secrets, conceals a horrific past, and may not be free of the former inhabitants completely.
'The Cake Eaters' is a quirky, small town, ensemble drama that explores the lives of two interconnected families coming to terms with love in the face of loss. Living in rural America, The Kimbrough family is a normally odd bunch; Easy, the patriarch and local butcher, is grieving over the recent loss of his wife, Ceci, while hiding a secret ongoing affair for years; Beagle, his youngest son who was left to care for his ailing mother, works in the local high school cafeteria by day but has a burning passion inside that manifests itself through painting street signs; and the eldest son, Guy, has been away from the family for years while pursuing his rock star dream in the big city until the day he learns of his mother's passing and that he's missed the funeral. Upon Guy's return home, relationships between the characters begin to unravel; Beagle's pent up emotions connect with Georgia Kaminski, a terminally ill teenage girl wanting to experience love before it's too late; Easy's long ... Written by
The Buffalo Niagara Film Festival (BNFF), 2008
After Georgia spends the night in bed with Beagle, when she sits up to leave the bed, you can see bra strap marks on her back. Supposedly, she had been naked all night, so she shouldn't have any bra strap marks. See more »
Listen, I'm the queen of stupid, so one word: protection. You're gorgeous, I'm a genius.
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In this superbly rendered drama from Mary Stuart Masterson, two small-town families find their lives unexpectedly intertwined when the quiet, socially awkward Beagle Kimbrough (Aaron Stanford) invites the romantic attentions of Georgia Kaminski (Kristen Stewart), a young girl with a rare but terminal nervous disease who knows her window of opportunity is rapidly closing. Much to the chagrin of her domineering mother, and the chilly audits of her otherwise zesty grandmother, Georgia decides to follow her feelings to wherever it is they lead her. Meanwhile, Beagle's older brother Guy (Jayce Bartok), the wayward son, returns from a dead-end bid to become a musician and struggles to reconcile himself with estranged father Easy (Bruce Dern) the town butcher, whose wife (Guy and Beagle's mother) has recently passed away.
There are so many points in this movie where a less steady hand might have foundered the effort, either by overplaying the sentiment card, or by trying to hard to push the tragic undertones, but the film finds an immaculate balance, that golden middle-of-the-road equilibrium that just gets rarer the more time goes by. The characters are so genuine, their stories so real, that the film exacts an impact that is no less raw, and no less memorable, than the trials and tribulations of families we know in life.
The first scene offers a perfect illustration of everything that's right with the movie: Beagle and Easy sit across from each other at the breakfast table, Easy contemplating such bold measures as changing his breakfast cereal, Beagle listening, responding in monosyllables, almost without thinking, and from this one tiny encounter we glean the whole spectrum of what their relationship has become perfunctory, habitual, and void of energy.
With writing this precise, and with performances so nuanced and natural that all of Hollywood's clichés are swept under the carpet without so much as a whimper, the stage is set for perfection.
Which is what this movie is perfection.
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