Adam's Apples
(2005)
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Adam's Apples
(2005)
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| Cast overview, first billed only: | |||
| Ulrich Thomsen | ... |
Adam Pedersen
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| Mads Mikkelsen | ... |
Ivan
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Nicolas Bro | ... |
Gunnar
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| Paprika Steen | ... |
Sarah Svendsen
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| Ali Kazim | ... |
Khalid
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Ole Thestrup | ... |
Dr. Kolberg
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| Nikolaj Lie Kaas | ... |
Holger
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Gyrd Løfquist | ... |
Poul Nordkap
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Lars Ranthe | ... |
Esben
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Peter Reichhardt | ... |
Nalle
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Tomas Villum Jensen | ... |
Arne
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Peter Lambert | ... |
Jørgen
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Solvej K. Christensen | ... |
Pige på tankstation
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Rasmus Rise | ... |
Ung fyr på tankstation #1
(as Rasmus Rise Michaelsen)
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Jacob-Ole Remming | ... |
Ung fyr på tankstation #2
(as Jacob Ole Remming)
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Ivan is a priest in a rural church known for the apples that grow on a large tree in front. He's odd: seeing the world through rose-colored glasses, in denial about personal facts, and convinced he's at war with Satan. The rectory is a half-way house for recently paroled convicts. Adam arrives for 12 weeks, a large, tough neo-Nazi, first baffled by Ivan's thick-headed optimism, then angry. He vows to break Ivan's faith. Meanwhile, in exasperation at Ivan's insistence, Adam sets a personal goal: to bake an apple pie. All goes awry for the tree: crows, worms, lightening. The Book of Job gives Adam perverse insight, and his hooligan mates provide the resolution's spring. Written by <jhailey@hotmail.com>
Anders Thomas Jensen may be the most interesting danish director/scriptwriter in recent times, and this movie certainly proves it. The neo-nazi Adam (Ulrich Thomsen) is sent to resocialization at a local church with a priest who can't do anything but turn the other cheek. In a religious context he relive the life and destiny of Job who's punished by God. This could very well have been an abstract and far-our movie, however Thomas Jensen has the ability to make it understandable, humorous and very entertaining, while keeping the love and respect of the religious story. He also has the ability to make the audience reflect the content, by providing black humour, quickly followed by caring tragedy. One might not always know why one laughs. Following the success of Blinkende Lygter and the not-so-great De Grønne Slagtere, Thomas Jensen places this story in between, by providing a black comedy with a great mind.