Autobots must escape sight from a bounty hunter who has taken control of the human serendipity: Unexpectedly, Optimus Prime and his remaining gang turn to a mechanic, his daughter, and her back street racing boyfriend for help.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
A long time ago, far away on the planet of Cybertron, a war is being waged between the noble Autobots (led by the wise Optimus Prime) and the devious Decepticons (commanded by the dreaded Megatron) for control over the Allspark, a mystical talisman that would grant unlimited power to whoever possesses it. The Autobots managed to smuggle the Allspark off the planet, but Megatron blasts off in search of it. He eventually tracks it to the planet of Earth (circa 1850), but his reckless desire for power sends him right into the Arctic Ocean, and the sheer cold forces him into a paralyzed state. His body is later found by Captain Archibald Witwicky, but before going into a comatose state Megatron uses the last of his energy to engrave into the Captain's glasses a map showing the location of the Allspark, and to send a transmission to Cybertron. Megatron is then carried away aboard the Captain's ship. A century later, Captain Witwicky's grandson Sam Witwicky (nicknamed Spike by his friends) ... Written by
Q. Leo Rahman
The "Moustache Man" hologram projected by the Decepticons is actually Brian Reece, a serving MH-53 pilot. He was spotted while piloting the Blackout helicopters, and Michael Bay and Steven Spielberg thought he had the right look (mean and cold) for a Decepticon hologram. Reece had to reschedule his wedding and honeymoon to film his scenes. See more »
When Sam is running from Barricade and hits Mikaela who is riding a moped they fall on the ground and the moped is clearly visible laying next to them on the ground. In the next shot they zoom out and the moped is nowhere to be seen. See more »
Before time began, there was the Cube. We know not where it comes from, only that it holds the power to create worlds and fill them with life. That is how our race was born. For a time, we lived in harmony. But like all great power, some wanted it for good, others for evil. And so began the war. A war that ravaged our planet until it was consumed by death, and the Cube was lost to the far reaches of space. We scattered across the galaxy, hoping to find it and rebuild our home. ...
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When the DreamWorks and Paramount logos appear, they are accompanied by a series of robotic sounds. See more »
"I bought a car. It turned out to be an alien robot. Who knew?"
At the release of this film, 21 years have passed since the animated film came out. In all that time, we've seen two decades worth of cheesy action films, spirited adventures, imaginative sci-fi, and immense special-effects development. And with director Michael Bay fine-tuning his larger-than-life work style and sense of grandeur, it seems that cinematic fate has cumulated in the creation of this epic film. For fans of the classic cartoons or modern action junkies, the film delivers all the way; the action starts off strong and intense, and hardly lets up. Some scenes are quite awe-inspiring; the opening base attack, the highway chase, the city battle are among the best action scenes in any film. The scope and scale is impressive. The pacing is relentlessly fast. The humor is genuinely amusing and helps keep things light and fresh. It's every bit as big, original, and entertaining as some of the best blockbusters out there, and I think one would be hard-pressed to be bored by it.
The story for this could probably be picked apart easily by the most critical viewers (it's especially odd seeing a number of scenes turning from day to night in a matter of seconds). But if you're able and willing to forgive the film for its faults, it is a decently-structured plot with a fine cast of characters. It's pretty fun watching the film kick off with the relationship between a boy and his car; but heck, intergalactic robot war is pretty fun too.
The film has awesome photography; there must be thousands of gorgeous postcard-worthy shots throughout. Some scenes are a little shaky and editing is pretty darn fast; it might be a major turn-off for some folks, and I do believe it does make the actual transformers harder to see. But it is still mostly coherent, and helps keep the pacing up. Acting is what it is. Shia LaBeouf borders on being annoying, but for his character it's fitting. Megan Fox is a little iffy in this role, but she is a looker. I enjoy Josh Duhamel in his role; Tyrese Gibson and Zack Ward are pretty fun in their parts. I didn't like John Turturro at first, but he grew on me. And of course, the voice-acting (including the talents of Peter Cullen and Hugo Weaving) is great. Production value is insanely high, featuring top-notch sets, props, costumes, and special effects; it's also noteworthy for implementing a huge amount of authentic military hardware and real soldiers in action. Music is pretty darn cool too.