When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
A long time ago, far away on the planet of Cybertron, a war is being waged between the noble Autobots (led by the wise Optimus Prime) and the devious Decepticons (commanded by the dreaded Megatron) for control over the Allspark, a mystical talisman that would grant unlimited power to whoever possesses it. The Autobots managed to smuggle the Allspark off the planet, but Megatron blasts off in search of it. He eventually tracks it to the planet of Earth (circa 1850), but his reckless desire for power sends him right into the Arctic Ocean, and the sheer cold forces him into a paralyzed state. His body is later found by Captain Archibald Witwicky, but before going into a comatose state Megatron uses the last of his energy to engrave into the Captain's glasses a map showing the location of the Allspark, and to send a transmission to Cybertron. Megatron is then carried away aboard the Captain's ship. A century later, Captain Witwicky's grandson Sam Witwicky (nicknamed Spike by his friends) ... Written by
Q. Leo Rahman
To prepare for their roles, Josh Duhamel and Tyrese Gibson spent three days in boot camp, and Gibson also spent time with combat controller Ray Bollinger to make his dialog sound natural. See more »
In the alley where Sam, Mikaela and Bumblebee meet the rest of the Autobots, as the camera orbits around the transforming Optimus Prime, Bumblebee can be seen backing up as Ratchet and Jazz pull in to his right and Ironhide to his left. As we pan around Optimus to see them again and the other Autobots are transforming, Ironhide and Bumblebee have switched spots. See more »
Before time began, there was the Cube. We know not where it comes from, only that it holds the power to create worlds and fill them with life. That is how our race was born. For a time, we lived in harmony. But like all great power, some wanted it for good, others for evil. And so began the war. A war that ravaged our planet until it was consumed by death, and the Cube was lost to the far reaches of space. We scattered across the galaxy, hoping to find it and rebuild our home. ...
[...] See more »
When the DreamWorks and Paramount logos appear, they are accompanied by a series of robotic sounds. See more »
Second to None
Written by Takbir Bashir (as Takbir Ashir) and Ryan McGinn
Performed by Styles of Beyond featuring Mike Shinoda
Courtesy of Machineshop Recordings/Warner Bros. Records Inc.
By Arrangement with Warner Music Group Film & TV Licensing See more »
Great visual and sound effects, lots of humour and a lot of flaws.
Transformers is a very mixed bag. There are great things about it and there are some not-so-great things about it...
The visual effects. Perhaps the best special effects I've ever seen
in a movie. The transformations are amazing not to mention super-awesome. The CGI fits in seamlessly with the live action and it's easy to forget how logistically difficult a lot of it would have been to film.
The sound design. The sound effects complement the action perfectly
making everything twice as exciting. Probably less acknowledged is the alien atmosphere created by some of the score which heightens the tension very effectively and probably without the majority of the audience noticing.
Shia LeBeouf. Without him the movie wouldn't be nearly as engaging.
He has natural comic timing and is probably second to none in expressing disbelief of the "holy crap, there's a giant alien robot transforming in front of me" variety.
The humour. Transformers is funnier than most good comedies which I
was not expecting in the least. The transformers themselves are often funnier than they are impressive.
The Decepticons. Man are they cool. The opening scene is particularly
Megan Fox. If hot means "can't act and doesn't weigh much" then yes,
she's very hot. It's not a good sign if you want one of the main characters to die or at least get out of the way and stop trying to act. Her performance just seemed very shallow and probably wasn't helped by her dialogue.
The script. Although the overall storyline is good, some of the
dialogue is terrible. Too much of the film is spent on mumbo jumbo technical explanations the audience just doesn't care about. The less serious parts of the script work very well though.
Michael Bay. Although some of the action scenes are very well put
together and the humorous parts are timed very well, Bay can't help but ruin some of the scenes with unnecessarily flashy editing and over the top drama accompanied by none-too-subtle dramatic music. It's not that Michael Bay's style is too loud, it's that it's too clichéd.
The music. Nothing new here (other than the alien sounding parts).
Practically rips of Batman Begins and is otherwise forgettable. The music should enhance the film by bringing out interesting themes or emotions, not force feeding us the drama we can plainly see on the screen in super slow motion.
Megatron. He's ugly. And super cool.
So, my verdict? The good outweighs the bad pretty comfortably. If you took out the bad you might even have a classic on your hands. Instead you get revolutionary action scenes and some great comedy with Michael Bay's unique brand of mediocre directing sprinkled throughout.
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