When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
A long time ago, far away on the planet of Cybertron, a war is being waged between the noble Autobots (led by the wise Optimus Prime) and the devious Decepticons (commanded by the dreaded Megatron) for control over the Allspark, a mystical talisman that would grant unlimited power to whoever possesses it. The Autobots managed to smuggle the Allspark off the planet, but Megatron blasts off in search of it. He eventually tracks it to the planet of Earth (circa 1850), but his reckless desire for power sends him right into the Arctic Ocean, and the sheer cold forces him into a paralyzed state. His body is later found by Captain Archibald Witwicky, but before going into a comatose state Megatron uses the last of his energy to engrave into the Captain's glasses a map showing the location of the Allspark, and to send a transmission to Cybertron. Megatron is then carried away aboard the Captain's ship. A century later, Captain Witwicky's grandson Sam Witwicky (nicknamed Spike by his friends) ... Written by
Q. Leo Rahman
Throughout the film, Bumblebee communicates using his radio, in a manner reminiscent of the Junkions, denizens of the planet Junk, featured in The Transformers: The Movie (1986), who spoke entirely in the form of television broadcasts. Notable transmissions by Bumblebee include:
The voice of Lt. Uhura from Star Trek (1966) saying "Message from Starfleet." The role of Megatron/Galvatron was previously played by Leonard Nimoy and Frank Welker, who have also both played Spock in Star Trek.
A line, "Across the inanimate vastness of space," was taken from Orson Welles's infamous 1939 radio broadcast "The War of the Worlds." Welles's final film was The Transformers: The Movie (1986), where he voiced the planet-devouring Unicron.
A phrase from a sermon, "angels from Heaven." In Japan the Transformers are known as the "Super God Robot Force."
When the A-10 uses its 30mm cannon for strafing in the Qatar desert, the sound has absolutely nothing to do with the actual sound of a GAU-8 cannon firing. The real sound is more of a growl, sort of the sound of a vibrating cell phone on a hard surface. See more »
Before time began, there was the Cube. We know not where it comes from, only that it holds the power to create worlds and fill them with life. That is how our race was born. For a time, we lived in harmony. But like all great power, some wanted it for good, others for evil. And so began the war. A war that ravaged our planet until it was consumed by death, and the Cube was lost to the far reaches of space. We scattered across the galaxy, hoping to find it and rebuild our home. ...
[...] See more »
When the DreamWorks and Paramount logos appear, they are accompanied by a series of robotic sounds. See more »
This movie is ACTION. I say this first because if you think this movie will be anything more than this, you will be disappointed on some level (as I was). Frame for frame this movie screams Michael Bay.
Now that's out of the way, there's a lot of stuff here that works and a lot that doesn't. It's a good thing that the robots do work. Seeing autobots and decepticons in glorious photo-realistic CGI is enough to wring out any childhood fantasy from anybody (not just boys from the 80s). Watching these robots move is to realize a revelation to what is possible with modern movie effects. Whether it's transforming on the move, bashing the living daylights out of each other, or just standing and talking, these guys alone make the movie work. And unlike the other blockbusters that have came out this year, these effects have a sense of weight that adds so much to the visual satisfaction.
As for everything else, well... that's when things start to go downhill. In typical epic fashion, this movie contains a sprawling cast. Along with this however, are a large number of writing and acting issues. With such a large number of underdeveloped characters, names are pretty much luxury. Also, most of the human related humor gags miss badly, which makes it hurt more considering a lot of the characters were unnecessary. Jon Voight's Secretary of Defense character completely baffles me, which makes me think that audiences responded positively to the President in Independence Day doing aerial dogfights. Any positives from the supporting cast (including the strange yet entertaining overacting of John Turturro) are outweighed by the large set of negatives.
However, the cast has got it where it counts. Shia Lebeouf plays an important part in selling the reality of the robots as the lead character Sam, and also carries an easy likability factor. Megan Fox's acting does a reasonable job bringing some interest to her character to beyond her looks. The voice cast also does an overall superb job. Peter Cullen IS Prime, and although his dialogue does border on the ridiculous, he always has a sense of gravity to his lines. Hugo Weaving also does an equally commendable job as Megatron (His booming entrance will forever be embedded into the minds of little kids everywhere). The rest of the transformers don't say much, which is a shame because I wanted to see so much more interplay between them (The taunts that Optimus and Megatron yell as their fighting is great stuff).
Another major gripe I have is Bay's ADD editing. Although it does keep the movie constantly moving, it creates some issues with continuity and distracts from some of the action (probably the biggest crime committed in the movie).
I could go on and on about the good things (Bumblebee, Frenzy) and the bad things (Anthony Anderson and his family, forgotten Barricade) and the downright weird things (Dubya's cameo, Sam's friend climbing in a tree). Overall, the film delivers where it really matters. Although I was disappointed, the amount of potential for the sequel (which just got greenlighted) just gets me giddy (is it too much to ask for a tighter script and better acting?)
(Also, the Autobot Assemble scene is one of the coolest things I've seen in theaters in years.)
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