Salvador Allende (2004)

User Rating:

7.6/10   

Director:

Patricio Guzmán

Writer:

Patricio Guzmán (writer)

Release Date:

5 September 2007 (USA)

Genre:

Documentary | Biography

Plot:

From his childhood in Valparaiso to his death during the Pinochet military coup on September 11, 1973, the life and works of Chilean president Salvador Allende. |

Plot Keywords:

Salvador Allende | Chile

Awards:

1 win & 2 nominations

Cast

Salvador Allende	...	Himself (archive footage)
Patricio Guzmán	...	Narrator (voice: Spanish version)
Jacques Bidou	...	Narrator (voice: French version)
Alejandro Gonzáles	...	Himself (as Alejandro 'Mono' Gonzáles)
Ema Malig	...	Herself
Anita	...	Herself
Victor Pey	...	Himself
Sergio Vuskovic	...	Himself
Edward M. Korry	...	Himself
Isabel Allende	...	Herself
Ernesto Salamanca	...	Himself
Carmen Paz	...	Herself
Claudina Nuñez	...	Herself
Volodia Teitelboim	...	Himself
Carlos Pino	...	Himself
Carlos Rossel	...	Himself
Larris Araya	...	Himself
Enrique Molina	...	Himself
Miria Contreras	...	Herself
Veronica Ahumada	...	Herself
Arturo Giron	...	Himself
José Balmes	...	Himself
Gonzalo Millian	...	Himself (archive footage)
rest of cast listed alphabetically:
Fidel Castro	...	Himself (archive footage)
Henry Kissinger	...	Himself (archive footage)
Richard Nixon	...	Himself (archive footage)
Augusto Pinochet	...	Himself (archive footage)

Directed by
Patricio Guzmán

Writing credits (in alphabetical order)
Patricio Guzmán		writer

Produced by
Jacques Bidou	....	producer
Marianne Dumoulin	....	executive producer

Original Music by
Jorge Arriagada

Cinematography by
Patricio Guzmán
Julia Muñoz

Film Editing by
Claudio Martinez

Production Management
Andrea Guzmán	....	unit production manager

Second Unit Director or Assistant Director
Andrea Guzmán	....	first assistant director

Art Department
Renate Sachse	....	artistic advisor

Sound Department
Jean-Jacques Quinet	....	sound editor
Jean-Jacques Quinet	....	sound mixer
Álvaro Silva Wuth	....	sound
Yves Warnant	....	sound

Production Companies

• JBA Production
• Les Films de la Passerelle (co-production)
• CV Films (co-production)
• Mediapro (co-production)
• Universidad de Guadalajara (co-production)
• Patricio Guzmán Producciones S.L. (co-production)
• Centre National de la Cinématographie (CNC) (participation)
• Canal+ (participation)
• Arte (participation)
• Westdeutscher Rundfunk (WDR) (participation)
• Yleisradio (YLE) (participation)

Distributors

• 1More Film (2005) (Netherlands) (theatrical)
• Fandango (2005) (Italy) (theatrical)
• First Run/Icarus Films (2007) (USA) (theatrical) (subtitled)
• Memento Films International (France) (theatrical)
• Memento Films (2004) (France) (theatrical)
• New Star (2004) (Greece) (theatrical)
• Primer Plano Film Group (2006) (Argentina) (theatrical)
• Amazonia Films (2005) (Venezuela) (all media)
• trigon-film (2005) (Switzerland) (DVD)

Runtime:

100 min | Argentina:100 min (Mar del Plata Film Festival)

Country:

Belgium | Chile | France | Germany | Spain | Mexico

Language:

Spanish | French | English

Color:

Black and White | Color

Sound Mix:

DTS

Certification:

Netherlands:AL | Argentina:Atp | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud)

Filming Locations:

Santiago, Chile

Company:

JBA Production

Lessons of History (for the Left)

This is a tragic, moving tale of a courageous political leader who tried to make the world a better place for the most disadvantaged of his country's citizens. Ironically, it's the interviews with the US ex-ambassador to Chile which seem the most insightful. The ambassador got it exactly right: Allende never had a chance. The forces arrayed against Allende in his attempt to transform Chile into a democratic socialist regime were simply overwhelming: the US, international finance capital, the Chilean bourgeoisie, most of the Chilean middle classes, and the Chilean army. In a sense, Allende should have known better: he had before him the unsuccessful examples of republican Spain in the '30s and Guatemala in the '50s. In neither case had it been possible to introduce far-reaching social and economic reforms which aroused the unconditional hostility of the capitalist ruling class and neighboring reactionary states. And Allende would have had no more success if he had armed the workers and campesinos, since the Chilean army showed no signs of demoralization and disintegration—the conditions under which a "people's army" has a chance to triumph over a well-armed, disciplined professional army. The people in the people's army would have been slaughtered tout court. Perhaps his only chance came with the assassination of Rene Schneider, Allende's pick as head of the Chilean armed forces. He could have used the assassination as an excuse for a thorough house-cleaning of the military high command, assuming he could have found some of Latin-America's famous "left-wing colonels" who would have been necessary to carry out the purge. But it would have been a risky proposition that just as easily could have precipitated the military coup that came 3 years later. The film should also prompt some rethinking of the concept of the "dictatorship of the proletariat"—a concept that's had rather bad press in recent decades. One of Allende's closest friends tells us that Allende was a committed Marxist socialist but certainly not a Leninist, because he did not believe in the dictatorship of the proletariat. Allende, we're told, believed in democracy. But the problem was that the democracy Allende believed in was in reality a dictatorship of another kind: the dictatorship of the bourgeoisie. Despite its façade of multi-party elections, Chilean democracy was a stacked deck, inevitably manipulated in favor of the ruling classes. So Lenin was right: only by forcing the collapse of the coercive apparatus sustaining the rule of the bourgeoisie could the working classes create a state that serves their interests. What distinguishes the dictatorship of the proletariat from the dictatorship of the bourgeoisie is not that one is a multi-party system and the other a single party system (there's no lack of single-party states in the history of the rule of the bourgeoisie). Rather, it's the stacking of the deck in favor of working people versus stacking it in favor of the owners of capital.