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Quando sei nato non puoi più nasconderti (2005)A coming-of-age drama set in contemporary Italy. Director:Marco Tullio Giordana |
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Title: Quando sei nato non puoi più nasconderti (2005)
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Cast
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| Alessio Boni | ... |
Bruno
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Michela Cescon | ... |
Lucia
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| Rodolfo Corsato | ... |
Popi
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Matteo Gadola | ... |
Sandro
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Ester Hazan | ... |
Alina
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Vlad Alexandru Toma | ... |
Radu
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Marcello Prayer | ... |
Tore
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Giovanni Martorana | ... |
Barracano
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Simonetta Solder | ... |
Maura
(as Simona Solder)
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Andrea Tidona | ... |
Padre Celso
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Adriana Asti |
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Emmanuel Dabone | ... |
Soki
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Alessandro Mistichelli | ... |
Istruttore nuoto
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| Ana Caterina Morariu |
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Rita Statte | ... |
Superstite
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Plot Synopsis
Storyline
A coming-of-age drama set in contemporary Italy.
Plot Keywords:
based on novelParents Guide:
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Details
Language:
ItalianRelease Date:
13 May 2005 (Italy) See more »Also Known As:
Once You're Born You Can No Longer Hide See more »Box Office
Opening Weekend:
$297,164 (Italy) (20 May 2005)Gross:
$864,221 (Europe) (20 May 2005)Company Credits
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Technical Specs
Runtime:
Sound Mix:
Dolby DigitalColor:
ColorAspect Ratio:
2.35 : 1
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from the original soundtrack for The Piano by Michael Nyman
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Did You Know?
Soundtracks
"To the edge of the earth"from the original soundtrack for The Piano by Michael Nyman
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Agree completely with the comment of David from Seattle (the only other comment on the film so far). Just saw it on Italian TV and was blown away--a remarkable work of the humanist cinema (insofar as such a term exists anymore). I had read some festival reviews of the film that basically criticized it because it didn't have the wide scope of the "Best of Youth", but that's hardly grounds to penalize a film that does so many things through its central story.
The basic plot sounds like it could be tedious--a boy from a wealthy industrialist family who is thought drowned is saved by a refugee boat. He becomes especially close to a Romanian brother and sister and in many ways ties his own fate to theirs. The film is so beautifully directed--subtle, never obvious, not belabored or sentimental--that it feels as much like it is observed so much as created for the screen.
No recent film can top "The Best of Youth", but this is also great. I hope more people outside Italy get a chance to see it. Giordana is the best Italian director at work now.