At a wake one night in 1945, a group of aged women recall the life of one of their number. Sixty years before, Thérèse was barely 20 years old when she eloped with her boyfriend, Firmin, a ... See full summary »
Biography of famed artist Salvador Dali, focusing mainly on his relationship with girlfriend Gala and the time they spent in New York City in 1940 and his early days in Spain collaborating with filmmaker Luis Bunuel.
In 1976, Jack Unterweger was convicted for the murder of Margaret Schaefer and sentenced to life in prison. While imprisoned, he committed himself to reading and writing, eventually earning... See full summary »
A father (Michel Piccoli) is scheming to have his slightly mental daughter from an earlier marriage (Elsa Zylberstein) killed by allowing a murderous psychopath (Bernard Giraudeau) to be ... See full summary »
Following a rough chronology from 1884 to 1894, when Norwegian artist Edvard Munch began expressionism and established himself as northern Europe's most maligned and controversial artist, ... See full summary »
Come to the Village of the Dogs, it's easy to find. Just follow the avenue of crutches and the prosthetic legs hanging from the trees. It's where the Virgin Mary keeps appearing in the sky.... See full summary »
Stealing Klimt recounts the struggle by 90-year-old Maria Altmann to recover five Gustav Klimt paintings stolen from her family by the Nazis in Vienna. From the end of the War up until last... See full summary »
Michael J. Bazyler,
A character study and a meditation on art in a time of opulence and syphilis. Gustave Klimt (1862-1918) lies in hospital, dying. In reveries, he recalls the early 1900s: it's fin de siècle Vienna. At the World Exposition in Paris, Klimt meets Georges Méliès, who does a moving picture for him, and Klimt falls under the spell of a woman who may be Lea de Castro. We see Klimt in his studio; we meet his mother and sister, who suffer from mental illness. We watch Klimt the libertine. On his deathbed and as a younger man, he imagines things as well: encounters with ministers and waiters and with women who are willing participants in his pleasures. Is this the source of art? Written by
When Klimt mashes the cake in the man's face, the icing on the man's face is not covering his right eye. In the next close-up shot, there is a large blob of icing covering the man's right eye. In the next long shot when Klimt starts to wipe the man's face, the icing is no longer covering the man's right eye again. See more »
Kissing anywhere but on the lips is like smoking without inhaling.
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This is surely one of the best movies about art I've ever seen. It manages to surprise on many different levels. It avoids completely biographical approach which is a main starting point for most movies of this kind of subject. Even paintings are very few to be seen. Instead, the movie concentrates on something, which is far more essential - the state of the mind of the artist. I was astonished how close the movie was to the feeling I have got from the paintings by Klimt. It also captures the special a kind of decadent flavor of the end of a historical (Austrian-Hungarian empire) as well as an artistic epoch. But it also captures something, which could be called the inner world of the artist and does it in a convincing and magnificent way. Therefore it far exceeds a mere depiction of the life and art of Gustav Klimt - it's not movie about art but an artwork itself. And it's an artwork which is very close to the artworks by the hero of this movie - dreamy and magical, exuberant and saturated with symbols.
The first time I saw it, it was a sheer pleasure for senses. The music is one of the best movie scores I've ever heard - full of references toward the works by Berg, Mahler and Richard Strauss, which contribute in a hypnotic way to the overall effect of this movie. But because the movie is so rich and full of connotations and details one cannot grasp by first viewing, it made me want to watch it many times more. And if somebody found it boring - sorry, but this says probably more about the viewer than about the movie.
10 out of 10
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