Marcel Proust (1871-1922) is on his deathbed. Looking at photographs brings memories of his childhood, his youth, his lovers, and the way the Great War put an end to a stratum of society. ... See full summary »
At a wake one night in 1945, a group of aged women recall the life of one of their number. Sixty years before, Thérèse was barely 20 years old when she eloped with her boyfriend, Firmin, a ... See full summary »
In 1976, Jack Unterweger was convicted for the murder of Margaret Schaefer and sentenced to life in prison. While imprisoned, he committed himself to reading and writing, eventually earning... See full summary »
Jakob Windisch has written THE number one bestselling novel. Since he is very shy, no-one has seen him except Uhu Zigeuner who is the designated director of the film adaption. Zigeuner is ... See full summary »
In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it's Purgatory and they're dead. In the room, two young women, one an actress and the other a psychologist, watch the last... See full summary »
Sir Paul, a distinguished author, blinded in a horrific accident, advertises for an amanuensis, an assistant to help him with his writing. He employs the amiable Jane Ryder to be his eyes ... See full summary »
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In a bar in Santiago, two old men talk over their past. This is a strange discussion. In fact, they talk of themselves as if they were dead. We don't know what is true or false, what is dream or reality.
A character study and a meditation on art in a time of opulence and syphilis. Gustave Klimt (1862-1918) lies in hospital, dying. In reveries, he recalls the early 1900s: it's fin de siècle Vienna. At the World Exposition in Paris, Klimt meets Georges Méliès, who does a moving picture for him, and Klimt falls under the spell of a woman who may be Lea de Castro. We see Klimt in his studio; we meet his mother and sister, who suffer from mental illness. We watch Klimt the libertine. On his deathbed and as a younger man, he imagines things as well: encounters with ministers and waiters and with women who are willing participants in his pleasures. Is this the source of art? Written by
Judging from the reviews here you either love this movie or you absolutely hate it. I for one loved it. Being from Austria myself, you often get confronted with Schiele and Klimt - especially in Vienna, to a point where you're basically sick of it. Because of that I never got to fully appreciate these two artists until much later. This movie did help me to appreciate the artwork more. I was able to see this movie at the premiere in Austria when it came out and haven't seen it since then (though I would like to) and I had to think about it many times since then.
I can imagine that the reason many people didn't like this movie was because it's not what they expected.
If you want to see a straight forward, biographical accurate movie about the life of Gustav Klimt, then this movie isn't for you.
The basic premise is that Gustav Klimt is lying on his death bed and in a manner of flashbacks you get to see random scenes about a fictitious story revolving around a mysterious woman. Blinded by the fever, the scenes appear surreal and deliver a feeling similar to what you may feel upon viewing Klimt's artwork.
There's no straight plot following this movie and the real Klimt may not have been the way he appears in the movie, but that was never intended anyway. What this movie does is brilliantly deliver an atmosphere very fitting to the Wiener Moderne. The very important "Kaffeehaus Kultur" at the time, where intellectuals of Vienna spent the entire day in coffee houses is portrayed very precisely as well.
I also think that Malkovich and Nikolai Kinski seem to be a near perfect cast for Gustav Klimt and Egon Schiele.
Anyway, if you've read this review and get the feeling that this movie is not for you, then don't watch it. But if you're intrigued by what you've read then by all means, go see this movie!
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