At a wake one night in 1945, a group of aged women recall the life of one of their number. Sixty years before, Thérèse was barely 20 years old when she eloped with her boyfriend, Firmin, a ... See full summary »
Biography of famed artist Salvador Dali, focusing mainly on his relationship with girlfriend Gala and the time they spent in New York City in 1940 and his early days in Spain collaborating with filmmaker Luis Bunuel.
In 1976, Jack Unterweger was convicted for the murder of Margaret Schaefer and sentenced to life in prison. While imprisoned, he committed himself to reading and writing, eventually earning... See full summary »
Sir Paul, a distinguished author, blinded in a horrific accident, advertises for an amanuensis, an assistant to help him with his writing. He employs the amiable Jane Ryder to be his eyes ... See full summary »
A father (Michel Piccoli) is scheming to have his slightly mental daughter from an earlier marriage (Elsa Zylberstein) killed by allowing a murderous psychopath (Bernard Giraudeau) to be ... See full summary »
In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it's Purgatory and they're dead. In the room, two young women, one an actress and the other a psychologist, watch the last... See full summary »
Come to the Village of the Dogs, it's easy to find. Just follow the avenue of crutches and the prosthetic legs hanging from the trees. It's where the Virgin Mary keeps appearing in the sky.... See full summary »
In a bar in Santiago, two old men talk over their past. This is a strange discussion. In fact, they talk of themselves as if they were dead. We don't know what is true or false, what is dream or reality.
A character study and a meditation on art in a time of opulence and syphilis. Gustave Klimt (1862-1918) lies in hospital, dying. In reveries, he recalls the early 1900s: it's fin de siècle Vienna. At the World Exposition in Paris, Klimt meets Georges Méliès, who does a moving picture for him, and Klimt falls under the spell of a woman who may be Lea de Castro. We see Klimt in his studio; we meet his mother and sister, who suffer from mental illness. We watch Klimt the libertine. On his deathbed and as a younger man, he imagines things as well: encounters with ministers and waiters and with women who are willing participants in his pleasures. Is this the source of art? Written by
When Klimt mashes the cake in the man's face, the icing on the man's face is not covering his right eye. In the next close-up shot, there is a large blob of icing covering the man's right eye. In the next long shot when Klimt starts to wipe the man's face, the icing is no longer covering the man's right eye again. See more »
Like other reviewers I expected more from this film and left the cinema both angry and annoyed at the historical inaccuracies regarding Klimt's life and death. These are the aimless meanderings of a film director who clearly disappeared into his own orifice and where the sun doesn't shine. Klimt is represented as a neurotic diseased immoral individual which could not be further from the truth if you research his life. I've always regarded John Malkovich as an overrated Ham with a decidedly creepy persona evident in all his films and been continually astonished at his selection for almost all of his roles. The other reviewers are right - this one is a stinker and the artist Klimt deserves a better epitaph.
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