25-year-old Alex Borden is handsome, charming, and intelligent. In fact, he may be too smart for his own good as his life is swiftly becoming a living hell. Alex's nightmare begins when he ... See full summary »
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At an Antarctica research site, the discovery of an alien craft leads to a confrontation between graduate student Kate Lloyd and scientist Dr. Sander Halvorson.
Director:
Matthijs van Heijningen Jr.
Stars:
Mary Elizabeth Winstead,
Joel Edgerton,
Ulrich Thomsen
After a mysterious malfunction sends their small plane climbing out of control, a rookie pilot and her four teenage friends find themselves trapped in a deadly showdown with a supernatural force.
Director:
Kaare Andrews
Stars:
Jessica Lowndes,
Julianna Guill,
Ryan Donowho
A man wakes up deep inside a cave. Suffering amnesia, he has no recollection of how he came to be here or of what happened to the man whose body he finds beside him. Tailed by a mysterious ... See full summary »
A plane is taken over by a mysterious virus. When the plane lands it is placed under quarantine. Now a group of survivors must band together to survive the quarantine.
When their computer hacker friend accidentally channels a mysterious wireless signal, a group of co-eds rally to stop a terrifying evil from taking over the world.
Director:
Jim Sonzero
Stars:
Kristen Bell,
Ian Somerhalder,
Christina Milian
25-year-old Alex Borden is handsome, charming, and intelligent. In fact, he may be too smart for his own good as his life is swiftly becoming a living hell. Alex's nightmare begins when he meets Harry, a mysterious artist and chess-master. Alex becomes alarmed when his intellect mysteriously begins to grow, and so do the horrors that invade his nightmares, and soon his waking hours. Long-suppressed memories surface and Alex must face the terrors of his violent past, a vanished older brother, a father who abandoned both his sons, and a mother who was viciously murdered. The visions intensify and he begins to experience intense headaches that ultimately cause him to blackout. But it is only the beginning of Alex's calamity. Friends and neighbors are disappearing, and people are whispering rumors of a serial killer. Menaced from all sides by the forces of evil, Alex must overcome his past and contain his own deadly urges so he can hopefully discover what demons, both real and imagined, ... Written by
Joseph B. Mauceri
When Alex discovers his dead brother, he throws up in the sink then stumbles over the body, and picks up a blue bottle containing alcohol. In the following scenes, that same bottle reappears then disappears in the spot where Alex moved it from. See more »
"WHAT IS IT"
Performed by Phonodrive
Under License From Sonic Boom Records
Written by Peter Oertl and Niclas Ulitzka
Published by Tunefish / Universal Music Publishing See more »
HeadSpace There is always a certain urge, controllable, yet always persistent in everyday thoughts that deviates from the norm, sets itself at a distance and realizes the ridiculousness of common event. The urge, it takes it's shape as a distortion, an unrealistic fascination that changes our perception of a constant moment. This quandary of the human mind is a focus of the horror genre.
It takes a lot of guts, so to say, to step into the horror genre, but not a lot of wit. Anyone is capable of tricking someone else, easy to pop out behind a closed door, simple even to cue the wolf's howl on a dark moonlit night. The movies, then, that truly stand out in horror, are those that not only stay on a well-founded formula, but continue the internal analytic deviation in the voyeur's eyes by stretching the limits of what is believable.
Then, there are the movies, such as Houten's HeadSpace, starring Christopher Denham, that go and above and beyond the dilemma of how to make a monster unbelievably horrific, but to make the story real, to take back that previously forsaken realm of storytelling. Without abandoning the human emotions of empathy, sympathy, and character attachment, HeadSpace delivers a full force horror entourage. The most actually interesting thing about the story, aside from the numerous sub-plots, is that the story on paper, might even sound believable for a moment. The only thing bringing us away from the dangerous precipice of the "normal" belief suspension commonly used in film, is that it is indeed, only a movie.
The story follows Alex, a mid-20's inner city male. The striking yet correlated traits of confused innocence, uncouth arrogance, selfless helplessness, stand out amongst the youthful characters he surrounds himself with. He is a homesitter, and artist, who collects unemployment, and drinks himself silly some nights, while still maintaining certain hidden truths about his life and future. The trouble begins one day while playing chess in the park, but by the time the story ends, we're taken into a world where we are all just pawns to a game of life and death played in realms we do not belong.
My advice for approaching this film, is to pay attention to nuance. The dialogue is phenomenal for character development, the most crucial part of a horror/slasher film, and the plot that intertwines religion with metaphysics and science, is genius, but don't forget to watch everything else. The score is great, although not the best, and the cinematography is simple and effective.
"Checkmate." 10/10
3 of 3 people found this review helpful.
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HeadSpace There is always a certain urge, controllable, yet always persistent in everyday thoughts that deviates from the norm, sets itself at a distance and realizes the ridiculousness of common event. The urge, it takes it's shape as a distortion, an unrealistic fascination that changes our perception of a constant moment. This quandary of the human mind is a focus of the horror genre.
It takes a lot of guts, so to say, to step into the horror genre, but not a lot of wit. Anyone is capable of tricking someone else, easy to pop out behind a closed door, simple even to cue the wolf's howl on a dark moonlit night. The movies, then, that truly stand out in horror, are those that not only stay on a well-founded formula, but continue the internal analytic deviation in the voyeur's eyes by stretching the limits of what is believable.
Then, there are the movies, such as Houten's HeadSpace, starring Christopher Denham, that go and above and beyond the dilemma of how to make a monster unbelievably horrific, but to make the story real, to take back that previously forsaken realm of storytelling. Without abandoning the human emotions of empathy, sympathy, and character attachment, HeadSpace delivers a full force horror entourage. The most actually interesting thing about the story, aside from the numerous sub-plots, is that the story on paper, might even sound believable for a moment. The only thing bringing us away from the dangerous precipice of the "normal" belief suspension commonly used in film, is that it is indeed, only a movie.
The story follows Alex, a mid-20's inner city male. The striking yet correlated traits of confused innocence, uncouth arrogance, selfless helplessness, stand out amongst the youthful characters he surrounds himself with. He is a homesitter, and artist, who collects unemployment, and drinks himself silly some nights, while still maintaining certain hidden truths about his life and future. The trouble begins one day while playing chess in the park, but by the time the story ends, we're taken into a world where we are all just pawns to a game of life and death played in realms we do not belong.
My advice for approaching this film, is to pay attention to nuance. The dialogue is phenomenal for character development, the most crucial part of a horror/slasher film, and the plot that intertwines religion with metaphysics and science, is genius, but don't forget to watch everything else. The score is great, although not the best, and the cinematography is simple and effective.
"Checkmate." 10/10