Harry Potter and the Half-Blood Prince (2009)

Director:

David Yates

Writers (WGA):

Steve Kloves (screenplay)
J.K. Rowling (novel)

Release Date:

15 July 2009 (USA)

Genre:

Action | Adventure | Family | Fantasy | Mystery | Romance

Tagline:

Once again I must ask too much of you, Harry

Plot:

As Harry Potter begins his 6th year at Hogwarts School of Witchcraft and Wizardry, he discovers an old book marked mysteriously "This book is the property of the Half-Blood Prince" and begins to learn more about Lord Voldemort's dark past.

Plot Keywords:

Harry Potter | Book | Potion | Dark | Memory

Awards:

Nominated for Oscar. Another 2 wins & 13 nominations

Cast

  (Cast overview, first billed only)

Daniel Radcliffe	...	Harry Potter
Michael Gambon	...	Professor Albus Dumbledore
Dave Legeno	...	Fenrir Greyback
Elarica Gallacher	...	Waitress
Jim Broadbent	...	Professor Horace Slughorn
Geraldine Somerville	...	Lily Potter
Bonnie Wright	...	Ginny Weasley
Julie Walters	...	Molly Weasley
Rupert Grint	...	Ron Weasley
Emma Watson	...	Hermione Granger
Helena Bonham Carter	...	Bellatrix Lestrange
Helen McCrory	...	Narcissa Malfoy
Timothy Spall	...	Wormtail
Alan Rickman	...	Professor Severus Snape
Oliver Phelps	...	George Weasley

Also Known As:

HP and the HBP (International: English title) (informal short title)
Harry Potter and the Half-Blood Prince (Hong Kong: English title)
Harry Potter and the Half-Blood Prince: An IMAX 3D Experience (USA) (IMAX version)
The Half-Blood Prince (USA) (short title)

MPAA:

Rated PG for scary images, some violence, language and mild sensuality.

Runtime:

153 min

Country:

UK | USA

Language:

English | Croatian

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

USA:PG (certificate #45077) | UK:12A | Ireland:12A | Finland:K-11 | Norway:11 | Hong Kong:IIA | Australia:M | South Korea:All | Singapore:PG | Brazil:12 | Iceland:10 | Canada:G (Quebec) | New Zealand:M | Japan:G | Canada:PG (Alberta/British Columbia/Manitoba/Ontario) | Netherlands:12 | Switzerland:10 (canton of Vaud) | Switzerland:10 (canton of Geneva) | Sweden:11 | Philippines:G (MTRCB) | Portugal:M/12 | France:U | Germany:12 | Argentina:13 | Peru:14 | Taiwan:GP | Mexico:B | Austria:10 | Denmark:11

Filming Locations:

Bjorli, Norway

Company:

Warner Bros. Pictures

Trivia:

Much like the first book, some difference exist between the British and American editions of the text. One such difference is in the scene where Dumbledore takes Harry to meet Slughorn. In the American edition of the book, Dumbledore excuses himself to use the bathroom. In the film, he uses the more British term, "loo." This is in contrast to the first film, in which such references were shot twice to accommodate American and British audiences.

Goofs:

Continuity: The newspapers in the movie imply that there was a death toll from the bridge collapse at the start of the film, even though when watching the scene, everybody seemed to escape from the bridge safely and not a single person is in the water.

Quotes:

[first lines]
Bellatrix Lestrange: [faded voiceover] I killed Sirius Black!

Movie Connections:

Referenced in Funny People (2009)

Soundtrack:

Hedwig's Theme

The binding is really fragile … Harry Potter and the Half-Blood Prince

It's a real shame that I could never give a film featuring Harry Potter the status of a perfect film. Each tale relies so heavily on those that came before or after that one can never be a truly all-encompassing work. Sure, the three-act structure can be utilized, but without the background info, nor the knowledge that more will be coming, watching a middle installment alone will leave you confused and disorientated. The reason I bring this up is the fact that Harry Potter and the Half-Blood Prince is good enough to warrant the praise and to put the idea in my head about whether to call it a masterpiece. The tone is perfect, the laughs are many, the darkness is charcoal black—how could this be the same director as the abysmal—in comparison to the rest of the series—Order of the Phoenix, David Yates? Two words … Bruno Delbonnel.

Who is Delbonnel you may ask? Well, he is the brilliant cinematographer behind the camera. I may have blamed the failures of the fifth film on its screenplay as Steve Kloves was glaringly absent, (he being the writer of each other film, including this new one), but a film is a team effort. Therefore I guess maybe I shouldn't put all the accolades on one man now; I just feel absolutely compelled to do so because so many moments linger in my mind due to the beauty of their composition and use of their environments to stay interesting and exciting at all times. Visually, you cannot be bored. It just goes to show that it is never the director alone, but also the team he or she brings along. I like Yates and was surprised at how much I disliked his first foray in the Potter universe, granted, I felt the book itself was sub-par at best. Thankfully, he did not disappoint with his second of three, (make that four as book seven goes to a two-part finale), because, as it was with the novels, Half-Blood Prince is by far the best of the series—until Deathly Hallows of course. And adding the pedigree of a guy like Delbonnel, with films such as Across the Universe, A Very Long Engagement, and Amelie in his back pocket—all stunning works of art—only makes his job easier.

I can't get over the use of close-ups throughout, or the multiple instances of framing used to hide something on screen. Oftentimes, the camera pans or cuts to reveal something in the fringes, to highlight the focal point when it's not centrally located, or literally move our eyes to exactly where the filmmakers want them to be. The blocking is superb with some scenes blurring the edges and keeping only our main object of interest in focus, timing and positioning executed with aplomb. And did I mention the close-ups? (Yes, I know I did.) One sequence, with Harry and Ginny running through a field of tall grass after intruding Death Eaters, is shot with a high speed pan to keep the characters crisp as the foliage darts and blurs in their wake. I'd be remiss not to mention the special effects as well, especially when dealing with the black smoke trails from Voldemort's flying goons as well as the wispy pensieve. Whether completely computer generated or practical dye clouds in water, the effect is pitch perfect, even dissolving each memory in sections, leaving important pieces, like young Tom Riddle, to be lingered on just a second longer than the rest.

As for the leads, Daniel Radcliffe and Emma Watson are solid as usual, (Radcliffe showing some solid comedic chops after taking luck elixir), and Rupert Grint's Ron Weasley gets some room to break free. But it is the supporting roles that deserve notice. Helena Bonham Carter will scare children, so kudos to her, and Michael Gambon's Dumbledore will win even more hearts as his leader finally allows Potter into the inner circle of the plan to rid the world of Voldemort, it now being a circle of two. It is newcomer Jim Broadbent, however, as Professor Slughorn who steals the show. Broadbent is known for his many comical expressions and his rubber face is utilized to great effect here. A blowhard and man with many "friends", his jubilant smile and need to collect powerful and famous wizards for his Slug Club are ever-present, bringing some levity as well as effectively hiding the dark secret that lies beneath.

Harry Potter and the Half-Blood Prince succeeds in the details. It is an exercise in minimalism and showing only what is necessary to the plot. Condensing the novel better than ever done before, Kloves has given Yates the tools to make a film and not just a visual representation of the words. What had previously been done best by Azkaban's Alfonso Cuaron, this one works better at retaining more subplots and not stripping it quite so bare. Subtle hints are planted so no longwinded exposition is needed to make us, as an audience, feel stupid and lectured to. Instead Yates and crew allow us to show our intelligence and ability to use our eyes and memories to piece things together, making the experience more enjoyable as we believe we are solving the mysteries and not the director who is skillfully guiding us through. I'd say it couldn't get better than this, but my confidence in Yates has been renewed and my hopes that Deathly Hallows is treated with respect is at one hundred percent, so who knows what the future has to offer?