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Dan van Husen
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Six young friends on a road trip in Ireland run afoul of gypsies who curse them for accidentally running down an old woman. The curse takes the form of a terrifying flying creature that tries killing them all.
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A quiet suburban town is overrun by vampires! The once idyllic portrait of a typical American family now hosts spectacles of carnage behind every picket fence as the neighbors prowl the streets feasting on the dead and dying.
In London, a military plane crashes leaving its highly classified contents strewn across the city. Completely unaware that the city is in lockdown, a group of people become trapped inside a storage facility with a highly unwelcome guest.
In England, when the naive Emilio buys an old van, he invites his friends Judd, Molly and Andrew and his sister Ally to travel to a lake in the woods. They get lost and while trying to get directions in a bar in the road to follow the trip, they are scared by a crazy old man, who tells that there are missing persons on the spot. Then, Emilio runs over a woman and she faints. The group sees a mailbox in the roadside and Judd, Molly and Andrew enter in the forest trying to get some help. Along the night, they are chased by naked fallen angels thirsty of blood and their keeper. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
It's too late for me, but save yourself from this utter waste of time
Note to Horror fans: The only horror here is when you realized you just wasted 95 minutes of your life on a movie that's so worthless it's insulting.
I watched this because:
The premise sounded slightly promising: It's not. It's just an excuse to use the same lame set pieces from other low-budget slasher films that weren't good either.
The promise of naked forest nymphs sounded nice even if the movie turned out to be awful: It's not. It's SO not. The amateur cinematography makes sure the "fallen angels" are about as sexy as the average homeless person.
The name Tom Savini has a long history in the horror genre: He's the king of low-budget special effects and lower-budget acting. Come to think of it, Savini should have been a reason not to watch this movie. It's not that he's bad, but he's almost always in bad movies. His only good role was in From Dusk Till Dawn, and he's been milking that at horror conventions ever since.
But let's focus on the positive: Forest of the Damned is a great example of how NOT to make a movie.
Everything else is a negative. Obviously the writer is allergic to originality. The script is terrible. That's all a given after the first 10 minutes. But the clueless pacing; the way the director treats "plot" and "characterization" as a nuisance he thinks no one cares about anyway; and the excruciatingly long and boring driving, walking, and nature sequences (no doubt added to increase the running time to make the film qualify for distribution) show a complete lack of aptitude for film and storytelling in general.
This is another good example of the number-one way you can tell if a movie is going to be bad: If it's written and directed by the same person, expect garbage.
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