| Photos (See all 18 | slideshow) | Videos (see all 7) |
| Matt Dillon | ... | Hank Chinaski | |
| Lili Taylor | ... | Jan | |
| Didier Flamand | ... | Pierre | |
| Fisher Stevens | ... | Manny | |
| Marisa Tomei | ... | Laura | |
| Adrienne Shelly | ... | Jerry | |
| Karen Young | ... | Grace | |
| Thomas Lyons | ... | Tony Endicott (as Tom Lyons) | |
| Dean Brewington | ... | Old Black Man | |
| James Cada | ... | Bald Man | |
| James Michael Detmar | ... | Smithson | |
| Kurt Schweickhardt | ... | Ice Plant Supervisor | |
| Dee Noah | ... | Hank's Mother | |
| James Noah | ... | Hank's Father | |
| Michael Egan | ... | Taxi Office Clerk | |
| Terry Hempleman | ... | Superintendant Barnes | |
| Emily Hynnek | ... | Stripper (as Emily 'Sophia Simone' Hynnek) | |
| Wayne Morton | ... | Mantz | |
| Tony Papenfuss | ... | John Handler | |
| Lana Schwab | ... | Mrs. Adams | |
| Sally Wingert | ... | Payroll Lady | |
| Robert Downing Davis | ... | George Henley | |
| Bryan J. Walker | ... | Pharmacist | |
| Dan Lee Jr. | ... | Elf | |
| Peter Moore | ... | Editor | |
| Bruce Bohne | ... | Auto Parts Manager | |
| Larry Roupe | ... | Pete | |
| Chris Carlson | ... | Liquor Store Clerk | |
| Stephen D'Ambrose | ... | Mailman | |
| Emil Herrera | ... | Mendoza | |
| Michelle Hutchison | ... | Young Lady | |
| Andy Hubbell | ... | Employment Office Man | |
| Martin Marinaro | ... | Bartender | |
| Raye Birk | ... | Heathercliff | |
| Stephen Pelinski | ... | Mr. Hansen | |
| Stanley Kipper | ... | Spencer | |
| Brent Doyle | ... | McBride | |
| John Paul Gamoke | ... | Peters | |
| Jim Lichtscheidl | ... | Calloway (as James Lichtscheidl) | |
| Jay Gjernes | ... | Truck Driver | |
| Clyde Lund | ... | Employment Office Clerk | |
| Debbie DeLisi | ... | Bartender | |
| George McGuire | ... | Carson Gentry | |
| Brad Madson | ... | Tailor | |
| Gary Tournier | ... | Bar Patron | |
| Esera Tuaolo | ... | Laura's Bar Bartender | |
| John Nadeau | ... | Sleeping Man | |
| Cathi Cooper | ... | Bar Patron | |
| Carole Samuelson | ... | Bar Patron | |
| rest of cast listed alphabetically: | |||
| Matthew Feeney | ... | Harry Berglund (scenes deleted) | |
| Stephanie Allensworth | ... | Woman on the Street / Patron at the Racetrack (uncredited) | |
| Jim Brockhohn | ... | Bartender (uncredited) | |
| Jimmy Brockhohn | ... | Gambler (uncredited) | |
| Clint Clark | ... | Horse Race Fan (uncredited) | |
| Joseph Courtemanche | ... | Bouncer in Bar Scene (uncredited) | |
| Frank Crandell | ... | Man Drinking Beer Next To Ms. Tomei (uncredited) | |
| Christopher Day | ... | 2nd Man Placing Bet (uncredited) | |
| Chuck Erickson | ... | Man In Bar (uncredited) | |
| Jon Foss | ... | Horse Race Spectator (uncredited) | |
| Diane Kelson | ... | Woman on Fire Escape (uncredited) | |
| Bryan Kosluchar | ... | Horse Race Gambler (uncredited) | |
| Punnavith Koy | ... | Spectator (uncredited) | |
| Nels Lennes | ... | Man Going to Work (uncredited) | |
| Shawn McNulty | ... | Bike Shop Worker (uncredited) | |
| Doua Moua | ... | Spectator (uncredited) | |
| Lisa Pechmiller | ... | Spectator (uncredited) | |
| Geoff Schilz | ... | Man Placing Bet (uncredited) | |
| Christina Sedlacek | ... | Spectator (uncredited) | |
| Annie Wallick | ... | Woman on Street (uncredited) | |
| Donny West | ... | Taxi Class Student (uncredited) | |
| Jim Westcott | ... | Cab Driver (uncredited) | |
Directed by | |||
| Bent Hamer | |||
Writing credits | ||
| Charles Bukowski | (novel) | |
| Bent Hamer | (written by) and | |
| Jim Stark | (written by) | |
Produced by | |||
| Karl Baumgartner | .... | associate producer | |
| Reinhold Elschot | .... | associate producer | |
| Bent Hamer | .... | producer | |
| Rainer Mockert | .... | associate producer | |
| Peter Nadermann | .... | associate producer | |
| Jim Stark | .... | producer | |
| Christine K. Walker | .... | executive producer (as Christine Kunewa Walker) | |
| Meinolf Zurhorst | .... | associate producer | |
Original Music by | |||
| Kristin Asbjørnsen | |||
Cinematography by | |||
| John Christian Rosenlund | (director of photography) | ||
Film Editing by | |||
| Pål Gengenbach | |||
Production Design by | |||
| Eve Cauley | (as Eve Cauley Turner) | ||
Set Decoration by | |||
| Sarah Kruchowski | (as Sarah Jean Kruckowski) | ||
| Kate Sheeley | |||
Costume Design by | |||
| Tere Duncan | |||
Makeup Department | |||
| Natalie A. Hale | .... | additional makeup artist (as Natalie Hale) | |
| Sherry Heart | .... | key hair stylist | |
| Patricia Regan | .... | makeup designer | |
| Tara Smith | .... | hair stylist: Marisa Tomei | |
Production Management | |||
| Devorah DeVries | .... | production manager | |
| Jason Cooper Hall | .... | production supervisor | |
Art Department | |||
| Cheri Anderson | .... | set dresser | |
| Paul Berglund | .... | assistant property master | |
| Jennie Bond | .... | graphic designer | |
| Kelsey Cramer | .... | production assistant: props | |
| Mindy Harris | .... | property master | |
| Oceana Lawler Larsen | .... | set dresser | |
| Evan Morris | .... | construction foreman | |
| Savannah Rhomberg-Reich | .... | head painter | |
| Paul Rothmeier | .... | carpenter | |
| Andrew Shea | .... | draftsperson | |
| Mark S. Turner | .... | art department associate (as Mark Steven Turner) | |
| David Underhill | .... | lead person (as Dave Underhill) | |
Sound Department | |||
| Ken Chastain | .... | sound recordist | |
| Petter Fladeby | .... | sound designer | |
| Petter Fladeby | .... | sound re-recording mixer | |
| Cully Gallagher | .... | boom operator | |
| Micki Joanni | .... | synchron editor | |
| Christopher Riley | .... | production assistant: sound department | |
| John Sims | .... | production sound mixer (as John L. Sims Jr.) | |
| John Sims | .... | sound recordist (as John L. Sims Jr.) | |
| Richard Sveen | .... | sound editor | |
| Erik S. Watland | .... | foley artist | |
| Kevin Wilson | .... | adr | |
Visual Effects by | |||
| Torgeir Busch | .... | visual effects | |
| Aksel Jermstad | .... | visual effects artist | |
Stunts | |||
| Rose M. Frazier | .... | stunts | |
| Eric D. Howell | .... | stunt coordinator (as Eric Howell) | |
| Peter Moore | .... | stunts | |
Camera and Electrical Department | |||
| Tristan Allen | .... | camera production assistant: video | |
| Sebastián Almeida | .... | first assistant camera | |
| Ray Attridge | .... | electrician | |
| Eddie Cohen | .... | lighting technician | |
| Edward Cohen | .... | gaffer (as Eddie Cohen) | |
| Joseph Gallup | .... | key grip | |
| Fernando Gayesky | .... | camera operator | |
| Fernando Gayesky | .... | director of photography: second unit | |
| Tony Hanson | .... | grip | |
| Mark Higashino | .... | still photographer | |
| Travis Hottinger | .... | electrician | |
| Marty Jurek | .... | camera production assistant (as Martin Jurek) | |
| Kevin Karpinski | .... | best boy grip | |
| Yoshiji D. Katagiri | .... | electrician | |
| Damian Kussian | .... | grip | |
| Michael Lindquist | .... | second assistant camera (as Michael V. Lindquist) | |
| Chris Malone | .... | best boy electric | |
| Lucas McCarter | .... | grip | |
| David S. Pope | .... | dolly grip (as David Pope) | |
| Shannon Schaefer | .... | grip | |
| Randall Smith | .... | first assistant camera: second unit | |
| Michael Winn | .... | electrician | |
| Dean Woytcke | .... | grip | |
Casting Department | |||
| Lynn Blumenthal | .... | casting director: Minneapolis | |
| Marisa Collins | .... | extras casting assistant | |
| Debbie DeLisi | .... | extras casting | |
| Carolyn Deters | .... | extras casting intern | |
| Matthew Feeney | .... | extras casting associate | |
| Kaari Moen | .... | extras casting intern | |
| Amber Lee Olivier | .... | extras casting assistant (as Amber Lee Olson) | |
| Jay Runquist | .... | extras casting intern | |
| Lisa Stearns | .... | extras casting intern | |
Costume and Wardrobe Department | |||
| Deborah Fiscus | .... | wardrobe supervisor | |
| Amy Pickering | .... | costume design assistant: New York City | |
| Hannah Walker | .... | wardrobe assistant | |
| Hannah Walter | .... | wardrobe assistant | |
Editorial Department | |||
| Liv Risvaag | .... | colorist | |
| Camilla Holst Vea | .... | film scanning | |
| Darren Roark | .... | digital color corrector (uncredited) | |
Music Department | |||
| Jostein Ansnes | .... | music mixer | |
| Jostein Ansnes | .... | music recordist | |
| Trygve Brøske | .... | composer: organ music | |
| Thomas Henriksen | .... | music recordist | |
| Magnus Torkildsen | .... | music mixer | |
| Magnus Torkildsen | .... | music recordist | |
| Peer Espen Ursfjord | .... | music recordist | |
Transportation Department | |||
| Michael Kennedy | .... | transportation captain (as Mike Kennedy) | |
| Brenton McCracken | .... | transportation coordinator | |
| Rajiv Sarin | .... | driver | |
| Leo Skudlarek | .... | driver | |
Other crew | |||
| Shelli Ainsworth | .... | location manager | |
| Topper Anton | .... | set production assistant | |
| Robert Becka | .... | production intern | |
| Megan Alicia Brown | .... | extras assistant (as Megan Brown) | |
| Andrew Burton | .... | key set production assistant | |
| Torgeir Busch | .... | title designer | |
| Joe Dressel | .... | production intern | |
| Jesse Ehman | .... | production assistant | |
| Jon Foss | .... | production intern | |
| Robin Garland | .... | location coordinator | |
| Kurt W. Gensmer | .... | set medic | |
| Molly Getty | .... | assistant to producers | |
| Arzu Gokcen | .... | assistant: Matt Dillon | |
| Graham Gremore | .... | clearance coordinator | |
| Mike Griesser | .... | production intern | |
| David Hansen | .... | assistant: Matt Dillon (as Dave Hansen) | |
| Mark Har | .... | location scout | |
| Christianne Hedtke | .... | production assistant | |
| Aksel Jermstad | .... | title designer | |
| Lars Johanessen | .... | title designer: end credits | |
| Todd B. Johnson | .... | production office intern | |
| Vanessa Miles | .... | production assistant | |
| Mary Moga | .... | production secretary (as Mary Louise Moga) | |
| Jamie Molever | .... | assistant: Ms. Tomei | |
| Thomas G. Page | .... | assistant production coordinator | |
| Aaron Pikala | .... | production office assistant | |
| Laurie Pyle | .... | set medic | |
| Darren Roark | .... | computer and technical support | |
| Stephen Root | .... | production intern | |
| Ben Rosenbaum | .... | assistant: Lilli Taylor | |
| Benjamin Rosenbaum | .... | assistant: Lilli Taylor (as Benjamin Rosenbaum) | |
| Jason P. Schumacher | .... | strike crew | |
| Seth Shapiro | .... | set production assistant | |
| Lisa Stearns | .... | production intern | |
| Bridget Striker | .... | production intern | |
| Jill Sweiven | .... | product placement | |
| Jill Sweiven | .... | public relations | |
| Julie Swenson | .... | set publicist | |
| Dylan Thies | .... | production intern | |
| Joel Thingvall | .... | location consultant | |
| C. Elizabeth Trumble | .... | production accountant | |
| Sidney Walker | .... | location assistant | |
| Lynn Younglove | .... | script supervisor | |
| Rachel Grubb | .... | stand-in: Lily (uncredited) | |
Thanks | |||
| Linda Saetre | .... | thanks | |
| Ruth Waldburger | .... | thanks | |
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| My Own Private Idaho | Lolita | New York, I Love You | Head-On | Secret Things |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Norway section |
The leading figure in Factotum (which means a jack of all trades) is Henry Chinaski. The movie, written and directed by Bent Hamer, a Norwegian, is based on the novel of the same name by Charles Bukowski, who died in 1994. Like Chinaski, Bukowski was a drunk, indulged in casual sex, and liked to gamble; and most of Bukowski's books, including Factotum, are based on his own experiences in and out of blue collar worker. Also, like his creator, Chinaski is a writer, albeit unpublished as yet. Nevertheless, it is probably best NOT to approach this film as a partial biography of Bukowski, but simply as a fictional movie based on his writings.
Chinaski, played by Matt Dillon, is the ultimate, irresponsible goof-off, living just above the level of skid row, who gets work when he needs cash for booze etc, but invariably gets fired within days or weeks. Told not to smoke in a particular workplace, he lights up once the boss is out of the way; asked to make a delivery, he drives the van away while it's still connected to an electric plug, leaves the van door open and drifts into a bar. Even outside work, he behaves perversely - notably leaving ointment on his private parts overnight, when he's been told that one hour is the absolute limit! And Chinaski, though initially appearing mildly passive, is not averse to violence, even to women.
The man's sole redeeming features are his belief in himself as a writer, and his persistence in writing and submitting his work. (His main redeeming feature should be his actual talent for writing, but the film gives us little evidence of this, except for a few Bukowski quotes, which in any case are mainly about his belief in himself.) .
Dillon fits this role like a glove. By turns, he sleepwalks, staggers and rampages through the movie - that is, when Chinaski isn't drinking in bars or sleeping it off with or without a woman. And, because this is fiction rather than biography, Dillon can mitigate his deplorable behaviour and slovenly dress simply with his good looks and dark eyes. One suspects that in real life Bukowski was far less likable than his cinematic alter ego.
Chinaski's main squeeze for most of the movie, bravely and quite unglamorously portrayed by Lili Taylor, is Jan who shares her lover's fondness for alcohol and a slacker life. In one sequence, when he has split from Jan, Chinaski encounters a glossier woman, Laura (Marisa Tomei), who introduces him to a more bourgeois world; but this doesn't last long, and he soon reverts to his usual round of drink and casual jobs. (Incidentally, I found the sound quality in the whole Marisa Tomei sequence quite poor, and missed much of the dialogue.)
I'm not too sure what anybody uninterested in Bukowski (or Matt Dillon) will make of this movie; but if you're looking for something in English other than blockbusters, rom-coms, costume dramas etc - this is it. And, whatever your view of the movie, if you haven't already done so, read some Bukowski - you'll love it!