| Photos (See all 42 | slideshow) | Videos (see all 11) |
Directed by | |||
| Bryan Barber | |||
Writing credits(WGA) | ||
| Bryan Barber | (written by) | |
Produced by | |||
| Bryan Barber | .... | co-producer | |
| André Benjamin | .... | co-producer | |
| Big Boi | .... | co-producer (as Antwan A. Patton) | |
| Erika Conner | .... | co-producer | |
| William Green | .... | executive producer | |
| Robert Guralnick | .... | producer | |
| Scott Macaulay | .... | executive producer | |
| Robin O'Hara | .... | executive producer | |
| Kimberly Rach | .... | line producer | |
| Charles Roven | .... | producer | |
| Blue Williams | .... | co-producer (as Michael 'Blue' Williams) | |
Original Music by | |||
| John Debney | |||
Cinematography by | |||
| Pascal Rabaud | (director of photography) | ||
Film Editing by | |||
| Anne Goursaud | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Charles William Breen | (as Charles Breen) | ||
Art Direction by | |||
| Gary Diamond | |||
Set Decoration by | |||
| Marthe Pineau | |||
Costume Design by | |||
| Shawn Barton | |||
Makeup Department | |||
| Coni Andress | .... | additional hair stylist | |
| Deborah Ball | .... | hair stylist | |
| Wendy Bell | .... | additional makeup artist | |
| Shutchai Tym Buacharern | .... | key makeup artist (as Tym Shutchai Buacharern) | |
| Susan Buffington | .... | additional hair stylist | |
| Cynthia L. Chapman | .... | additional hair stylist | |
| Rebecca DeHerrera | .... | makeup artist | |
| George Robert Fuller | .... | hair stylist: Ms. LaBelle | |
| David Halsey | .... | additional hair stylist | |
| Linda Kamp | .... | key makeup artist | |
| Miia Kovero | .... | hair stylist | |
| Veronica Lorenz | .... | key makeup artist | |
| Patricia McAlhany Glasser | .... | hair stylist | |
| Mike Mekash | .... | tattoo makeup artist | |
| Sandra S. Orsolyak | .... | additional makeup artist (as Sandra Orsolyak-Allen) | |
| Wynona Price | .... | makeup artist: Mr. Rhames (as Wynona Y. Price) | |
| Charles Gregory Ross | .... | head hair stylist (as Charles Gregory) | |
| Derrick Rutledge | .... | makeup artist: Ms. LaBelle | |
| Keith Sayer | .... | makeup artist | |
| Rebecca Schwedner | .... | key makeup artist | |
| Joan Shay | .... | hair stylist | |
| Yvette Shelton | .... | key hair stylist | |
| Rea Ann Silva | .... | head makeup artist (as Reaann Silva) | |
| Linda Thompson | .... | hair stylist (as Linda Clark-Thompson) | |
| Denise Tunnell | .... | additional makeup artist | |
| Bernard Williams | .... | additional hair stylist | |
| Marylin Lee | .... | additional makeup artist (uncredited) | |
| Laini Thompson | .... | makeup department head (uncredited) | |
Production Management | |||
| Elizabeth Fox | .... | post-production supervisor | |
| Ana S. Pelaez | .... | assistant production supervisor | |
| Lisa Rodgers | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Christian Clarke | .... | assistant director | |
| Barbara D'Alessandro | .... | first assistant director: second unit | |
| Barbara D'Alessandro | .... | second assistant director | |
| Steve Danton | .... | first assistant director | |
| Timothy Feimster | .... | second assistant director | |
| Terry Ham | .... | second assistant director | |
| Bradley Morris | .... | second second assistant director | |
| Thomas Parris | .... | second assistant director: second unit (as Thomas G. Parris) | |
| Thomas Parris | .... | second second assistant director (as Thomas G. Parris) | |
| Chuck Picerni Jr. | .... | second unit director | |
| Jonathan Starch | .... | first assistant director (as Jonathan C. Starch) | |
Special Effects by | |||
| David Beavis | .... | special effects coordinator (as Dave Beavis) | |
| Susan Beavis | .... | special effects buyer | |
| Douglas Calli | .... | special effects technician | |
| Phil H. Fravel | .... | special effects technician | |
| David Hill | .... | special effects technician | |
| Michael J. Hudson | .... | special effects technician (as Michael Hudson) | |
| Mike Hudson | .... | special effects technician | |
| William Purcell | .... | special effects foreman | |
| William Purcell | .... | special effects leadman (as William Aaron Purcell) | |
| Will Wagner | .... | special effects | |
Visual Effects by | |||
| Gary Abrahamian | .... | animation lead: CIS Hollywood | |
| Christine Albers | .... | 2D supervisor: Frantic Films | |
| Jared Barber | .... | animator | |
| Miguel Bautista | .... | digital compositor | |
| Jamie Baxter | .... | digital compositor: Eden Films | |
| Chris Bond | .... | visual effects supervisor | |
| Jason Booth | .... | digital compositor | |
| Jayni Borgaro | .... | paint and roto artist: CIS Hollywood | |
| David Brandt | .... | CG supervisor | |
| Brent Breedveld | .... | lead animator | |
| Matt Broeska | .... | 3D supervisor: Frantic Films | |
| Nicholas Brooks | .... | digital compositor | |
| Scott Callison | .... | 3D animator | |
| Tim Carras | .... | digital compositor | |
| John Cassella | .... | CG artist: CIS Hollywood | |
| Patrick Clancey | .... | digital opticals | |
| Donnie Creighton | .... | digital intermediate assistant producer | |
| Peter Crosman | .... | visual effects supervisor | |
| Andrea D'Amico | .... | visual effects executive producer: Eden FX | |
| Eric Dehaven | .... | digital compositor | |
| Karin Eunson-Ross | .... | visual effects producer: Frantic Films (as Karin Ross) | |
| David Fox | .... | visual effects production manager: Frantic Films | |
| Amy Garback | .... | CG artist: CIS Hollywood | |
| Corey Garnett | .... | systems: CIS Hollywood | |
| Kert Gartner | .... | compositor: Frantic Films | |
| Larry Gaynor | .... | senior paint and roto: CIS Hollywood | |
| John F. Gross | .... | visual effects supervisor: Eden FX (as John Gross) | |
| Kristien Hamilton | .... | visual effects producer | |
| Chris Harvey | .... | digital artist | |
| Joe Henke | .... | animation supervisor: CIS Hollywood | |
| Bryan Hirota | .... | visual effects supervisor: CIS Hollywood | |
| Sasha Houdek | .... | animation producer | |
| Mark Intravartolo | .... | compositor | |
| Patrick Kavanaugh | .... | compositor: CIS Hollywood | |
| Patrick Kavanaugh | .... | digital effects supervisor: CIS Hollywood | |
| Anne Kim | .... | digital compositor | |
| Sean Konrad | .... | digital compositor | |
| Terence Krueger | .... | visual effects | |
| Tom Leckie | .... | digital compositor | |
| Diane Macke | .... | project manager: efilm | |
| Lisa Maher | .... | visual effects producer: CIS Hollywood | |
| Allan McKay | .... | visual effects | |
| Diana Miao | .... | color and lighting supervisor: CIS Hollywood | |
| David R. Morton | .... | lead visual effects artist: Eden Films (as Dave Morton) | |
| Alex Murtaza | .... | lighting artist | |
| Naveen Nathan | .... | junior systems: CIS Hollywood | |
| Anita Naufal | .... | visual effects | |
| Julia Neighly | .... | visual effects coordinator: CIS Hollywood (as Julia Gaudette) | |
| Julia Neighly | .... | visual effects production manager: CIS Hollywood (as Julia Gaudette) | |
| Elad Offer | .... | lead Inferno artist: Money Shots | |
| Elad Offer | .... | visual effects supervisor: Money Shots | |
| Chris Pember | .... | visual effects artist: Frantic Films | |
| Eric Pender | .... | CG artist: CIS Hollywood | |
| Liz Ralston | .... | visual effects producer | |
| Chris Ryan | .... | CG artist: CIS Hollywood | |
| Jeff Sargent | .... | digital compositor | |
| Nobuteru Sasagawa | .... | digital artist | |
| Sean M. Scott | .... | digital artist: Eden Films (as Sean Scott) | |
| Michael Shand | .... | visual effects supervisor: Frantic Films (as Mike Shand) | |
| Danita Slaughter | .... | digital opticals editor | |
| George Taylor | .... | 3D tracker: Frantic Films | |
| George Taylor | .... | compositor | |
| John Teska | .... | digital effects supervisor | |
| John Teska | .... | lead visual effects artist: Eden Films | |
| Allen Tracy | .... | visual effects coordinator: Frantic Films | |
| Yves Tremblay | .... | digital compositor | |
| Sarah Vinson | .... | visual effects coordinator | |
| Jason Wardle | .... | lead CGI artist: CIS Hollywood | |
| Diana Marie Wells | .... | digital artist (as Diana M. Wells) | |
| Blair Werschler | .... | 3D lighting and rendering artist: Frantic Films | |
| Chad Wiebe | .... | visual effects: Frantic Films | |
| Carl Willat | .... | animation supervisor | |
| Yuji Yagasaki | .... | lead CG artist: Money Shots | |
| Kyle Yamamoto | .... | research and development programmer: CIS Hollywood | |
| Tetsuo Yoshida | .... | Inferno artist: Money Shots | |
| Genevieve Yue | .... | visual effects producer | |
| Ken Zorniak | .... | visual effects producer: Frantic Films | |
| Matt Ashton | .... | senior systems: CIS Hollywood (uncredited) | |
| Conrad Dueck | .... | CGI supervisor: Frantic Films (uncredited) | |
| Donald Fly | .... | general manager: CIS Hollywood (uncredited) | |
| Jeremy Lang | .... | head of information technology: Custom Film Effects (uncredited) | |
| Jinwoo Lee | .... | organic modeler: rooster (uncredited) | |
Stunts | |||
| Neil Castles Jr. | .... | stunt driver | |
| John Copeman | .... | stunt rigger | |
| Thomas Dewier | .... | stunts | |
| Henry Kingi Jr. | .... | stunt double | |
| Jalil Jay Lynch | .... | stunt coordinator | |
| Chuck Picerni Jr. | .... | stunt coordinator | |
| Larnell Stovall | .... | stunt double: Big Boi | |
Animation Department | |||
| Brett Magnuson | .... | animator: Hero Motion Pictures (uncredited) | |
Casting Department | |||
| McLean Alley | .... | principal casting associate | |
| Marty Cherrix | .... | location casting (as Marty Keener Cherrix) | |
| Deborah Maxwell Dion | .... | casting associate: Los Angeles | |
| Barbara Harris | .... | adr voice casting | |
| Regina McLeod | .... | extras casting director | |
| Micah 'Checka' Noble | .... | extras casting | |
Costume and Wardrobe Department | |||
| Yvonne Battistelli | .... | set costumer | |
| Allison Biggar | .... | wardrobe assistant | |
| Anthony Franco | .... | assistant costume designer | |
| Karen Keyes | .... | set costumer | |
| Keva Keyes | .... | additional set costumer | |
| Lorraine Alexis Mahru Toomey | .... | costumer (as Lorraine Alexis Mahru) | |
| B.J. Rogers | .... | costume supervisor | |
| Keith Taylor | .... | key costumer | |
Editorial Department | |||
| Steve Bowen | .... | digital color timer | |
| Rick J. Brown | .... | colorist: dailies (as Rick Brown) | |
| Jessica Cardinale | .... | post-production coordinator | |
| David Checel | .... | additional editor | |
| Richard Conkling | .... | first assistant editor | |
| Scott Freeman | .... | avid technician | |
| Michael Hatzer | .... | color timer | |
| John Paul Horstmann | .... | first assistant editor | |
| James G.H. Knight | .... | post-production supervisor: Crawford Post Production | |
| Sarah Lucky | .... | editorial assistant | |
| Gregory White | .... | dailies | |
Music Department | |||
| Wolfgang Amadeus | .... | electronic score engineer | |
| Wolfgang Amadeus | .... | electronic scoring mixer | |
| André Benjamin | .... | music supervisor (as Andre 3000) | |
| Frank Bennett | .... | additional orchestrator (as Frank Bennet) | |
| Big Boi | .... | music supervisor | |
| Jeff Carson | .... | scoring music editor | |
| Vincent Cirilli | .... | music digital recordist | |
| Bryan Clements | .... | scoring crew | |
| John Debney | .... | conductor | |
| Lola Debney | .... | score coordinator | |
| Brad Dechter | .... | orchestrator | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Mark Eshelman | .... | scoring crew | |
| Robert Fernandez | .... | score mixer (as Bobby Fernandez) | |
| Robert Fernandez | .... | score recordist (as Bobby Fernandez) | |
| Mark Graham | .... | music preparation | |
| Jim Harrison | .... | music editor | |
| Scott Hosfeld | .... | musician | |
| Kevin Kaska | .... | additional orchestrator | |
| Kevin Kendrick | .... | additional source music | |
| Evyen Klean | .... | music consultant (as Evyen J. Klean) | |
| Greg Loskorn | .... | scoring technician | |
| Adam Michalak | .... | score recordist | |
| Melanie Mullens Hoyson | .... | score production supervisor | |
| Bryan Pezzone | .... | musician: piano | |
| Paul Rabjohns | .... | supervising music editor | |
| Jennifer Reeve | .... | music coordinator | |
| Julie Sessing | .... | music clearance | |
| David Sheats | .... | source music re-mixer (as Cutmaster Swiff) | |
| Steven L. Smith | .... | music preparation | |
| Matthew Rush Sullivan | .... | production music supervisor | |
| Mike Watts | .... | additional orchestrator | |
| Peter Erskine | .... | musician (uncredited) | |
Transportation Department | |||
| Larry Wayne Boswell | .... | picture car coordinator | |
| Neil Castles Jr. | .... | picture car coordinator | |
| Ty Church | .... | transportation coordinator | |
| Jenny Elsinger | .... | driver | |
| Brett Leslie | .... | driver | |
| Mark McNeill | .... | transportation captain | |
| Greg Stancil | .... | driver | |
| Sonya Tomaro | .... | driver | |
Thanks | |||
| Sharlene Falls | .... | special thanks | |
|
|
|
|
|
| Dreamgirls | Paris 36 | Hustle & Flow | Little Ashes | Nine |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
It is a highly stylized slice of life. As usual, reading through the comments left here, I'm finding that many just can't leave their pretense at the door. It would seem that any film with an all African-American cast set in the American south is required to beat us over the head with an idea we are all (I would hope) aware of. ie; Jim Crow sucked. Instead, this film simply portrays people with hopes and dreams, faults and virtues, capable of love and hate, good and evil. in other words, people. Not "black people". That was refreshing. (and, IMHO, a far stronger statement than one could ever make through heavy-handed symbolism) Is the film perfect? Far from it. The plot is in many ways pedestrian. The film telegraphs plot twists rather than foreshadowing them. However, are there flashes of brilliance? Good Lord yes. These are two astonishingly talented men (Andre and Big Boi) and simply as a showcase for that talent, this film succeeds. If you just sit down and let the film wash over you, you will enjoy. If you over-think, and ask it to be something it isn't, you won't. It's that simple.