A musical set in the Prohibition-era American South, where a speakeasy performer and club manager Rooster must contend with gangsters who have their eyes on the club while his piano player ... See full summary »
A young man with a talent for music has begun a career with much promise. He meets an aspiring singer, Apollonia, and finds that talent alone isn't all that he needs. A complicated tale of ... See full summary »
"Sugar" Ray is the owner of an illegal casino, who contend with the pressures of vicious gangster and corrupt policemen who want to see him go out of business. In the world of organized ... See full summary »
After the death of his brother, An expert street dancer goes to Georgia to attend Truth University. But his efforts to get an education and woo the girl he likes are sidelined when he joins... See full summary »
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.
A musical set in the Prohibition-era American South, where a speakeasy performer and club manager Rooster must contend with gangsters who have their eyes on the club while his piano player and partner Percival must choose between his love, Angel or his obligations to his father. Written by
The working title of the film was Speakerboxxx, named after Outkast's 2003 album. See more »
During the first big song sung by Big Boi, the camera is on Andre playing the piano. A few seconds later, you see Big Boi dancing around the stage, but there is no one at the piano. See more »
Well, you know how that old saying goes, 'What goes around, comes around'!
What do you know? You just a stupid-ass flask anyway.
Stupid? You're the one talking to a flask.
I gotta stop drinkin' this shit.
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The credits play over a musical dance number by Percival See more »
Written by André Benjamin, Big Boi (as Antwan "Big Boi" Patton), Terrence Smith
Performed by Big Boi featuring Sleepy Brown and Scar
Courtesy of LaFace Records/Zomba Label Group
Sleepy Brown appears courtesy of Purple Ribbon Entertainment/Virgin Records
Scar appears courtesy of Purple Ribbon Entertainment See more »
It is a highly stylized slice of life. As usual, reading through the comments left here, I'm finding that many just can't leave their pretense at the door. It would seem that any film with an all African-American cast set in the American south is required to beat us over the head with an idea we are all (I would hope) aware of. ie; Jim Crow sucked. Instead, this film simply portrays people with hopes and dreams, faults and virtues, capable of love and hate, good and evil. in other words, people. Not "black people". That was refreshing. (and, IMHO, a far stronger statement than one could ever make through heavy-handed symbolism) Is the film perfect? Far from it. The plot is in many ways pedestrian. The film telegraphs plot twists rather than foreshadowing them. However, are there flashes of brilliance? Good Lord yes. These are two astonishingly talented men (Andre and Big Boi) and simply as a showcase for that talent, this film succeeds. If you just sit down and let the film wash over you, you will enjoy. If you over-think, and ask it to be something it isn't, you won't. It's that simple.
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