A musical set in the Prohibition-era American South, where a speakeasy performer and club manager Rooster must contend with gangsters who have their eyes on the club while his piano player ... See full summary »
A young man with a talent for music has begun a career with much promise. He meets an aspiring singer, Apollonia, and finds that talent alone isn't all that he needs. A complicated tale of ... See full summary »
"Sugar" Ray is the owner of an illegal casino, who contend with the pressures of vicious gangster and corrupt policemen who want to see him go out of business. In the world of organized ... See full summary »
Famous film director Guido Contini struggles to find harmony in his professional and personal lives, as he engages in dramatic relationships with his wife, his mistress, his muse, his agent, and his mother.
After the death of his brother, An expert street dancer goes to Georgia to attend Truth University. But his efforts to get an education and woo the girl he likes are sidelined when he joins... See full summary »
A musical set in the Prohibition-era American South, where a speakeasy performer and club manager Rooster must contend with gangsters who have their eyes on the club while his piano player and partner Percival must choose between his love, Angel or his obligations to his father. Written by
Originally Idlewild was written as a music video treatment, until the success of their album "Speakerboxxx/The Love Below" encouraged them to expand it into a feature film. The film was going to premiere on HBO but it was ultimately decided to release it in theaters. See more »
During the first big song sung by Big Boi, the camera is on Andre playing the piano. A few seconds later, you see Big Boi dancing around the stage, but there is no one at the piano. See more »
[Out of breath]
What... was... that... you... told... me... Spatz? Never... never... bring... a... knife... to... a... gun... fight?
You son of a bitch jackass
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The credits play over a musical dance number by Percival See more »
Here we have the most creative Hip Hop/Rap duo teaming with one of the most creative music video directors on a very good film. I can't believe people aren't seeing this movie...especially black folks. We support some of the most drab and unimaginative crap in music and film but won't support good art. (Maybe it needs more violence or ass shaking in it.)
Anyways, Idlewild has a great story, great music, and highly creative camera work and directing. The acting isn't excellent, but it does not detract from the film. I look forward to seeing more work from Mr. Barber. I wish there were more black filmmakers like him and more music artists like Outkast. Let's move forward people.
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