A musical set in the Prohibition-era American South, where a speakeasy performer and club manager Rooster must contend with gangsters who have their eyes on the club while his piano player ... See full summary »
An urban black couple (Terrence Howard, Nicole Parker) traveling via back roads from Chicago to LA has a car breakdown in a backwater town where everyone is white trailer trash and racial ... See full summary »
Nicole Ari Parker,
Brendan Sexton III
A musical set in the Prohibition-era American South, where a speakeasy performer and club manager Rooster must contend with gangsters who have their eyes on the club while his piano player and partner Percival must choose between his love, Angel or his obligations to his father. Written by
The working title of the film was Speakerboxxx, named after Outkast's 2003 album. See more »
During the first big song sung by Big Boi, the camera is on Andre playing the piano. A few seconds later, you see Big Boi dancing around the stage, but there is no one at the piano. See more »
Well, you know how that old saying goes, 'What goes around, comes around'!
What do you know? You just a stupid-ass flask anyway.
Stupid? You're the one talking to a flask.
I gotta stop drinkin' this shit.
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The credits play over a musical dance number by Percival See more »
It is a highly stylized slice of life. As usual, reading through the comments left here, I'm finding that many just can't leave their pretense at the door. It would seem that any film with an all African-American cast set in the American south is required to beat us over the head with an idea we are all (I would hope) aware of. ie; Jim Crow sucked. Instead, this film simply portrays people with hopes and dreams, faults and virtues, capable of love and hate, good and evil. in other words, people. Not "black people". That was refreshing. (and, IMHO, a far stronger statement than one could ever make through heavy-handed symbolism) Is the film perfect? Far from it. The plot is in many ways pedestrian. The film telegraphs plot twists rather than foreshadowing them. However, are there flashes of brilliance? Good Lord yes. These are two astonishingly talented men (Andre and Big Boi) and simply as a showcase for that talent, this film succeeds. If you just sit down and let the film wash over you, you will enjoy. If you over-think, and ask it to be something it isn't, you won't. It's that simple.
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