A fashion photographer with terminal cancer elects to die alone, preparing others to live past him rather than prolong the inevitable with chemotherapy or be smothered in sympathy by those who know him.
Mousse and Louis are young, beautiful, rich and in love. But drugs have invaded their lives. One day, they overdose and Louis dies. Mousse survives, but soon learns she's pregnant. Feeling ... See full summary »
The adventures of an upper-class suburban family abruptly confronted with the younger brother's discovery of his homosexuality, the elder sister's suicide attempt and sado-masochist ... See full summary »
Marina de Van
When her husband is taken hostage by his striking employees, a trophy wife (Deneuve) takes the reins of the family business and proves to be a remarkably effective leader. Business and ... See full summary »
After losing her virginity, Isabelle takes up a secret life as a call girl, meeting her clients for hotel-room trysts. Throughout, she remains curiously aloof, showing little interest in the encounters themselves or the money she makes.
In Paris, thirty-one-year-old gay fashion photographer Romain learns he has a terminal cancer. As chances with chemotherapy are only slim, he chooses to live the rest of his life without treatment or mollycoddling, hiding the truth from his lover Sasha and his family, being cruel to kindly push them away. He visits his estranged grandmother Laura for a few days and has a small talk with a waitress he chance meets along the way, a waitress who, upon a second chance meeting, asks him for an unusual favor. Romain returns to Paris where he privately puts his affairs in order and awaits the end. Written by
Claudio Carvalho, Rio de Janeiro, Brazil / revised by statmanjeff
Romain has a SonyEricsson mobile phone, but ringtone is Nokia's. See more »
So, who have you told?
No one. Just you.
Nobody at all. I told them I needed a vacation.
What about your sister?
You're crazy. No way.
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A tender movie about life, a feel-good movie about someone dying.
The first thing that strikes me as very unusual about this movie is that the main character is gay, and that that is not the subject of the movie, not even an issue. I don't know of any other movie like that.
Having said this, let's leave the subject of homosexuality, just like the film does, and not scare heterosexuals away. Of course the subject of the movie, saying goodbye to life, isn't new, neither original. But sometimes it isn't the story itself, but the way it is told that makes it worthwhile. To my opinion Ozon is very good storyteller. I think tenderness, and the love for people and for life itself must have inspired him a lot.
Some scene's could be seen as provocative and politically incorrect, but the way they are woven into the story makes them credible and the way they are filmed makes them just beautiful. Ozon has a way of filming sex scene's as what they are; a nice part of everyday life.
The movie left me moved, but not sad.
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