Romain is a very successful fashion photographer who's diagnosed with terminal cancer. He copes by being cruel and nasty to those he loves, until a visit with his grandmother changes his outlook. But, his boyfriend's moved out, now what?
When her husband is taken hostage by his striking employees, a trophy wife (Deneuve) takes the reins of the family business and proves to be a remarkably effective leader. Business and ... See full summary »
After losing her virginity, Isabelle takes up a secret life as a call girl, meeting her clients for hotel-room trysts. Throughout, she remains curiously aloof, showing little interest in the encounters themselves or the money she makes.
Sasha, a young British woman, is living with her baby daughter at Ile d'Yeu, a peaceful beach community. A stranger appears. Her name is Tatiana, she's passing through, and pitches her tent... See full summary »
The adventures of an upper-class suburban family abruptly confronted with the younger brother's discovery of his homosexuality, the elder sister's suicide attempt and sado-masochist ... See full summary »
Marina de Van
In Paris, the thirty-one year old gay fashion photographer Romain learns that he has a terminal cancer and his chances with the chemotherapy are the least. His choice is to live the rest of his life without treatment. He hides the truth from his lover Sasha and his family and is cruel with them. He travels to visit his grandmother Laura and has a small talk with a waitress. He spends a couple of days with Laura and he meets by chance the waitress again that asks him for an unusual favor. Romain returns to Paris and changes his attitude toward the rest of his life. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Ozon is a strange figure. Strange in a sense that actually makes him normal: sometimes controversial, sometimes authentic, but always a great analyst of the emotion's spectrum.
It becomes clear really early that the film will be more of a contemplative portrayal of death than a daring fight lead against it. And sometimes it's better that way, to take things as they come. Thirty one year old Romain isolates himself from his family and friends and deals with several stages of the whole "accepting death" experience. A so dreaded experience. Consequently, the film is distant and may seem tedious at times, but all the means serve their purpose.
"Le temps qui reste" (gorgeous title, I feel obliged to emphasize this) is a difficult film: homosexuality, solitude and death are themes which few can bear light-heartedly. Still, Romain's process of severing himself from himself is intriguing at all times and the film's final sequence is of a most sincere impact. It's about adapting to the idea of dying in a glacial modern society.
We are generally alone in this world and all we have is our family. And if we lose that, we are left with thoughts, never to be forgotten. Le temps qui reste.
49 of 59 people found this review helpful.
Was this review helpful to you?