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Time to Leave (2005)
"Le temps qui reste" (original title)

7.2
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Ratings: 7.2/10 from 6,388 users   Metascore: 67/100
Reviews: 48 user | 92 critic | 21 from Metacritic.com

Romain is a very successful fashion photographer who's diagnosed with terminal cancer. He copes by being cruel and nasty to those he loves, until a visit with his grandmother changes his outlook. But, his boyfriend's moved out, now what?

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Title: Time to Leave (2005)

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Cast

Cast overview, first billed only:
...
...
Laura
...
Jany (as Valeria Bruni-Tedeschi)
Daniel Duval ...
Le père
...
La mère
Christian Sengewald ...
Sasha
Louise-Anne Hippeau ...
Sophie
Henri de Lorme ...
Le médecin
Walter Pagano ...
Bruno
Violetta Sanchez ...
L'agent
Ugo Soussan Trabelsi ...
Alba Gaïa Kraghede Bellugi ...
Sophie enfant (as Alba Gaïa Kradhege Bellugi)
Victor Poulouin ...
Laurent
Laurence Ragon ...
La notaire
Thomas Gizolme ...
L'assistant photographe
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Storyline

In Paris, the thirty-one year old gay fashion photographer Romain learns that he has a terminal cancer and his chances with the chemotherapy are the least. His choice is to live the rest of his life without treatment. He hides the truth from his lover Sasha and his family and is cruel with them. He travels to visit his grandmother Laura and has a small talk with a waitress. He spends a couple of days with Laura and he meets by chance the waitress again that asks him for an unusual favor. Romain returns to Paris and changes his attitude toward the rest of his life. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Unrated | See all certifications »

Parents Guide:

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Details

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Language:

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Release Date:

30 November 2005 (France)  »

Also Known As:

Time to Leave  »

Filming Locations:


Box Office

Opening Weekend:

$15,377 (USA) (14 July 2006)

Gross:

$117,581 (USA) (15 December 2006)
 »

Company Credits

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Technical Specs

Runtime:

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2.35 : 1
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Did You Know?

Trivia

First feature film role for Christian Sengewald. See more »

Goofs

The Canon IXUS i5 is not turned on when Romain uses it. See more »

Quotes

Romain: In my dreams I sleep with anybody. My father, my mother... even with myself when I was a kid. I think I'm trying to feel good before dying.
See more »

Connections

Follows Under the Sand (2000) See more »

Soundtracks

III-In air clean and unseen
Extraits de "In air clear and unseen" (1994)
stanzas with Tyutchev, for piano and string quartet
Music by Aleksandr Knaifel
Performed by Oleg Malov & le Keller Quartet
© Compozitor Publishing House, St Petersburg
(p) 2002 ECM Records (Munchen)
avec l'aimable autorisation de Universal Music Projets Spéciaux
See more »

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User Reviews

 
Another Francois Ozon gem
16 November 2006 | by (Melbourne, Australia) – See all my reviews

Francois Ozon is one of my favourite French directors. His artistic renditions of the human drama contribute significantly to what makes French films so worth seeing. This is his second instalment of a trilogy about death that started with the emotionally enthralling, understated Under The Sand.

Previously he has covered different genres like comedy (8 Women) and thriller (Swimming Pool). While these films have found a wider audience, I find the dramatically subdued exploration of grief and mortality in Under The Sand and A Time To Leave much more interesting and satisfying.

In A Time To Leave, Romain finds his own way to deal with imminent death. Unlike most of his previous films, Ozon uses a male protagonist. He appears to be selfish and egocentric – not overly likable. Perhaps like an essay on the human condition, it is revealing to observe how he interacts with people and attempts closure on his 'final journey'.

The film has a bit of a wandering Zen feel about it. There is no sentimentality and Romain does not burden anyone. It appears that he wants to tidy up loose ends before his passing in an attempt to find peace within himself.

Legendary actress Jeanne Moreau, playing the grandmother, has as strong a screen presence as ever (55 years after her debut). It is only with her that Romain seems to open up emotionally, and we get a glimpse of his warmer side. These scenes were very moving and felt like the emotional core of the film.

Like Under The Sand, A Time To Leave doesn't seem to be making any particular point. Neither are evangelical or proselytising a world view. Nor are they gratuitous, contrived or flamboyant. Each of them is like another essay about the human condition, done with great artistry. There are no grand sweeping statements – just one person's story. There is such understated confidence, intelligence and skill in Ozon's direction. Highly recommended.


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