Single-girl anxiety causes Kat Ellis (Messing) to hire a male escort (Mulroney) to pose as her boyfriend at her sister's wedding. Her plan, an attempt to dupe her ex-fiancé, who dumped her a couple years prior, proves to be her undoing.
Kate and her actor brother live in N.Y. in the 21st Century. Her ex-boyfriend, Stuart, lives above her apartment. Stuart finds a space near the Brooklyn Bridge where there is a gap in time.... See full summary »
Mary Fiore is San Francisco's most successful supplier of romance and glamor. She knows all the tricks. She knows all the rules. But then she breaks the most important rule of all: she falls in love with the groom.
Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left ... See full summary »
Preschool teacher Sarah Nolan, divorced for eight months, is still grieving the end of her marriage. Although she didn't see it as being perfect, she probably would have stuck it out as what she saw as the "for better or worse" obligation of the wedding vows, that is if her ex-husband, Kevin, didn't end it for what ended up being leaving her for a younger woman. She is urged by her over-supportive family, comprised of her many siblings, their partners, and her widowed father, to get back into the dating scene, something she has been reluctant to do in not feeling ready. As such, her most proactive sister in the matter, Carol, sets her up on an Internet dating site. Within her less than prepared state, Sarah does go along with meeting men by the means offered to her. Beyond especially her female siblings, Sarah is given unique perspectives on the whole issue of dating and commitment by her father, Bill, who is exploring dating after losing who was the love of his life in Sarah's mother... Written by
According to director Gary David Goldberg, he gave the script to John Cusack and encouraged him to change any of his character's dialogue to better suit him. Goldberg was surprised by Cusack's response, who later sent the director about 35 pages of new dialogue for his character. See more »
When Sarah breaks Bobby's glasses on her front steps, one lens falls to the ground and you hear glass break. But the style of glasses Bobby is wearing is semi-rimless and cannot be made with glass, as the fishing line that holds the lens in place cannot support the weight of glass lenses. His lenses would have to be made of plastic or polycarbonate. See more »
The best place to meet a guy is at the supermarket. You don't need to waste a lot of time there, either. You see a guy holding a list, you know he's married. He's in the frozen food section carrying a small basket, he's single. I like to hang out by fruits and vegetables, there's a better chance of getting a guy who's healthy.
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During the credits, two Newfoundlands are shown, with the following caption: "No animals were harmed during the filming of this movie. Though we were petted within an inch of our lives." See more »
John Cusack and Diane Lane, two of the most interesting actors working today, make this somewhat predictable romantic comedy work. They flesh out characters from a pretty weak script, and make you want to know those characters better.
This film is not rocket science, but if you expect to enjoy a bit of romantic fluff, you will not be disappointed. The only frustrating thing is knowing how much more both of these fine actors is capable of. Given a strong script and inventive director, can you imagine what a great film they could make together?
For this viewer, the weakest part of the script was the two-dimensional nature of some the supporting characters. For example, why would a sensitive, romantic boat builder like Jake have a strip-club-loving sleazy lawyer friend as his only male pal? And while the long suffering younger brother character is amusing and well acted, his wife is non-existent. Also, why would the father become a Lothario upon the death of his wife? If he was really a great guy, wouldn't he continue to act that way?
Also, the script never seems sure whether it wants Diane Lane's character to be comical or touching. The montage showing her entering computer dating with a gusto seemed forced - it aimed for a Bridget Jones type breeziness, but missed - and the singalong to the Partridge Family theme song scene was downright embarrassing. Thankfully Cusack was not subjected to that scene!
All in all, a good one to see if you love the leads, but don't expect belly laughs. It might leave you a little wistful for a romantic comedy as fresh as "Say Anything".... (sigh)
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