1883, Baycliff, an isolated English village on the Irish Sea. Two women's friendship becomes passion. Cynara, a sculptor, alone, befriends Byron, a visitor who's left Paris in unhappiness. ... See full summary »
Marine officer Alexandra is tough enough to kick any guy's ass in a bar fight, but there's one opponent she can't beat: military policy. When she returns to her conservative hometown from ... See full summary »
Paris P. Pickard,
Anthony Michael Jones
THE GIRL KING paints a portrait of the brilliant, extravagant Kristina of Sweden, queen from age six, who fights the conservative forces that are against her ideas to modernize Sweden and who have no tolerance for her awakening sexuality.
Three girls are on the run from a group of disbanded soldiers. Nowhere to go they come across a lonely widow to seek refuge. Risking her life to save the young women the widow only demands erotic pleasure in exchange.
Ruby is a young part-time stripper who wallows in drugs, sex and other excesses in meaningless existence. After meeting with local drug dealer O-Rock in her apartment, she seduces him, ... See full summary »
Robin, who is married to her girlfriend for half a dozen years, and Lacie, someone who never had a lasting relationship, are both cast to play lesbian lovers in a Los Angeles stage play. Innocently, the stage director, Gabriel runs the actresses through a series of rehearsals designed to "bring out the intimacy" in each performer. Soon the two women find themselves increasingly and undeniably attracted to each other and overcome with desire. They must ask themselves whether this relationship is manufactured, created for the sake of the "girl play", or is it true love? Written by
Sujit R. Varma
...vibrant, smart, hilarious, and unsentimental love story
GIRL PLAY is a vibrant, smart, hilarious, and unsentimental love story about two stage actors, Robin Greenspan and Lacie Harmon, cast as the leads in a romantic play. The women come fully equipped with compelling reasons why their falling in love with each other is simply not an option: Robin lives with her life partner in a clearly defined world, replete with Post-it reminders and insurance policies, and Lacie has recently come to embrace her commitment-phobia in full. But when their eccentric stage director (played to perfection by Dom Deluise) insists at rehearsals that the two women experience one electrifying and vulnerable moment after another, their chemistry has no place to go but up.
For all kinds of reasons, these two should not fall in love, and yet we all know where this story is going. But we don't know what fresh, unexpected, and delightful trouble it will trigger; nor whether these women will actually overcome their obstacles and make it especially given Robin's terror at the mere possibility of hurting and disappointing her live-in girlfriend. The fear takes her back to the dread-filled moments that led to her coming out to her provincial mother (flawlessly played by Mink Stole). And Lacie clings to her independence after she revisits her most recent unbearably awkward, horror-show-down breakup with a demi-semi-steady.
The story unfolds beautifully, mixing narrative and direct-address narration. Because the writing, acting, direction, and editing are so incredibly deft, this hybrid means of story-telling and story-showing works beautifully. It reminds me of High Fidelity in that seamless way of mixing narrative, direct address, and flashbacks.
Mink Stole and Dom Deloise might have stolen the movie, had Robin Greenspan and Lacie Harmon not given such strong and appealing performances. Forgive the reductive Hollywood-ese of this analysis, but Robin Greenspan's hilarious neurotic practicality is young-Woody-Allen good, and Lacie Harmon's hilarious wry cynicism is young-Bruce-Willis sexy! What's more, these two leading ladies also wrote the movie. What's more than THAT the movie is based on their true story. What's not to love!?
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