| Photos (See all 19 | slideshow) | Videos (see all 7) |
Directed by | |||
| Julian Jarrold | |||
Writing credits(in alphabetical order) | ||
| Jane Austen | letters | |
| Kevin Hood | ||
| Sarah Williams | ||
Original Music by | |||
| Adrian Johnston | |||
Cinematography by | |||
| Eigil Bryld | (director of photography) | ||
Film Editing by | |||
| Emma E. Hickox | |||
Casting by | |||
| Gail Stevens | |||
Production Design by | |||
| Eve Stewart | |||
Art Direction by | |||
| David McHenry | |||
Set Decoration by | |||
| Johnny Byrne | |||
| Jenny Oman | |||
Costume Design by | |||
| Eimer Ni Mhaoldomhnaigh | |||
Makeup Department | |||
| Francesco Alberico | .... | hair assistant | |
| Francesco Alberico | .... | makeup assistant | |
| Muriel Bell | .... | crowd hair coordinator | |
| Lucy Browne | .... | makeup artist | |
| Sonia Dolan | .... | daily makeup artist | |
| Deirdre Fitzgerald | .... | makeup trainee | |
| Andrew Fitzsimons | .... | hair stylist | |
| Paul Gooch | .... | hair stylist | |
| Paul Gooch | .... | makeup artist | |
| Neill Gorton | .... | prosthetic makeup application (as Neil Gorton) | |
| Anna Gronerus | .... | hair trainee (as Anna Grönérus) | |
| Sandra Kelly | .... | key hair stylist | |
| Veronica McAleer | .... | hair designer (as Veronica Brebner) | |
| Veronica McAleer | .... | makeup designer (as Veronica Brebner) | |
| Lorraine McCrann | .... | additional makeup trainee | |
| Patricia McDevitt | .... | wig dresser | |
| Tom McInerney | .... | prosthetic makeup application | |
| Paul Mooney | .... | hair assistant | |
| Paul Mooney | .... | makeup assistant | |
| Tina Phelan | .... | makeup assistant (as Christina Phelan) | |
| Simon Rose | .... | prosthetic makeup application | |
| Tapio Salmi | .... | hair stylist | |
| Tapio Salmi | .... | makeup artist | |
| Barbara Taylor | .... | hair assistant: UK | |
| Barbara Taylor | .... | makeup assistant | |
| Olivier Seyfrid | .... | additional hair stylist (uncredited) | |
Production Management | |||
| Alistair Hopkins | .... | post-production supervisor | |
| Fiona Morham | .... | head of production: UK Film Council | |
| Tim Morris | .... | post-production supervisor: rushes | |
| Sean Cooney | .... | post-production executive (uncredited) | |
Second Unit Director or Assistant Director | |||
| Cathriona Glynn | .... | trainee assistant director (as Caitríona Glynn) | |
| Mary Gough | .... | second assistant director | |
| Sean Griffin | .... | third assistant director (as Seán Griffin) | |
| Anna Harrison | .... | trainee assistant director | |
| Luke Johnston | .... | first assistant director | |
| Kate McLaughlin | .... | trainee assistant director | |
Art Department | |||
| Eoin Bailey | .... | stagehand | |
| Danielle Bogley | .... | art department trainee (as Danielle Begley) | |
| Deirdre Byrne | .... | storeperson | |
| Gareth Byrne | .... | greensman | |
| Patrick Byrne | .... | greensman | |
| Ray Byrne | .... | greensman | |
| Jenni Cooney | .... | assistant art director | |
| Richard Cooney | .... | carpenter | |
| Ultan Courtney | .... | art department trainee | |
| Darren Crimmins | .... | assistant construction manager | |
| Seamus Crowley | .... | plumber | |
| Elimer Cruz | .... | upholstery | |
| Robert Daly | .... | carpenter | |
| Deborah Davis | .... | trainee prop buyer | |
| John Delaney | .... | master stagehand | |
| Anthony Dixon | .... | painter | |
| Shane Donnelly | .... | stagehand | |
| Tom Dowling | .... | construction manager | |
| Dave Flanagan | .... | dressing props | |
| Jimmy Gillen | .... | stand-by stagehand | |
| Martin Hanley | .... | storyboard artist | |
| Tuireann Herriott | .... | trainee prop buyer | |
| Michael Higgins | .... | stand-by art director | |
| Lyndon Johnston | .... | dressing props | |
| Jimmy Kavanagh | .... | drapesman | |
| Mick Kearns | .... | stand-by carpenter (as Michael Kearns) | |
| Pat Kelly | .... | painter | |
| Ronan Kennedy | .... | assistant dressing props | |
| Tony Kennedy | .... | carpenter | |
| Paul Keogh | .... | chargehand carpenter | |
| Thomas Lavelle | .... | decorative painter (as Tommy Lavelle) | |
| Eoin Lewis | .... | chargehand dressing props | |
| Bernard Lyster | .... | dressing props | |
| Martin Maloney | .... | plasterer | |
| Leon McCarthy | .... | additional art director | |
| Kate McColgan | .... | art department coordinator | |
| Jerome McDonnell | .... | stand-by props | |
| Noel McKenna | .... | stand-by rigger (as Noel 'Badger' McKenna) | |
| Nuala McKernan | .... | property master | |
| Sue Meehan | .... | assistant dressing props | |
| Philip Murphy | .... | props | |
| Niamh Nic Raois | .... | assistant art director | |
| Anthony Nugent | .... | stand-by props | |
| John O'Connell | .... | carpenter | |
| Ciara O'Donnell | .... | graphic designer | |
| Gary O'Donnell | .... | painter | |
| Christy O'Shaughnessy | .... | master painter (as Christopher O'Shaughnessy) | |
| Martin O'Shaughnessy | .... | painter | |
| Thomas O'Shaughnessy | .... | stand-by painter | |
| Jenny Oman | .... | props buyer | |
| Guy Rutter | .... | scenic artist | |
| Brendan Stephens | .... | painter | |
| Thomas Stephens | .... | painter | |
| Brian Thompson | .... | construction buyer | |
| Maurice Thompson | .... | construction buyer | |
| Paul Treacy | .... | rigger | |
Sound Department | |||
| Nick Adams | .... | supervising sound editor | |
| Jeremy Adamson | .... | sound effects recordist | |
| Mark Barry | .... | sound trainee | |
| Carlie Bergman | .... | adr recordist | |
| Peter Blayney | .... | sound re-recording mixer | |
| Gordon Brown | .... | additional adr editor | |
| Alan Collins | .... | sound facility supervisor: Ardmore Sound | |
| Daniel Crowley | .... | boom operator | |
| Caoimhe Doyle | .... | foley artist | |
| Samir Foco | .... | foley editor | |
| Samir Foco | .... | location foley mixer | |
| Sue Harding | .... | location foley artist | |
| Tom Johnson | .... | sound re-recording mixer | |
| Mark Kenna | .... | consultant: dolby film sound | |
| Goro Koyama | .... | foley artist | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | foley recording assistant | |
| Mervyn Moore | .... | location sound | |
| Douglas Murray | .... | adr mixer | |
| Jonathan Rimas | .... | adr mixer | |
| Jamie Roden | .... | adr mixer | |
| Lionel Strutt | .... | adr coordinator | |
| Joakim Sundström | .... | supervising dialogue editor | |
| Poppy Watson | .... | assistant sound editor | |
| Don White | .... | foley recording mixer | |
| Paul Wrightson | .... | adr editor | |
| Robert Edwards | .... | adr recordist (uncredited) | |
| Anthony Faust | .... | adr mixer (uncredited) | |
| Iain Jamieson | .... | assistant adr recordist (uncredited) | |
Special Effects by | |||
| Aidan Byrne | .... | special effects senior technician: Team FX (as Aiden Byrne) | |
| Brendan Byrne | .... | special effects supervisor: Team FX | |
| Michael Kearns | .... | special effects senior technician: Team FX (as Michael Kerns) | |
| Pat Redmond | .... | special effects senior technician: Team FX | |
| Dave Roddham | .... | special effects technician | |
Visual Effects by | |||
| Louie Alexander | .... | retouch and restoration: Framestore CFC | |
| Sule Bryan | .... | compositor: Framestore CFC | |
| Helen Bunker | .... | compositor: Framestore CFC | |
| Jason Burnett | .... | scanning and recording: Framestore CFC | |
| Andy Burrow | .... | scanning and recording manager: Framestore CFC | |
| Paul Doogan | .... | scanning and recording: Framestore CFC | |
| James D. Fleming | .... | digital paint & roto artist: Framestore CFC (as James Fleming) | |
| Joe Godfrey | .... | scanning and recording: Framestore CFC | |
| Charlie Habanananda | .... | digital grading assistant: Framestore CFC | |
| Adam Hawkes | .... | retouch and restoration: Framestore CFC | |
| Yan Jennings | .... | film mastering engineer: Framestore CFC | |
| Aaron Lear | .... | retouch and restoration: Framestore CFC | |
| Ben Lock | .... | visual effects producer: Framestore CFC (as Ben Locke) | |
| Kevin Lowery | .... | film mastering engineer: Framestore CFC | |
| Rebecca Manning | .... | digital paint & roto artist: Framestore CFC | |
| Ephraim Mwakandu | .... | digital paint & roto artist: Framestore CFC | |
| Savneet Nagi | .... | retouch and restoration: Framestore CFC | |
| Mark Nelmes | .... | compositor: Framestore CFC | |
| Stuart Nippard | .... | retouch and restoration: Framestore CFC | |
| Alex Payman | .... | visual effects supervisor: Framestore CFC | |
| Dan Perry | .... | scanning and recording: Framestore CFC | |
| Asa Shoul | .... | digital colourist: Framestore CFC | |
| Donna Smith | .... | visual effects editorial: Framestore CFC | |
| Vishal Songara | .... | data operator: Framestore CFC | |
| Nick Stanley | .... | retouch and restoration: Framestore CFC | |
| Alex Tate | .... | digital paint & roto artist: Framestore CFC | |
| Michael Adam Thompson | .... | visual effects camera tracking: Framestore CFC (as Michael Thompson) | |
| Odean Thompson | .... | retouch and restoration: Framestore CFC (as O'Dean Thompson) | |
| Shahin Toosi | .... | digital paint & roto artist: Framestore CFC | |
| Dan Victoire | .... | data operator: Framestore CFC | |
| Simon Wessely | .... | data operator: Framestore CFC | |
| Ben Baker | .... | head of digital lab: Framestore CFC (uncredited) | |
| Eric D'Souza | .... | digital lab engineer: Framestore CFC (uncredited) | |
| Jerome Dewhurst | .... | digital lab engineer: Framestore CFC (uncredited) | |
| Alistair Hamer | .... | film mastering engineer (uncredited) | |
| Jan Hogevold | .... | executive producer: Framestore CFC (uncredited) | |
| John Inch | .... | retouch and restoration: Framestore/CFC (uncredited) | |
| Ian Redmond | .... | digital lab engineer: Framestore CFC (uncredited) | |
Stunts | |||
| Peter Dillon | .... | stunt double | |
| Dominick Hewitt | .... | stunt double | |
| Giedrius Nagys | .... | stunt double | |
| Donal O'Farrell | .... | stunt coordinator | |
| Alan Walsh | .... | stunt double | |
Casting Department | |||
| William Davies | .... | casting associate: UK | |
| Sarah Finn | .... | additional casting: USA | |
| Randi Hiller | .... | additional casting: USA | |
| Gillian Reynolds | .... | casting: Ireland | |
| Marcella Riordan | .... | voice casting | |
Costume and Wardrobe Department | |||
| Niamh Buckley | .... | extras wardrobe trainee | |
| Angel Concepcion | .... | wardrobe trainee | |
| Dennis D'Arcy | .... | costume maker (as Denis Darcy) | |
| Veerle De Haine | .... | costume maker (as Veerle Dehaene) | |
| Georgina Diaz | .... | costume maker | |
| Breege Fahy | .... | costume maker (as Breege Anne Fahy) | |
| Laura Fortune | .... | costume maker | |
| Wendy Judge | .... | hat maker | |
| Valerie Kelly | .... | wardrobe trainee | |
| Louise Kennedy | .... | wardrobe trainee | |
| Audrey Lynch | .... | wardrobe trainee | |
| Derbhla McClelland | .... | wardrobe assistant | |
| Helen McCusker | .... | dresser: Maggie Smith | |
| Caitriona Ní Threasaigh | .... | costume breakdown artist (as Caitríona Ni Threasaigh) | |
| Susan O'Connor Cave | .... | wardrobe supervisor | |
| Janet O'Leary | .... | chief costume cutter | |
| Anne O'Mahoney | .... | costume maker (as Anne O'Mahony) | |
| Leonie Pendergast | .... | costume design assistant (as Leonie Prendergast) | |
| Emma-Louise Ryan | .... | costume trainee | |
| Morgan Semmens | .... | extras wardrobe assistant | |
| Frances Sweeney | .... | chief costume cutter | |
| Liz Treacy | .... | wardrobe assistant | |
| Lucy McKenna | .... | trainee costume (uncredited) | |
Editorial Department | |||
| Kevin de la Isla O'Neill | .... | assistant editor | |
| Erik Goodbody | .... | film grader | |
| Charlie Habanananda | .... | digital grading assistant | |
| Andrew Jadavji | .... | first assistant editor | |
| Sarah Micallef | .... | digital intermediate producer: Framestore CFC | |
| Angus Munro | .... | avid engineer | |
| Asha Radwan | .... | post-production coordinator | |
| Asa Shoul | .... | digital intermediate colorist: Framestore CFC | |
Music Department | |||
| Aidan Broadbridge | .... | musician: dance violin accompaniment | |
| Nicholas Broadbridge | .... | music consultant: dance music | |
| Sophie Cornet | .... | music editor | |
| Marcia Crayford | .... | musician: violin soloist | |
| Andrew Dudman | .... | assistant music engineer (as Andy Dudman) | |
| Paul Englishby | .... | conductor | |
| Paul Englishby | .... | orchestrator | |
| Isobel Griffiths | .... | orchestral contractor | |
| Adrian Johnston | .... | orchestrator | |
| John Lenehan | .... | musician: piano soloist | |
| Gabrielle Lester | .... | musician: violin soloist (as Gaby Lester) | |
| Catherine Manners | .... | score coordinator | |
| Adam Noble | .... | assistant music engineer | |
| Jean O'Sullivan | .... | music transcription | |
| Anthony Pleeth | .... | musician: cello soloist | |
| Colin Rae | .... | music copyist | |
| Dave Slevin | .... | music engineer | |
| Karl Sweeney | .... | musician: dance violin accompaniment | |
| Joe Thompson | .... | piano coach: Anne Hathaway | |
| Caitriona Walsh | .... | music booker: pre-record musicians | |
| Vicci Wardman | .... | musician: viola soloist | |
| Nick Wollage | .... | music engineer | |
| Terry Davies | .... | conductor (uncredited) | |
Transportation Department | |||
| Mervyn Adams | .... | driver: minibus | |
| Bob Beaton | .... | driver: Julie Walters (as Bob Beton) | |
| Reggie Blain Jr. | .... | winnebago supervisor | |
| Daniel Breen | .... | transportation captain | |
| Michael Byrne | .... | driver: props stand-by | |
| Mick Creagh | .... | driver: catering, Hot Buns Catering | |
| Tony Cullen | .... | driver: props runaround (as Tommy Cullen) | |
| Michael King | .... | driver: construction stand-by | |
| Jon McAvera | .... | driver: Julie Walters (as Joe Mcavera) | |
| Hugh McCartney | .... | driver: grip stand-by | |
| Terence Morrison | .... | driver: lighting stand-by | |
| Collie Murphy | .... | driver: camera stand-by | |
| David O'Brien | .... | driver: James McAvoy | |
| Peter O'Toole | .... | generator driver | |
| Colie Sharkey | .... | driver: Anne Hathaway | |
| David Sullivan | .... | driver: Maggie Smith | |
Other crew | |||
| Chris Allies | .... | title designer and producer | |
| Maria Bacaouna | .... | catering team: Hot Buns Catering | |
| Annie Barclay | .... | production assistant | |
| Jonathan Blyth | .... | head of acquisitions: 2 Entertain | |
| Kate Bowe | .... | unit publicist | |
| Aine Broadberry | .... | catering team: Hot Buns Catering (as Aine Broadbury) | |
| Laurence Brown | .... | legal services: pre-production financing, Davenport Lyons | |
| Darren Byrne | .... | tutor: sign language | |
| Sally Caplan | .... | head of premiere fund: UK Film Council | |
| Martina Carey | .... | extras coordinator trainee | |
| Pat Cleary | .... | tax consultant: Octagon Films | |
| Cait Collins | .... | production coordinator (as Cáit Collins) | |
| Julie Connellan | .... | hand double: calligraphy | |
| Emer Conroy | .... | script supervisor: second unit | |
| Sara Curran | .... | legal services | |
| Megan Davis | .... | head of business and legal affairs: Scion Films | |
| Matt Delargy | .... | development executive | |
| Tony Doyle | .... | horse master | |
| Paul Dray | .... | client contact | |
| Eddie Drew | .... | animal handler | |
| Linda Duncan | .... | legal services: 2 Entertain | |
| Grainne Dunne | .... | project coordinator: Octagon Films | |
| Senan Dunne | .... | tutor: sign language | |
| Will Evans | .... | head of business affairs: UK Film Council | |
| Paul Fagan | .... | business and legal services: BBC | |
| Jane Gibson | .... | choreographer | |
| Sara Giles | .... | pre-production financing: Freewheel | |
| Balvinder Gill | .... | business and legal affairs: Scion Films | |
| Neil Gillard | .... | legal services: Richards Butler | |
| Ben Good | .... | provider: carriages and horses | |
| Richard Green | .... | chief executive: 2 Entertain | |
| Anna Green-Armytage | .... | assistant: Douglas Rae & Robert Bernstein | |
| Gerry Grennell | .... | dialect coach | |
| Maud Halferty | .... | unit publicist | |
| James Hickey | .... | legal services: Matheson Ormsby Prentice Solicitorts | |
| Manus Hingerty | .... | location manager | |
| Vince Holden | .... | head of production finance: BBC | |
| Eoin Holohan | .... | assistant location manager | |
| Kate Hudson | .... | publicist: Premier Public Relations | |
| Daire Hughes | .... | catering team: Hot Buns Catering | |
| Keith Hughes | .... | bank financing: Bank of Ireland | |
| Myra Irvine | .... | unit nurse | |
| Nicola Jackson | .... | extras coordinator trainee | |
| Fleur Jago | .... | assistant: Anne Hathaway | |
| Steve Jenkins | .... | head of films: BBC | |
| Steve Joberns | .... | auditor: Shipleys | |
| Joanna Johnson | .... | business and legal affairs: Scion Films | |
| Medwyn Jones | .... | legal services: Harbottle & Lewis | |
| Ivan Kennedy | .... | assistant horse master | |
| Anne Kenny | .... | home economist | |
| Nessa King | .... | financial executive: Octagon Films | |
| Zeke Lawless | .... | production trainee | |
| Jacqui Leahy | .... | assistant: Anne Hathaway | |
| Rose Lloyd Owen | .... | business affairs assistant: Ecosse Films | |
| Seb Loden | .... | production assistant | |
| Cillian Lyons | .... | additional production trainee | |
| Richard Mansell | .... | business and legal affairs: Hanway Films | |
| Claire Matheson | .... | business and legal affairs: Scion Films | |
| Michael Maxtone-Smith | .... | legal advisor: Bank of Ireland, Richards Butler | |
| Liz McDonagh | .... | catering manager: Hot Buns Catering | |
| Groege McGhee | .... | controller: acquisitions, BBC | |
| Teresa McGrane | .... | business affairs: Bórd Scannán na hÉireann/Irish Film Board | |
| Jeanette McGrath | .... | script supervisor | |
| John McKenna | .... | armorer: John McKenna TV & Film Services | |
| Ruth McMahon | .... | unit nurse | |
| Michelle Mullen | .... | assistant production coordinator | |
| Eimear O'Kane | .... | second assistant accountant | |
| Evelyn O'Neill | .... | location assistant | |
| Ciara O'Sullivan | .... | project coordinator: Octagon Films | |
| Tara O'Sullivan | .... | catering manager: Hot Buns Catering | |
| Simon Perry | .... | chief executive: Bórd Scannán na hÉireann/Irish Film Board | |
| Richard Phillips | .... | legal services: Richards Butler | |
| Bev Reid | .... | production assistant: Scion Films | |
| David Roberts | .... | financial services: 2 Entertain | |
| Jo Rogers | .... | head of creative affairs: Scion Films | |
| Joanne Sennitt | .... | production accountant: Scion Films | |
| Jim Shortall | .... | production accountant | |
| Georgina Shortt | .... | extras coordinator | |
| Stuart Snaith | .... | managing director: 2 Entertain | |
| Elaine Snowdon | .... | extras coordinator trainee | |
| Jon Spence | .... | historical consultant | |
| Sophie Tebbit | .... | first assistant accountant (as Sophie Tebbitt) | |
| Ben Thomas | .... | business and legal affairs: Scion Fiulms | |
| Catherine Tiernan | .... | production executive: Octagon Films | |
| Clarke Treacy | .... | facilities manager: Movie Go | |
| Laura Treacy | .... | extras coordinator | |
| Gary Walsh | .... | chef: Hot Buns Catering | |
| Billie Webster | .... | additional accounts assistant | |
| Emily Whelan | .... | assistant: Julian Jarrold | |
| Toby White | .... | production executive: 2 Entertain | |
| Wendy Woodbridge | .... | assistant to choreographer | |
| Sarah Worsley | .... | location trainee | |
| Annie Barclay | .... | production secretary (uncredited) | |
| Johanna Silverman | .... | assistant: Mr. Cromwell (uncredited) | |
| Emily Ann Sonnet | .... | assistant to producer (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb UK section |
Seldom does one go to a movie with high expectations and ends up having them fulfilled, but Becoming Jane is an exception in this case. I was charmed by Anne Hathaway's turn in Brokeback Mountain and The Devil Wears Prada and couldn't really understand the outcry resulting in her being cast as Jane Austen and after having watched the movie I know for sure Anne Hathaway was the right person for the role.
Hot on the heels of 2005's Pride and Prejudice this movie offers a look into the early years of a spirited Jane Austen and her encounter with a man who could have formed the basis of one of her most famous literary characters Mr Darcy.
I have to say this movie is without a doubt one of the BEST period films I have ever seen. Not only is it visually stunning but the performances from everyone are superb.
Maggie Smith a delightful as the shrewd old Aunt.
Julie Walters excellent as the mother who would give anything to knock some sense into her daughter ( Jane Austen that is ).
Anna Maxwell Martin is also very good as the sister and confidante of Jane Austen.
The director Julian Jarrold has done a wonderful job of making an amazing movie that will appeal to all generations.
And finally the two very charming leads who are the very heart of the movie : Anne Hathaway and James McAvoy. In one word both are AWESOME. James although has little screen time then Anne makes you understand the sheer cockiness and arrogance of Tom Lefroy, from his live free attitude in life to his transformation as a man who begins to care for Jane Austen.His chemistry with Anne Hathaway is sizzling and a very important factor in maintaining the movie's momentum.
And at last to the leading lady Anne Hathaway. The lady is a marvel as Jane Austen, her determination and spark is vividly captured by Anne in what can be called a very career defining performance. Not only does one feel the pain for Jane but one does marvel at what holds her together and her writing makes her pull through in life.It is Anne Hathaway's spirited portrayal of the literary icon that forms the essence of the movie.
From her determination to write and her heart break to her feisty attitude to succeed as a writer is uniquely captures by the young actress. One can't really find the exact words to describe the actress's performance as Jane Austen , which is if simply put great.
This movie has the makings to become the period drama of the year. A fine job by the actors and entire crew of the movie for giving us an insight to what could have been very important years in the young authors life.
A delight to watch in every sense 8/10