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Becoming Jane (2007)

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Ratings: 7.1/10 from 35,743 users   Metascore: 55/100
Reviews: 142 user | 147 critic | 34 from Metacritic.com

A biographical portrait of a pre-fame Jane Austen and her romance with a young Irishman.

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Cast

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Storyline

The year is 1795 and young Jane Austen is a feisty 20-year-old and emerging writer who already sees a world beyond class and commerce, beyond pride and prejudice, and dreams of doing what was then nearly unthinkable - marrying for love. Naturally, her parents are searching for a wealthy, well-appointed husband to assure their daughter's future social standing. They are eyeing Mr. Wisley, nephew to the very formidable, not to mention very rich, local aristocrat Lady Gresham, as a prospective match. But when Jane meets the roguish and decidedly non-aristocratic Tom Lefroy, sparks soon fly along with the sharp repartee. His intellect and arrogance raise her ire - then knock her head over heels. Now, the couple, whose flirtation flies in the face of the sense and sensibility of the age, is faced with a terrible dilemma. If they attempt to marry, they will risk everything that matters - family, friends and fortune. Written by Orange

Plot Summary | Plot Synopsis

Plot Keywords:

love | country estate | lady | lawyer | judge | See more »

Taglines:

Becoming a woman. Becoming a legend. See more »


Motion Picture Rating (MPAA)

Rated PG for brief nudity and mild language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

10 August 2007 (USA)  »

Also Known As:

Jane  »

Box Office

Budget:

$16,500,000 (estimated)

Opening Weekend:

$972,066 (USA) (3 August 2007)

Gross:

$18,663,911 (USA) (19 October 2007)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The green and beige patterned waistcoat James McAvoy (Tom Lefroy) wears to Lady Gresham's ball is the same costume previously worn by Benjamin Whitrow (Mr. Bennet) at Longbourn in Pride and Prejudice (1995) and by Mark Foxsmith in The Regency House Party (2004). The costume is also worn by Hugh Laurie (Mr. Palmer) at the London ball in Sense and Sensibility (1995). See more »

Goofs

When Jane and Tom are speaking in the woods, as she is retreating you see Tom's profile as he is turning towards her. His mouth moves in what can be discerned as words, but he actually begins to speak once the shot changes to his full face. See more »

Quotes

Tom Lefroy: Hampshire, your home county.
Jane Austen: It was.
See more »

Connections

Referenced in Saturday Night Live: Anne Hathaway/The Killers (2008) See more »

Soundtracks

Why Tarries My Love?
Traditional
By William Leeves
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User Reviews

 
Destroying Jane
10 August 2007 | by (United States) – See all my reviews

Of all truths to be universally acknowledged, I am, admittedly and with all possible pride, a nerd of the Jane Austen variety. Lovingly I have scanned the pages of each novel, appreciating the irony and humor. Adamantly I have viewed every film adaptation (that I am aware of), from Lee's Sense and Sensibility to Chadha's Bride and Prejudice, and, little by little, screenwriter's have slowly hacked away at her genius… sometimes successfully. I have borne scenes of Hugh Grant play sword fighting, of Keira Knightly stroking Matthew Macfadyen's calf, and of Colin Firth half nude admirably well (perhaps the latter more well than others), but occasionally a writer crosses that very fine line between revering the most beloved authoress and destroying all that which she created.

I do not pretend to be an Austen purist by any means; I understand that adaptations of her novels can't all be five hours long and follow her dialogue word for word. We, the Austen lovers of the world, must surrender that movies are not books, and cannot, therefore, be identical to them. Emma Thompson, for example, made countless changes in writing her version of Sense and Sensibility, yet the alterations which she made were necessary. To me, it would be just as much a disservice to Jane Austen to follow one of her novels word for word in the screenplay and produce a dull piece of cinema than it would be to add a sex scene to Persuasion. What is important, in my opinion, is that the finished film retain the spirit of the novel, the humor, the vivacity, all that which makes her works as timeless as they are. This noted, I must express my disappointment, perhaps even disgust, in Becoming Jane, or as I have not-so-affectionately nicknamed it, Kidnapping, Raping and Murdering Jane, which is neither accurate nor entertaining.

With Shakespeare in Love and Finding Neverland as models of success, Hollywood has pumped out disappointing flicks like Miss Potter, and now Becoming Jane, expecting viewers to lap it up, but what the first two are that the latter two are not is clever. They intermingle inspiration with biography, presenting the plot of the writer's lives almost as an ode to their work. Becoming Jane occasionally alluded to Pride and Prejudice, the most famous of Austen's six completed novels, but when it did so the allusions were weak and clearly forced. It was as though the screenwriters (Kevin Hood and Sarah Williams) were only familiar with Pride and Prejudice, ignoring her other five masterpieces. What is must frustrating about this is that it would have been so simple to allude to the other works. Have Cassandra (Jane's older sister) encourage Jane to be more sensible with regards to her romance, and voilà! Sense and Sensibility! Throw in a young character that introduces Jane to bachelors in hopes of making a match, and you've got Emma! But no, all that Kevin Hood and Sarah Williams could think to do was make Tom Lefroy, Jane's love interest, seemingly arrogant, but ultimately lovable.

Similarly, the film spends so much time expressing the tragedy of Jane Austen's situation that one forgets that Anne Hathaway is meant to be the clever, witty woman that has hypnotized so many modern readers. I do not mean to scorn the movie's somewhat unhappy ending, so unlike those in Austen novels, but the way in which it ignores her character. Finding Neverland, for example, expresses the sadness of J. M. Barry's life, yet at the same time presents the story in such a way that the viewer feels as though they are watching something as magical as Peter Pan. Though Becoming Jane is certainly inaccurate, even inaccuracies would be tolerable if they were done in the name of preserving the spirit of Jane Austen's works. Instead, we the viewer are presented with a poor composition of infrequent wit and mildly appealing romance, hardly reminiscent of any of Austen's books.

Apart from the abominable screenplay, the direction was mediocre and predictable at best. Julian Jarrold does produce a pretty shot here and there, but seems to have just discovered how to shoot an aerial view, and so puts them in practically every other scene.

In spite of this negativity, I must admit that some of the acting was unexpectedly good. Anne Hathaway as Jane has a fine British accent and acts much better than I would have predicted (this is, after all, the first movie I've ever seen her in that she doesn't start out a homely geek and end up a fashion-forward bombshell). It is James McAvoy as Tom Lefroy, however, that puts in the show stealing performance. Maggie Smith is, as usual, good, as are Julie Walters and James Cromwell, even if those blasphemists Hood and Williams chose to throw in a scene of a, well, questionable, nature between them.

Even with decent acting and direction, it is hard to produce a good movie based on a monstrous screenplay. The effect, all in all, is extremely disappointing. I would not recommend this movie to anyone who truly appreciates Jane Austen… or good cinema.


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