Comedy duo Key & Peele make their big-screen debut in Keanu. Read up on the stolen-cat comedy and this week's other new releases in our In Theaters section, where you can watch trailers, buy tickets, and more.
In 1919, demobbed, Gerald Brenan rents a house for a year in Yegen, a village in Alpujarra. He has little but a love of reading and writing. He's soon the center of attention from his maid,... See full summary »
Jacobo is a young sculptor that returns to native city, Santiago of Compostela, to see his mother, locked up a psychiatric hospital for to kill to her husband, when he believed she dead ... See full summary »
For Moncho, it's an idyllic year: he starts school, he has a wonderful teacher, he makes a friend in Roque, he begins to figure out some of the mysteries of Eros, and, with his older ... See full summary »
José Luis Cuerda
Fernando Fernán Gómez,
Mommy's boy Juantxo is engaged. Dragged to the party by his friends Konradin and Paco, he loses his expensive wedding ring inside the body of a prostitute. Mafioso whorehouse owner ... See full summary »
Juanma Bajo Ulloa
Fernando Guillén Cuervo,
Alberto San Juan
El Bola, a 12 year old boy a.k.a. "Pellet" is a 12 year old boy raised in a violent and sordid environment. Embarrassed by his family life, he avoids becoming close to classmates. The ... See full summary »
Juan José Ballesta,
True story of thirteen totally normal young women that suffered harsh questioning and were put in prison under made up charges of helping the rebellion against Franco back in the 1940's. ... See full summary »
Emilio Martínez Lázaro
Pilar López de Ayala,
Initial credits feature a scene in a supermarket with the actors' names next to their images, AND the crew as customers and workers, doing relevant things: Makeup designers trying makeup, hairdressers combing their hair, the sound technician shakes a can while hearing what happens (and then he steals the can)... Each with his or her name overimposed. See more »
A Dynamic Is Missing From A Film That Unwisely Settles Into A Trash Mode.
This initial feature film made by Galician director Jorge Coira is solidly anchored at the bottom of Coira's output, placed there by an inordinate shallowness of style and, notwithstanding some camera cleverness, a dreary emphasis upon usage of foul language by virtually the entire cast, not one of whom offers a winning performance, not unexpected in the event, due to the script's tired plotting, and less than effective characterization. The storyline revolves about the tedious actions of Fran (Félix Gómez) who has recently completed nine years of college study while having no clear concept of the career path that he wishes to follow. Although his fiancée Ana (Verónica Sánchez) has no difficulty with organizing his future as also do his parents with whom he resides and who point Fran toward a "business" occupation, against their son's fervent wishes. The Spanish word for "tick" is Granada and a viewer is apparently being expected to feel a dollop of sympathy for Fran during his attempts to achieve a tick-like or "slacker" lifestyle, as he sponges off his parents. Fran's closest support comes from his friend Morgan (Javier Veiga) who believes himself to be a sort of master slacker. The director apparently attempts to demonstrate, with only fair results, that Fran is some type of universal figure, but the plot line does not generate adequate enough interest to avoid its being classified as merely a banal melodrama. Additionally, Morgan's behaviour becomes increasingly erratic as the piece progresses, putting paid to his previous sophistic rambling, during the film's first pages. It is clear that Coira is a skillful technician, but one who requires a more substantive tale to tell than this.
0 of 2 people found this review helpful.
Was this review helpful to you?