Julia finds 300 million pesetas hidden in a dead man's house while selling an apartment. She's a 40-ish real estate agent now forced to face the wrath of a very peculiar community (of ... See full summary »
Álex de la Iglesia
It starts with a guy trying to get a girl he met at a party to like him. She refuses but he doesn't give up and story continues in a long and interesting conversations between them during which he manages to gain her attention.
Mommy's boy Juantxo is engaged. Dragged to the party by his friends Konradin and Paco, he loses his expensive wedding ring inside the body of a prostitute. Mafioso whorehouse owner ... See full summary »
Juanma Bajo Ulloa
Fernando Guillén Cuervo,
Alberto San Juan
Cundo returns home after ten years' absence. The reason is the death of his best friend, Suso. Cundo's plans consist of having a binge to Suso's health with his old friends, pretending that... See full summary »
Gonzalo de Castro,
Initial credits feature a scene in a supermarket with the actors' names next to their images, AND the crew as customers and workers, doing relevant things: Makeup designers trying makeup, hairdressers combing their hair, the sound technician shakes a can while hearing what happens (and then he steals the can)... Each with his or her name overimposed. See more »
A Dynamic Is Missing From A Film That Unwisely Settles Into A Trash Mode.
This initial feature film made by Galician director Jorge Coira is solidly anchored at the bottom of Coira's output, placed there by an inordinate shallowness of style and, notwithstanding some camera cleverness, a dreary emphasis upon usage of foul language by virtually the entire cast, not one of whom offers a winning performance, not unexpected in the event, due to the script's tired plotting, and less than effective characterization. The storyline revolves about the tedious actions of Fran (Félix Gómez) who has recently completed nine years of college study while having no clear concept of the career path that he wishes to follow. Although his fiancée Ana (Verónica Sánchez) has no difficulty with organizing his future as also do his parents with whom he resides and who point Fran toward a "business" occupation, against their son's fervent wishes. The Spanish word for "tick" is Granada and a viewer is apparently being expected to feel a dollop of sympathy for Fran during his attempts to achieve a tick-like or "slacker" lifestyle, as he sponges off his parents. Fran's closest support comes from his friend Morgan (Javier Veiga) who believes himself to be a sort of master slacker. The director apparently attempts to demonstrate, with only fair results, that Fran is some type of universal figure, but the plot line does not generate adequate enough interest to avoid its being classified as merely a banal melodrama. Additionally, Morgan's behaviour becomes increasingly erratic as the piece progresses, putting paid to his previous sophistic rambling, during the film's first pages. It is clear that Coira is a skillful technician, but one who requires a more substantive tale to tell than this.
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