In the MARSHLAND a serial killer is on the loose. Two homicide detectives who appear to be poles apart must settle their differences and bring the murderer to justice before more young women lose their lives.
Cundo returns home after ten years' absence. The reason is the death of his best friend, Suso. Cundo's plans consist of having a binge to Suso's health with his old friends, pretending that... See full summary »
Gonzalo de Castro,
A Dynamic Is Missing From A Film That Unwisely Settles Into A Trash Mode.
This initial feature film made by Galician director Jorge Coira is solidly anchored at the bottom of Coira's output, placed there by an inordinate shallowness of style and, notwithstanding some camera cleverness, a dreary emphasis upon usage of foul language by virtually the entire cast, not one of whom offers a winning performance, not unexpected in the event, due to the script's tired plotting, and less than effective characterization. The storyline revolves about the tedious actions of Fran (Félix Gómez) who has recently completed nine years of college study while having no clear concept of the career path that he wishes to follow. Although his fiancée Ana (Verónica Sánchez) has no difficulty with organizing his future as also do his parents with whom he resides and who point Fran toward a "business" occupation, against their son's fervent wishes. The Spanish word for "tick" is Granada and a viewer is apparently being expected to feel a dollop of sympathy for Fran during his attempts to achieve a tick-like or "slacker" lifestyle, as he sponges off his parents. Fran's closest support comes from his friend Morgan (Javier Veiga) who believes himself to be a sort of master slacker. The director apparently attempts to demonstrate, with only fair results, that Fran is some type of universal figure, but the plot line does not generate adequate enough interest to avoid its being classified as merely a banal melodrama. Additionally, Morgan's behaviour becomes increasingly erratic as the piece progresses, putting paid to his previous sophistic rambling, during the film's first pages. It is clear that Coira is a skillful technician, but one who requires a more substantive tale to tell than this.
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