Seemingly disparate portraits of people -- among them a single mother, a high school principal, and an ace student -- Distinctly American -- all affected by the proliferation of guns in American society.
1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won't throw a Molotov cocktail... See full summary »
Two men and a woman happen to meet in a bar. We learn from their conversations both the intriguing and banal details of their lives. But is anyone really telling the truth? From the meat ... See full summary »
On the surface Henrik and Nina Christofferson are an ordinary family living happily. But they have a problem. Their daughter, Stine, a difficult 14 year old, has a habit of telling lies in ... See full summary »
Sabina has a regular life. She is satisfied with her job and her love for Franco. Lately nightmares start disturbing her, and almost in the same time she discovers to be pregnant. Step by ... See full summary »
Luigi Lo Cascio,
A three-paneled look at the worldwide AIDS crisis: in Montreal, a porn actor (Ashmore) schemes to pass his mandatory blood test; a young nun (Sevigny) makes a personal sacrifice for the benefit of a South African village; in rural China, a black market operative (Liu) posing as a goverment-sanctioned blood drawer jeopardizes an entire village's safety.
Sadik is one of the rebellious youth who has been politically active as a university student and became a left-wing journalist in the 70's, despite his father's expectations of him becoming... See full summary »
Forty-year old Louis is a loud-mouthed repo-man who has nurtured a lifelong dream of becoming a successful actor. Fortunately for Louis his cousin is a casting agent, and he soon learns ... See full summary »
A series of interwoven story lines brings to light how the proliferation of guns in America dramatically influence and shape every day lives. A gun shop owner, an ace student, a single mother, and a school principal are among those profoundly affected. Written by
The central idea for the film came from an article in the L.A. Times. In addition, the writers were influenced by a friend, who related stories about how students from a Chicago school district brought guns to school, not to use them inside, but because of the dangerous neighborhoods they live in or walk through every day. See more »
During the scene in which David fights with his mother about moving his brother's bed, when David leaves the bedroom the back of his shirt is spotty with sweat. When he leaves the house a few moments later, his shirt is dry. See more »
Another hard-hitting and thought-provoking drama. Director Aric Avelino examines guns from the perspective of four separate stories: Marcia Gay Hardin as the mother of an Oregon teenager who shot up his school, Columbine-like, and faces guilt and blame and scorn from neighbors, and worry about her other son, who is now the same age as the other brother when he performed his murderous act and suicide; an inner city school principal (excellently played by Forest Whitaker, who I was pleased to see won an Oscar last week for his role as Idi Amin in LAST KING OF Scotland) trying to stay on top of the school's anti-gun policy, with Arlen Escarpeta as an A-student carrying for his mom and family who feels he needs a gun for protection while walking to/from school; Tony Goldwyn as the cop who first arrived on scene at the Oregon school shooting and who faces community/media criticism for delayed response (again, very much based on Columbine); and Linda Cardellini who shines in a very convincing performance as a west coast girl displaced to a Virginia college who is working in her granddad's (Donald Sutherland) gun shot. All of the performances, in fact, are striking and through them the picture really has an emotional impact. The film, without comment, portrays these differing views of gun ownership, gun violence, school shootings, guilt, blame, etc., very nicely filmed and beautifully portrayed, its vignettes and its style leaving the viewer to establish their own viewpoint and opinions. The film keeps its personal viewpoint quiet, instead simply portraying a few aspects of American life impacted by the consequences of guns. Like American HISTORY X, I found this to be a provoking and stimulating drama about reality, choices, consequences, and inevitability, peopled by honest and real characters, superbly portrayed and beautifully composed.
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