Vince Noir and Howard Moon have surreal adventures while working at a Zoo run by the deranged Bob Fossil (in series 1) and pursuing a career as musicians and living with the mystic Naboo ... See full summary »
This parody series is an unearthed 80s horror/drama, complete with poor production values, awful dialogue and hilarious violence. The series is set in a Hospital in Romford, which is situated over the gates of Hell.
Live from his luxury apartment in London's glittering East End, Dean Learner (Club owner, Celebrity Manager, Entrepreneur and Publisher of high-class gentleman's magazines) invites you to meet some of his closest friends, Man to Man.
Bernard Black runs his own bookshop even though he doesn't much like people who buy books and hates having customers. Next door to Bernard's shop is the Nifty Gifty gift shop run by Fran, ... See full summary »
Mark and Jez are a couple of twenty-something roommates who have nothing in common - except for the fact that their lives are anything but normal. Mayhem ensues as the pair strive to cope with day-to-day life.
Vince Noir and Howard Moon have surreal adventures while working at a Zoo run by the deranged Bob Fossil (in series 1) and pursuing a career as musicians and living with the mystic Naboo the Enigma and his ape familiar Bollo (in series 2 and 3). Written by
I've been raving about this comedy for a long time even though I missed some of it when it was on TV (usually late at night). So the arrival of the DVD was awaited with much anticipation. People often ask me to describe The Mighty Boosh - which is not an easy thing to do.
Essentially the structure is that of a sit-com, in that there is the reoccurring location of the zoo, and a set of familiar characters most notably the two main protagonists zoo-keepers Vince Noir (Noel Fielding) and Howard Moon (Julian Barratt). Vince is the fashion conscious shallow one, that plays against Howard's jazz loving, self-important but likable loser. Each episode is a juxtaposition of the Morecombe and Wise type banter between Vince and Howard, and the sheer surrealism of their subsequent adventures that take them to exotic locations and pit them against bizarre and often quite dark foes.
For me the triumph of the show is due to the breadth of vision that links the fantastic theatrical visual look (based on largely on Noel's sketches), with Julian's love of music, together with the off-beat acting style and witty script to provide an experience that is more than the sum of its parts.
There is nothing else quite like this on TV, you won't be splitting your sides every minute at quick-fire one-liners written by teams of caffeine stimulated comedy writers, but instead prepare yourself for a rather more gentle experience, peppered by some hilarious set-pieces, who's imaginative brilliance will ingrain itself into your heart and mind. It's quite simply lovable.
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