A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
From a humble background and with traditional values, Irish Chris Wilton is still struggling financially despite being a recently retired high ranked tennis pro. He has taken a job as a tennis instructor at an upscale London tennis club, although he knows there is a better life for him somewhere down the road. He is befriended by one of his students, wealthy Tom Hewett. Chris starts to date Tom's sister, Chloe Hewett, a girl-next-door type who is immediately attracted to Chris. Chloe quickly knows she wants to marry Chris, and through her businessman father, Alec Hewett, tries to help Chris and their future by getting him an executive job in Alec's company. In his life with the Hewetts, Chris begins to enjoy the finer things in life. Through it all however, Chris cannot help thinking about Nola Rice, a struggling American actress who he meets at the Hewett estate and who is Tom's unofficial fiancée. Nola is vivacious, and she knows the effect she has on men, including Chris. Unlike ... Written by
Many critics and viewers of this movie noted that the plot bore many essential similarities to Theodore Dreiser's 1925 novel An American Tragedy, as well as the 1951 movie version of that novel, A Place in the Sun (starring Montgomery Clift, Shelley Winters, and Elizabeth Taylor). Despite the unmistakable similarity between the plots of An American Tragedy and Match Point, however, there was no acknowledgment of Dreiser in the credits, and Match Point's only Oscar nomination was for Best Original Screenplay (not Adapted). Allen later repeated this tactic for creating a screenplay with his screenplay for Blue Jasmine, which bears unmistakable plot similarities to Tennessee Williams's play A Streetcar Named Desire but which didn't credit Williams. Allen was again nominated for Best Original Screenplay for Blue Jasmine. See more »
In the scene in the Royal Opera House, the performance of La Traviata is, inexplicably, accompanied by piano rather than full orchestra. See more »
Christopher "Chris" Wilton:
The man who said "I'd rather be lucky than good" saw deeply into life. People are afraid to face how great a part of life is dependent on luck. It's scary to think so much is out of one's control. There are moments in a match when the ball hits the top of the net, and for a split second, it can either go forward or fall back. With a little luck, it goes forward, and you win. Or maybe it doesn't, and you lose.
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A Noir with English accents. A modern, ancient tale with super stars of the future and a score of crackling vinyl original recordings of timeless arias. A sixtysomething filmmaker with the flair of an impertinent newcomer. A masterpiece. Engrossing, entertaining, elegant, wicked. The meeting between the splendorous Scarlett Johanssen and the breathtaking Jonathan Rhys-Meyers at the ping pong table is right out "A Place In The Sun" - Elizabeth Taylor and Montgomery Clift at the pool table - the feeling is James Cain and Patricia Highsmith but the result is unique, bold, enthralling. Allen's British dialogues are refreshingly startling and I don't intend to spoil the pleasure of its perverse surprises by hinting at any of them. Just let me say that if you love cinema, rush to see it.
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