| Photos (See all 13 | slideshow) | Videos (see all 10) |
Directed by | |||
| Greg Mclean | |||
Writing credits | ||
| Greg Mclean | (written by) | |
Produced by | |||
| George Adams | .... | executive producer | |
| Martin Fabinyi | .... | executive producer | |
| Michael Gudinski | .... | executive producer | |
| Gary Hamilton | .... | executive producer | |
| Matt Hearn | .... | co-producer | |
| Matt Hearn | .... | executive producer | |
| Simon Hewitt | .... | executive producer | |
| David Lightfoot | .... | line producer | |
| David Lightfoot | .... | producer | |
| Greg Mclean | .... | producer | |
| Dale Roberts | .... | post-production producer | |
Original Music by | |||
| Frank Tetaz | (original score composer) (as François Tétaz) | ||
Cinematography by | |||
| Will Gibson | (director of photography) | ||
Film Editing by | |||
| Jason Ballantine | |||
Casting by | |||
| Angela Heesom | |||
Production Design by | |||
| Robert Webb | |||
Costume Design by | |||
| Nicola Dunn | |||
Makeup Department | |||
| Charmaine Connelly | .... | special effects prosthetics supervisor: Connelly Make-up FX Team | |
| Charmaine Connelly | .... | special makeup effects supervisor: Connelly Make-up FX Team | |
| Rick Connelly | .... | special effects prosthetics supervisor: Connelly Make-up FX Team | |
| Rick Connelly | .... | special makeup effects supervisor: Connelly Make-up FX Team | |
| Jennifer Lamphee | .... | hair stylist supervisor (as Jen Lampree) | |
| Jennifer Lamphee | .... | makeup supervisor (as Jen Lampree) | |
| Fiona Rees-Jones | .... | hair stylist | |
| Fiona Rees-Jones | .... | makeup artist | |
| Coralie Ryan | .... | makeup effects assistant: Connelly Make-up FX Team | |
| Sarah Smith | .... | makeup effects assistant: Connelly Make-up FX Team | |
| Danielle Snashall | .... | makeup effects assistant: Connelly Make-up FX Team | |
Production Management | |||
| Jason Ballantine | .... | post-production supervisor | |
| Mark 'Sharky' Johnson | .... | unit manager | |
| Anna Molyneaux | .... | production manager | |
| Steve Russell | .... | assistant unit manager | |
| Teresa Zales | .... | production supervisor: additional photography (uncredited) | |
Art Department | |||
| James Calvert | .... | pre-visualization: The Peoples Republic of Animation | |
| Nick DeBoar | .... | pre-visualization: The Peoples Republic of Animation | |
| John Kruger | .... | graphic designer | |
| John Kruger | .... | signage | |
| Xan Lamphee | .... | props coordinator | |
| Xan Lamphee | .... | set dresser | |
| Chris Landreth | .... | construction manager | |
| Brodie McCrossin | .... | pre-visualization: The Peoples Republic of Animation | |
| Patch Moore | .... | construction: mine | |
| Obie O'Brien | .... | props buyer | |
| Obie O'Brien | .... | set dresser | |
| Geoff Robertson | .... | artist: conceptual poster art | |
| Tom Sheridan | .... | art department assistant | |
| Andrew Stephens | .... | art department assistant | |
| Geoffrey Tarr | .... | stand-by props (as Geoff Tarr) | |
Sound Department | |||
| Marco Arlotta | .... | boom operator | |
| Mike Bakaloff | .... | boom operator (as Michael Bakaloff) | |
| Pete Best | .... | adr recordist | |
| Pete Best | .... | sound effects editor | |
| Pete Best | .... | sound mixer | |
| Tom Heuzenroeder | .... | sound effects editor | |
| Des Kenneally | .... | sound recordist | |
| John Simpson | .... | foley artist | |
| Peter D. Smith | .... | dialogue editor (as Peter Smith) | |
| Peter D. Smith | .... | sound mixer (as Peter Smith) | |
| Adrian Medhurst | .... | foley artist (uncredited) | |
Visual Effects by | |||
| Mark Chataway | .... | visual effects | |
| Don Dixon | .... | digital liaison: Atlab | |
| Marty Pepper | .... | flame visual effects | |
| Marty Pepper | .... | hi-def colourist | |
| Marty Pepper | .... | senior colourist | |
| Marty Pepper | .... | visual effects editor | |
| Robert Sandeman | .... | digital supervisor: Atlab | |
Stunts | |||
| John Gauci | .... | action vehicle driver | |
| Bernard Ledger | .... | precision driver (as Bernie Ledger) | |
| Bernard Ledger | .... | stunt coordinator (as Bernie Ledger) | |
| Bernard Ledger | .... | stunts (as Bernie Ledger) | |
| Paul Lightfoot | .... | precision driver | |
| Paul Lightfoot | .... | stunts | |
| Inge Sildnik | .... | precision driver | |
| Inge Sildnik | .... | stunts | |
Camera and Electrical Department | |||
| Marcus Bosisto | .... | supplier: lighting and grip equipment | |
| James Calvert | .... | still photographer | |
| Tony D'Antonio | .... | camera assistant | |
| Daniel Guerra | .... | still photographer (as Daniel 'Gulio' Guerra) | |
| Paul Lightfoot | .... | assistant grip | |
| Paul Lightfoot | .... | assistant lighting | |
| Jason Munn | .... | camera assistant | |
| Jody Muston | .... | focus puller | |
| Jody Muston | .... | second camera operator | |
| Hugh O'Sullivan | .... | assistant grip | |
| Hugh O'Sullivan | .... | assistant lighting | |
| Kent Smith | .... | additional cinematographer | |
| Darcy Sullivan | .... | camera assistant | |
| Todd Telford | .... | key grip | |
| Todd Telford | .... | key lighting | |
| Richard Trayling | .... | grip | |
| Richard Trayling | .... | lighting | |
| Brandon Trost | .... | additional photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Paula Buckland | .... | wardrobe assistant | |
| Nicola Dunn | .... | stand-by wardrobe | |
| Marriott Kerr | .... | costume supervisor (as Mariot Kerr) | |
Editorial Department | |||
| Mo Henry | .... | negative cutter (uncredited) | |
Music Department | |||
| Justin Astbury | .... | composer: dance music | |
| Rob Biancetti | .... | composer: dance music | |
| Dave Brown | .... | musician: guitar prepared and lap top guitars | |
| Oscar Carlos | .... | musical score treatments | |
| Brett Dean | .... | musician: viola | |
| Rosanne Hunt | .... | musician: cello | |
| Andrea Keable | .... | musician: violin | |
| Tom O'Dwyer | .... | musician: bass clarinet (as Tim O'Dwyer) | |
| Anthony Pateras | .... | musician: piano preparation and additional piano frame | |
| Byron Joel Scullin | .... | musician: vital ancillary | |
| Frank Tetaz | .... | music producer (as François Tétaz) | |
| Frank Tetaz | .... | musician: piano frame, rhodes, pedal steel and ukelyn (as François Tétaz) | |
| David Thrussell | .... | music score treatments | |
| Miki Tsunoda | .... | musician: violin | |
| Vlademar Valarian | .... | musician: percussion | |
| David Vodicka | .... | music clearances | |
| David Vodicka | .... | music contractor: Screen Services | |
| Emma Wiking | .... | music clearances | |
| Emma Wiking | .... | music contractor: Screen Services | |
Transportation Department | |||
| Jon Blaikie | .... | action vehicle coordinator (as Jon Blaike) | |
| Urch Shreiner | .... | action vehicle assistant | |
| Tom Tomney | .... | operator: 4 wheel drive | |
| Geoffrey Wastall | .... | operator: 4 wheel drive | |
Other crew | |||
| George Adams | .... | completion guarantor: Cinefinance | |
| Michael Clarkin | .... | location manager | |
| John Coory | .... | armorer and pyrotechnics | |
| Sally Corooran | .... | liason: South Australian Film Corporation studios | |
| Mason Curtis | .... | location consultant | |
| Davids Darzins | .... | legal | |
| Andrew Davies | .... | caterer: Crew Food | |
| Nick Davies | .... | caterer: Crew Food | |
| Annie Dovey | .... | unit nurse | |
| Dennis Dovey | .... | production assistant | |
| Bob Fisher | .... | completion guarantor: Cinefinance | |
| Benjamin Garland | .... | unit runner (as Ben Garland) | |
| Mac Gudgeon | .... | script editor | |
| Foster Hart | .... | legal | |
| Richard Hyde | .... | insurance | |
| Jenny Lalor | .... | legal | |
| Alan Lamb | .... | wire recordings | |
| Bernard Ledger | .... | safety supervisor (as Bernie Ledger) | |
| Paul Lightfoot | .... | unit runner | |
| Merrilyn Mensforth | .... | accounts assistant | |
| Merrilyn Mensforth | .... | production assistant | |
| Anna Molyneaux | .... | production coordinator | |
| Jain Moralee | .... | location manager | |
| Amanda Palmai | .... | caterer: Crew Food | |
| Alison Parker | .... | production coordinator | |
| Byron Joel Scullin | .... | wire recordings | |
| Lisa Simons | .... | accounts assistant | |
| Greg Sitch | .... | legal | |
| Corrie Soeterboek | .... | completion guarantor: Cinefinance | |
| Gillian Stiene | .... | continuity (as Gillian Stein) | |
| Trudy Talbot | .... | financial controller | |
| Trudy Talbot | .... | production accountant | |
| Helen Tiller | .... | accent coach | |
| Helen Tiller | .... | dialogue coach | |
| Sam White | .... | assistant to director | |
| Erryn Worth | .... | post-production script supervisor | |
Thanks | |||
| Tennyson Andrew | .... | the producers would like to thank | |
| Andrew Andreyev | .... | the producers wish to thank | |
| Christine Baillie | .... | the producers would like to thank | |
| Elene Balaskas | .... | the producers would like to thank | |
| Michael Bau | .... | acknowledgment: for the South Australian Film Corporation | |
| Mark Broomhead | .... | acknowledgment: for the Film Finance Corporation Australia | |
| Judith Crombie | .... | acknowledgment: for the South Australian Film Corporation | |
| Sandra Di Iulio | .... | the producers wish to thank | |
| Sean Evans | .... | the producers would like to thank (as Senior Constable Sean Evans) | |
| Jamie Guerra | .... | the producers wish to thank | |
| Simon Hewitt | .... | the producers wish to thank | |
| Dan Hogan | .... | acknowledgment: for the South Australian Film Corporation | |
| Terry Jennings | .... | acknowledgment: for the South Australian Film Corporation | |
| Helen Leake | .... | acknowledgment: for the South Australian Film Corporation | |
| Lindsay Lipson | .... | acknowledgment: for the Film Finance Corporation Australia | |
| John Maiolo | .... | the producers would like to thank | |
| Ross Matthews | .... | acknowledgment: for the Film Finance Corporation Australia | |
| Adrian Murray | .... | the producers would like to thank | |
| Andrew Neil | .... | the producers wish to thank (as Andrew Neal) | |
| Bree Nevin | .... | the producers would like to thank | |
| Heather Oxenham | .... | the producers would like to thank | |
| Bronwyn Poole | .... | the producers would like to thank | |
| Craig Shute | .... | the producers wish to thank | |
| George Sibenala | .... | the producers would like to thank | |
| Lyn Sibenala | .... | the producers would like to thank | |
| Anthos Simon | .... | the producers would like to thank | |
| Stephen F. Smith | .... | the producers would like to thank | |
| John Teague | .... | the producers would like to thank | |
| John Tobin | .... | the producers would like to thank | |
| Mark Vatuli | .... | the producers wish to thank | |
| Geoffrey Wastall | .... | the producers would like to thank: Partacoona Station (as Geoff Wastall) | |
| Tracey Wastall | .... | the producers would like to thank: Partacoona Station | |
| Steve Whitham | .... | the producers would like to thank | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Australia section |
Wolf Creek is a fine example of a rare breed nowadays: a horror film that pulls no punches and makes no apologies for frightening and unnerving the audience.
Three young people are hiking in the Australian Outback when they're unlucky enough to meet Mick Taylor (played brilliantly by John Jarratt), one of the most twisted psychopaths to grace the big screen in years. Mick is a guy who did some hunting at one time, is pretty good with a rifle, and is a survivalist with some possible military training... we're not really sure of much else. All we know is that at some point he took up hunting people for his own amusement and found out he was quite good at it.
What makes this film frightening is how realistic and plausible the story is. Mick seems like a demon that could actually exist in the real world. He's not a super-genius serial killer always toying with the cops. He doesn't kill to fulfill some grandiose plan or message. He doesn't kill his victims in elaborate, unlikely scenarios or games. Rather, he's a pure sadist who just seems to enjoy watching pain, suffering and death. It's that simple. It doesn't take much imagination to realize, in the the middle of the Outback, it would be quite easy for a psycho like Mick to operate for a long time and never get caught.
Wolf Creek is brutally violent and unflinchingly realistic. It never gives the audience time to catch their breath or to feel any hope. This movie is not for everyone. It leaves you unsettled and feeling uneasy. This is only for real horror fans who desire a scare that will stick with them long after the movie ends.