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Mongol: The Rise of Genghis Khan (2007)
"Mongol" (original title)

7.3
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Ratings: 7.3/10 from 34,811 users   Metascore: 74/100
Reviews: 160 user | 160 critic | 27 from Metacritic.com

The story recounts the early life of Genghis Khan who was a slave before going on to conquer half the world including Russia in 1206.

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Cast

Cast overview, first billed only:
...
Honglei Sun ...
Khulan Chuluun ...
Aliya ...
Oelun - Temudjin's Mother
Ba Sen ...
Esugei - Temudjin's Father
Amadu Mamadakov ...
Targutai
He Qi ...
Dai-Sechen
Ben Hon Sun ...
Monk
Ji Ri Mu Tu ...
Boorchu
You Er ...
Sorgan-Shira (as A You Er)
...
Altan (as Hong Jong Ba Tu)
Deng Ba Te Er ...
Daritai (as E Er Deng Ba Te Er)
Bao Di ...
Todoen
Su Ya La Su Rong ...
Girkhai (as Su You Le Si Ren)
Sai Xing Ga ...
Chiledu
Edit

Storyline

The movie is an epic story of a young Genghis Khan and how events in his early life lead him to become a legendary conqueror. The 9-year-old Temüjin is taken on a trip by his father to select a girl as his future wife. He meets Börte, who says she would like to be chosen, which he does. He promises to return after five years to marry her. Temüjin's father is poisoned on the trip, and dies. As a boy Temüjin passes through starvation, humiliations and even slavery, but later with the help of Börte he overcomes all of his childhood hardships to become one of the greatest conquerors the world has ever known. Written by jck movies

Plot Summary | Plot Synopsis

Taglines:

Don't despise a weak cub, it can appear the son of a tiger. See more »


Motion Picture Rating (MPAA)

Rated R for sequences of bloody warfare | See all certifications »

Parents Guide:

 »
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Details

Language:

|

Release Date:

20 September 2007 (Russia)  »

Also Known As:

Mongol: The Rise of Genghis Khan  »

Filming Locations:

 »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

£185,364 (UK) (6 June 2008)

Gross:

$5,701,643 (USA) (5 September 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Kazakhstan's official submission in the Foreign Language Film category for the 80th Academy Awards (2008). See more »

Goofs

The Mongolian tribes, including the hordes that conquered their vast empire, rode on a very peculiar race of horses, stocky build, with relatively short legs and a large head. The horses used in the movie look like ordinary western horses See more »

Quotes

Oelun: [Targutai is raiding the campsite] Are you not afraid to steal, Targutai?
Targutai: No! The khan Esugei is dead!
Oelun: [Indicating Temujin] My son will avenge us!
Targutai: [Turns around threateningly] You want me to kill your son?
See more »

Connections

Referenced in Who Wants to Be a Millionaire: Episode #7.12 (2008) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
An epic vision that works better as a work of fiction
8 May 2008 | by (United States) – See all my reviews

Sergei Bodrov's Mongol provides something of a biography of the early years of Genghis Khan, at this point known as Temudjin. The film is destined to be historically flawed as there is little known about his life; this being said, Bodrov takes large handfuls of creative license. Bodrov's Mongol attempts to capture a man's rise to power in just two hours without making a rushed film; this impossible feat is Mongol's only true shortcoming.

Mongol is very much a "based off a true story" kind of movie. We certainly aren't seeing the true Genghis Khan. The film is riddled with historical inaccuracies, he is captured three times during the film, in reality he was only captured once. However, historical accuracy is not Bodrov's intent. Sergei Bodrov, grew up in the Soviet Union, a place where Genghis Khan is painted as a vicious killing machine. Mongol attempts to humanize him. This is the film's strongest point.

Mongol is just a good love story. Temudjin picks a bride at age nine named Börte and is set to wed her in five years. Soon after his father, a Khan, is killed. Betrayed by those his father used to command, Temudjin is left with nothing and swears to take it all back. This is the basic premise of Mongol. The relationship between Temudjin and Börte is portrayed as beautifully simple love. The film uses this connection to move the plot rather than bloody violence. Mongol does, however, contain several spectacular battles. Bodrov seems to have taken a page out of 300 and we're given a splattering of death sequences that while all together different feel and are shot similarly.

The largest flaw of the film is it's continuity. Bodrov, in order to condense the story under 120 minutes constantly cuts scenes in half. He will start a conflict and cut to it being over, leaving the audience to infer what happened. This is a double edged sword, on one hand it frees up time for necessary character development, on the other it makes the film feel choppy. Mongol is one of the few films that should be 15 minutes longer.

In the end, Sergei Bodrov's Mongol is an epic war film that succeeds not only on that level, but as a beautiful love story. The breathtaking landscapes of Mongolia provide an awe inspiring backdrop for the action on the screen. Mongol is a film of proportions not usually seen in Russian or Asian cinema. It delivers on a level that rivals if not surpasses many Hollywood blockbusters while keeping surprising heart evident throughout the film. Mongol truly is an inspiring film not only for the eyes.


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