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Me and You and Everyone We Know (2005)

R  |   |  Comedy, Drama  |  5 August 2005 (USA)
7.4
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Ratings: 7.4/10 from 29,961 users   Metascore: 76/100
Reviews: 242 user | 150 critic | 38 from Metacritic.com

A lonely shoe salesman and an eccentric performance artist struggle to connect in this unique take on contemporary life.

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Cast

Cast overview, first billed only:
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...
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Peter Swersey
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...
Sylvie
...
Michael
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Andrew
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Heather
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Nancy Herrington
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Pam
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Ellen
Colette Kilroy ...
Sylvie's Mom
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Sylvie's Dad
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Museum Assistant
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Storyline

'Me and You and Everyone We Know' is a poetic and penetrating observation of how people struggle to connect with one another in an isolating and contemporary world. Christine Jesperson is a lonely artist and "Eldercab" driver who uses her fantastical artistic visions to draw her aspirations and objects of desire closer to her. Richard Swersey, a newly single shoe salesman and father of two boys, is prepared for amazing things to happen. But when he meets the captivating Christine, he panics. Life is not so oblique for Richard's six-year-old Robby, who is having a risqué Internet romance with a stranger, and his fourteen-year-old brother Peter who becomes the guinea pig for neighborhood girls -- practicing for their future of romance and marriage. Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for disturbing sexual content involving children, and for language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

|

Language:

Release Date:

5 August 2005 (USA)  »

Also Known As:

Tú, yo y todos los demás  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend:

$30,801 (USA) (17 June 2005)

Gross:

$3,885,134 (USA) (14 October 2005)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Any time someone in the department store asks for a shoe, they request an 8 1/2. See more »

Goofs

Christine writes "F***" in black marker on her windshield. In the second shot of the windshield, the handwriting of the word is completely different than before. See more »

Quotes

Robby: Mom says we have a chore wheel.
Richard Swersey: What?
Peter Swersey: Nothing.
Robby: A chore wheel. You put chores on it and then you can spin it. There's this metal thing and it helps it to spin. It's spinning from the metal.
See more »

Crazy Credits

Special thanks to The Bertram Family See more »

Connections

Featured in Indie Sex: Teens (2007) See more »

Soundtracks

A Stable Lamp Is Lighted
Music by Paulette Tollefson, used by permission from Augsburg Fortress Publishers (SESAC)
Lyrics by Richard Wilbur in "A Christmas Hymn" from "Advice to a Prophet and Other Poems,"
copyright © 1961 and renewed
Used by permission from Harcourt, Inc.
See more »

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User Reviews

Macaroni
5 November 2006 | by (Virginia Beach) – See all my reviews

The main reason that films can grab us and last is not because of characters or situations, or story. Yes, those are the things we see and grab, but if the film doesn't spin an engaging world, there'll be nothing worth grabbing.

Now here's a case where the world this filmmaker creates is so wonderful, we want to grab everything. Its incoherent, a set of vignettes, but all coherently placed to circumnavigate this wonderful set of dynamics.

Its a world where bad things exist but don't cut deeply. Where innocence penetrates reality. Where fate applies but is seen. Where art exists but only as pretense for life. Where communication always has a sparkle of wonder. Where age is irrelevant and hope is always privately platformed without dependence.

A dear friend brought me to "I've Heard the Mermaids Singing." This is a dear friend and I sincerely tried to dissolve myself in the world of the thing. But the cracks didn't line up, and my being and that world couldn't interpenetrate. It think it is purely a matter of skill, in knowing how to discard the things that get in the way. This does, this film here.

The woman behind this film is admirable. By that I mean she is to be admired for knowing enough about us to find the things that disturbingly endear. And I admire her for finding a place for herself in how this is presented to us. Its all so perfect that we have to assume that there is a deep selfawareness in her, as deep as her intuitions are.

I hope to see more of her. I think we can trust her with large bits of ourselves.

Ted's Evaluation -- 3 of 3: Worth watching.


15 of 20 people found this review helpful.  Was this review helpful to you?

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