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Me and You and Everyone We Know (2005)

 -  Comedy | Drama  -  19 August 2005 (UK)
7.4
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Ratings: 7.4/10 from 27,962 users   Metascore: 76/100
Reviews: 240 user | 148 critic | 38 from Metacritic.com

A lonely shoe salesman and an eccentric performance artist struggle to connect in this unique take on contemporary life.

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Cast

Cast overview, first billed only:
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Peter Swersey
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Sylvie
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Michael
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Andrew
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Heather
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Nancy Herrington
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Pam
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Ellen
Colette Kilroy ...
Sylvie's Mom
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Sylvie's Dad
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Museum Assistant
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Storyline

'Me and You and Everyone We Know' is a poetic and penetrating observation of how people struggle to connect with one another in an isolating and contemporary world. Christine Jesperson is a lonely artist and "Eldercab" driver who uses her fantastical artistic visions to draw her aspirations and objects of desire closer to her. Richard Swersey, a newly single shoe salesman and father of two boys, is prepared for amazing things to happen. But when he meets the captivating Christine, he panics. Life is not so oblique for Richard's six-year-old Robby, who is having a risqué Internet romance with a stranger, and his fourteen-year-old brother Peter who becomes the guinea pig for neighborhood girls -- practicing for their future of romance and marriage. Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for disturbing sexual content involving children, and for language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

|

Language:

Release Date:

19 August 2005 (UK)  »

Also Known As:

Me and You and Everyone We Know  »

Filming Locations:

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Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend:

£78,532 (UK) (19 August 2005)

Gross:

$3,885,134 (USA) (14 October 2005)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The performance piece that Christine Jesperson submits to the museum, in which she admits her failings to a cheering crowd, was also one of several vignettes in a sound-based art project by Miranda July. This project was played on a loop in the elevators of the Whitney Museum of American Art, as part of the museum's 2000 biennial exhibition. See more »

Goofs

When Richard is gluing the mirror onto the makeup container, you see him unscrew the cap and apply the "shoe goo". In the next angle, the cap for the goo has magically screwed itself back on. See more »

Quotes

Untitled: Are you touching yourself?
NightWarrior: [looks down at fingertips touching on edge of desk] Yes.
See more »

Crazy Credits

Special thanks to The Bertram Family See more »

Connections

Featured in 2006 Independent Spirit Awards (2006) See more »

Soundtracks

Any Way That You Want Me
(1969)
Written by Chip Taylor
Published by EMI Blackwood Music Inc (BMI)
Performed by Spiritualized
Courtesy of BMG UK & Ireland Ltd.
By Arrangement with Sony BMG Music Licensing
See more »

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User Reviews

Macaroni
5 November 2006 | by (Virginia Beach) – See all my reviews

The main reason that films can grab us and last is not because of characters or situations, or story. Yes, those are the things we see and grab, but if the film doesn't spin an engaging world, there'll be nothing worth grabbing.

Now here's a case where the world this filmmaker creates is so wonderful, we want to grab everything. Its incoherent, a set of vignettes, but all coherently placed to circumnavigate this wonderful set of dynamics.

Its a world where bad things exist but don't cut deeply. Where innocence penetrates reality. Where fate applies but is seen. Where art exists but only as pretense for life. Where communication always has a sparkle of wonder. Where age is irrelevant and hope is always privately platformed without dependence.

A dear friend brought me to "I've Heard the Mermaids Singing." This is a dear friend and I sincerely tried to dissolve myself in the world of the thing. But the cracks didn't line up, and my being and that world couldn't interpenetrate. It think it is purely a matter of skill, in knowing how to discard the things that get in the way. This does, this film here.

The woman behind this film is admirable. By that I mean she is to be admired for knowing enough about us to find the things that disturbingly endear. And I admire her for finding a place for herself in how this is presented to us. Its all so perfect that we have to assume that there is a deep selfawareness in her, as deep as her intuitions are.

I hope to see more of her. I think we can trust her with large bits of ourselves.

Ted's Evaluation -- 3 of 3: Worth watching.


15 of 20 people found this review helpful.  Was this review helpful to you?

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