Based on Larry Brown's haunting short story, Kubuku Rides (This Is It) affords the audience an unblinking view of a household steeped in secrets and desperation. We experience Angel's ... See full summary »
A couple checks into a suite in Las Vegas. In flashbacks we see that he's a computer whiz on the verge of becoming a dot.com millionaire, she's a lap dancer at a club. He's depressed, ... See full summary »
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
A man with a clipboard asks passersby a survey question: "Are you the favorite person of anybody?" He has a scale, from "very certain" on down. His manner is open. He offers oranges to one ... See full summary »
'Me and You and Everyone We Know' is a poetic and penetrating observation of how people struggle to connect with one another in an isolating and contemporary world. Christine Jesperson is a lonely artist and "Eldercab" driver who uses her fantastical artistic visions to draw her aspirations and objects of desire closer to her. Richard Swersey, a newly single shoe salesman and father of two boys, is prepared for amazing things to happen. But when he meets the captivating Christine, he panics. Life is not so oblique for Richard's six-year-old Robby, who is having a risqué Internet romance with a stranger, and his fourteen-year-old brother Peter who becomes the guinea pig for neighborhood girls -- practicing for their future of romance and marriage. Written by
Sujit R. Varma
The performance piece that Christine Jesperson submits to the museum, in which she admits her failings to a cheering crowd, was also one of several vignettes in a sound-based art project by Miranda July. This project was played on a loop in the elevators of the Whitney Museum of American Art, as part of the museum's 2000 biennial exhibition. See more »
After Michael rolls down his window and tells the father and daughter in the car in the next lane that he and Christine will pull up in front of the car with the goldfish on the trunk to keep them driving steadily, the shot returns to inside Christine's car and Michael's window is rolled up. See more »
I just saw this film in Cannes, and Miranda July just won the Camera D'Or for best first feature. I think the jurors were right on for giving this film an award. It's a simple film that creates identifiable and likable characters that are all loosely connected. I suppose there is one central story line, but the film's strength lies in the individual scenes and interactions between these characters. July successfully depicts the innocence of childhood, the sexual curiosity of teenagers, and the complex emotions of adulthood through personal and original stories and situations. I don't want to give a lot away but simply recommend anyone reading this to at least give it a shot. You'll either love it or hate it, but I think the majority of you will love it.
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