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A high-school boy is given the chance to write a story for Rolling Stone Magazine about an up-and-coming rock band as he accompanies it on their concert tour.
Director:
Cameron Crowe
Stars:
Billy Crudup,
Frances McDormand,
Kate Hudson
A young rapper, struggling with every aspect of his life, wants to make the most of what could be his final opportunity but his problems around gives him doubts.
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
1950. Rural Alabama. Cotton harvest. It's a make-or-break weekend for the Honeydripper Lounge and its owner, piano player Tyrone "Pine Top" Purvis. Deep in debt to the liquor man, the ... See full summary »
Director:
John Sayles
Stars:
Danny Glover,
LisaGay Hamilton,
Yaya Alafia
Edward Lachman, the original cinematographer, had to leave after two weeks of shooting to work on another film. Jim Denault shot for the next month; gaffer Stephen Thompson took over near the end of shooting. See more »
Goofs
The 45 rpm record that Lewellen's father gave her in the truck (supposedly by Elvis on RCA) is apparently a reissue of an original which did not exist at the time. See more »
Quotes
Lewellen:
Oh my God, you scared me! What are you doin' here?
Buddy:
I told him to meet us here. He wants to see you do your Elvis dance. I told him you'd do your Elvis dance for him.
Lewellen:
Oh. Well, do you have my ticket?
[Wooden's Boy holds up two tickets. Lewellen reaches for them, but he pulls them away]
Buddy:
You have to do your Elvis dance first.
Lewellen:
Why?
Buddy:
That was the deal. He said he'd get the tickets if you did your Elvis dance.
Wooden's Boy:
Do the one you did that mornin'.
Lewellen:
Hound dog?
Wooden's Boy:
Yeah.
[...] See more »
This is a bad film. It is not really Dakota's fault, but to be honest I wasn't really impressed with her this time around. I felt like she was a little too much, a little too melodramatic, and definitely not as real as she is in her other films. The real problems with this film lie in the directing, the script, and the pacing. It's poorly filmed (though beautifully lensed), the script panders to too many stereotypes to even enumerate, and even though it's very short, it crawls along.
All the controversy about the rape is unfounded, too, because it actually is only a very small piece of the movie. You see her face twice and her hand once, and you hear her. I'd say it was 45 seconds. Maybe not even that long.
Anyways, color me disappointed. Definitely not worth all the hype, and I really wish Dakota could have found a better filmmaker(s) and film(s) during all the time she wasted as this film sat in preproduction. I hope this doesn't affect her career too much.
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This is a bad film. It is not really Dakota's fault, but to be honest I wasn't really impressed with her this time around. I felt like she was a little too much, a little too melodramatic, and definitely not as real as she is in her other films. The real problems with this film lie in the directing, the script, and the pacing. It's poorly filmed (though beautifully lensed), the script panders to too many stereotypes to even enumerate, and even though it's very short, it crawls along.
All the controversy about the rape is unfounded, too, because it actually is only a very small piece of the movie. You see her face twice and her hand once, and you hear her. I'd say it was 45 seconds. Maybe not even that long.
Anyways, color me disappointed. Definitely not worth all the hype, and I really wish Dakota could have found a better filmmaker(s) and film(s) during all the time she wasted as this film sat in preproduction. I hope this doesn't affect her career too much.