A boy declares his love for his girlfriend, only to die the same night. He is brought back to life by his mother as a flesh-craving zombie, who sires more teen undead while trying to control his, er, appetite for his beloved.
In the not too distant future a secret government re-animation chemo-virus gets released into conservative Sartre, Nebraska and lands in an underground strip club. As the virus begins to ... See full summary »
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
A group of men head to a remote village to help one of their friends get over his divorce; when they get there, though, they discover that all the women have been infected with a virus that makes them man-hating cannibals.
The restorer and single mother Grace is working in an ancient church and she finds a hidden crypt with a voodoo book of resurrection. However, Father Cornelius asks her to go home and forget her findings. Her son Nathan is a sensitive and shy teenager bullied by Samson at school. He has a crush on his friend Jessica, but he does not declare to her. His best friends Diggs and Henry schedule a date of Jessica with Nathan. However her father grounds her in her bedroom and when Nathan calls Jessica, her father tells that she has dated a good looking guy in a car. Jessica flees through the window, but Nathan and Jessica fail to meet each other. Jessica takes a ride in Kenneth's car and Nathan believes that she is dating the schoolmate. He goes home, drinks whiskey and puts a rope around his neck. When Grace comes home, she opens Nathan's bedroom door and accidentally she hangs her son. Grace resurrects Nathan, but soon she finds that something did not work out when her son bites Samson and... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Craig is running from the zombies, he pulls off two planks from a fence, but the wooden bar at the top stays on and he breaks it separately. Later, when he replaces the piece of fence, the wooden bar is attached to the two planks. See more »
Do you have any special powers or anything?
I'm stronger, I'm faster, and I don't feel pain.
Can you fly?
No, Diggs, I can't fucking fly!
See more »
Boy Eats Girl is the kind of film to watch when you're in a non-committal mood, something that demands only vague attention and which doesn't try to be clever. If you want a horror or a zombie movie then look elsewhere, it's neither nor does it try to be.
It is a comedy, let's get it straight right now, not a zombie film. Romero's legacy to pop culture and the film industry certainly gets a good outing here, but this isn't a film to make gorehounds feel fat and happy, nor will zombie purists find anything to debate over.
A lot of the characters are like those from sappy American Teen comedies but with Irish accents and in situations involving blood and throw-away limbs.
Perhaps this helps: It's California Man with gore.
It entertained me for the short running time (about an hour I made it) and I liked it enough to cough up £5 for it. If you give it a chance as a silly gory comedy, you may well like it too.
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