| Parviz Parastui | ... | Youssef | |
| Roya Taymourian | ... | Roya | |
| Afarin Obeisi | ... | Mother | |
| Mohammad Amir Naji | ... | Morteza | |
| Melika Eslafi | ... | Mariam | |
| Leila Outadi | ... | Pari | |
| Mahmoud Behraznia | ... | Mahmood | |
| rest of cast listed alphabetically: | |||
| Dawlat Asadi | ... | Puya | |
| Melika Aslafi | ... | Maryam | |
| Ahmad Gavaheri | ... | Cashani | |
| Fouad Nahas | ... | Dr. Roque | |
Directed by | |||
| Majid Majidi | |||
Writing credits | ||
| Majid Majidi | (idea) | |
| Majid Majidi | (screenplay) and | |
| Fouad Nahas | (screenplay) & | |
| Nasser Hashemzadeh | (screenplay) | |
Produced by | |||
| Majid Majidi | .... | producer | |
| Seyyed Saeed Seyedzadeh | .... | executive producer | |
Original Music by | |||
| Ahmad Pezhman | |||
Cinematography by | |||
| Bahram Badakshani | (some scenes) | ||
| Mahmoud Kalari | |||
Film Editing by | |||
| Hassan Hassandoost | |||
Production Design by | |||
| Behzad Kazzazi | |||
Set Decoration by | |||
| Saeed Ahangarani | |||
Makeup Department | |||
| Mehdi Habibipur | .... | second makeup artist | |
| Jahanjoo Jafary | .... | makeup artist | |
| Mohsen Mossavi | .... | makeup designer | |
| Affarine Sadeghi | .... | makeup artist | |
Production Management | |||
| Javad Noruzbegi | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Waheed Kashi | .... | second assistant director | |
| Hassan Najafi | .... | first assistant director | |
| Behzad Rafi | .... | third assistant director | |
Sound Department | |||
| Hossein Bashash | .... | boom operator | |
| Mohammad Reza Delpak | .... | sound re-recording mixer | |
| Yadollah Najafi | .... | sound recordist | |
| Amir Tusi | .... | assistant sound editor | |
Special Effects by | |||
| Mohsen Ruzbahani | .... | special effects | |
Visual Effects by | |||
| Sianoosh Nasiriziba | .... | digital effects supervisor | |
Camera and Electrical Department | |||
| Hashem Attar | .... | still photographer | |
| Mohammad Davudi | .... | cinematographer: some scenes | |
| Mohammad Ibrahimian | .... | assistant camera | |
Animation Department | |||
| Sianoosh Nasiriziba | .... | animator | |
Other crew | |||
| Bahman Dadashi | .... | technical advisor | |
| Hormoz Larijani | .... | financial manager | |
| Nava Rohani | .... | script supervisor | |
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| Persepolis | The Color of Paradise | To Stay Alive | Invitation | Baran |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Iran section |
In the lyrical and touching Iranian drama "The Willow Tree," a middle-aged college professor, blind since the age of eight, regains his sight after undergoing a cornea transplant.
Through the years, Yusef has learned to function in a world of darkness. He even long ago stopped blaming God for his condition (he went blind while playing with firecrackers as a boy). Having made his peace with his situation, Yusef is now suddenly confronted with the unforeseen mixed blessing of regaining his sight. On the one hand, he yearns to be able to once again behold the vast and myriad beauties of the visual world; on the other, he risks losing the sense of security and comfort that comes from living in a world that is real and familiar to him.
Director Majid Majidi captures some of the visual sensory overload Yusef experiences when he is once again reunited with the sighted world, which includes seeing his wife and young daughter for the first time. And how will the change in his condition affect the couple's relationship - the roles each of them plays within that relationship, and the ways in which they interact with one another? For now that he is no longer dependent on others to get around and is free to do things on his own, Yusef begins to press against the tightly-bound parameters of his heavily circumscribed life, falling for a beautiful young student in one of his classes and becoming less willing to play the part of the uncomplaining, long-suffering victim to please his wife and mother who have found their own purpose and meaning in taking care of him all these years. Then Fate plays a cruel trick on him, making him realize that he can never be fully happy in either state of sightedness (Majidi doesn't cater to his audience's desire for an uplifting, happy ending).
To emphasize the way in which Yousef experiences the world, the movie features a hyper-sensitive soundtrack filled with the amplified sounds of birds chirping, water gurgling, leaves rustling, raindrops falling, etc. The only real disappointment is the musical score, which is often lugubrious, soupy and overly-emphatic.
Much of "The Willow Trees"'s success can be attributed to Parviz Parastui's subtle and wide-ranging performance in the lead role. As Yusef, Parastui runs the gamut from submissive introvert to railing despondent without hitting a single false note at either end.