| Videos (see all 3) |
Directed by | |||
| Craig Sheffer | |||
Writing credits | ||
| Jeff Winiski | (story) and | |
| Mike Diiorio | (story) and | |
| Craig Sheffer | (story) | |
| Craig Sheffer | (screenplay) | |
Produced by | |||
| Bradley Kramer | .... | producer | |
| Oak O'Connor | .... | co-producer | |
| Craig Sheffer | .... | producer | |
Original Music by | |||
| Dennis Hamlin | |||
Cinematography by | |||
| James Mathers | |||
Film Editing by | |||
| Tariq Anwar | |||
| Blair Daily | |||
| Saska Simpson | |||
Casting by | |||
| Anne McCarthy | |||
| Jay Scully | |||
Production Design by | |||
| Suzanne Rattigan | |||
Costume Design by | |||
| Jill Lucas | |||
Makeup Department | |||
| Saundra Jordan | .... | makeup artist | |
| Ken Niederbaumer | .... | special makeup effects artist: Rob Schneider | |
| Iris Stobbelaar | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Arturo Guzman | .... | second assistant director | |
| Jetzen O'Connor | .... | second assistant director (as Jetzen R. O'Connor) | |
| Erin Quigley | .... | second second assistant director | |
| Tom Reynolds | .... | first assistant director | |
| Lee Whittaker | .... | second unit director | |
Art Department | |||
| Charles Eck | .... | art department | |
| Patrick Eck | .... | art department | |
| Katie Esposito | .... | property master | |
| Cindy Gauhan | .... | props | |
| Tim Neighbors | .... | art department | |
| Joni Smith | .... | set dresser | |
| Gina Zycher | .... | props | |
Sound Department | |||
| Tyler Claridge | .... | sound effects editor | |
| Lisa Hannan | .... | sound effects editor | |
| Kamal John Iskander | .... | sound mixer (as John Iskander) | |
| Randy Lawson | .... | additional sound mixer | |
| Joshua Minyard | .... | sound recording engineer | |
| Rod O'Brien | .... | sound editor | |
| Mick Ryall | .... | boom operator | |
| Geordy Sincavage | .... | foley mixer | |
Special Effects by | |||
| Lee Cole | .... | special effects technician | |
| Roger Matsuo | .... | special effects supervisor | |
| Steve Newquist | .... | pyrotechnician | |
Visual Effects by | |||
| Geoffrey Mark | .... | visual effects supervisor | |
Stunts | |||
| Keith Adams | .... | stunt driver: 427 Shelby Cobra | |
| Kacie Borrowman | .... | stunt double: Katya Abelski | |
| Jeremy Fry | .... | stunt driver | |
| Gary Guercio | .... | stunt double: Rob Schneider | |
| Dan Lemieux | .... | stunt coordinator (re-shoots) | |
| Jalil Jay Lynch | .... | stunt double: Michael Clark Dunkin | |
| H. Charles Parrish | .... | safety rigger | |
| Heidi Pascoe | .... | stunt double | |
| Marc Schaffer | .... | stunt driver | |
| Michele Waitman | .... | stunt double | |
| Lee Whittaker | .... | stunt coordinator | |
| Lee Whittaker | .... | stunt double: Kip | |
| Stuart F. Wilson | .... | stunts | |
Casting Department | |||
| Heidi Snoe | .... | casting associate | |
Costume and Wardrobe Department | |||
| Shantell Guy-Bailey | .... | set costumer (as Shantell Guy-Rowland) | |
| Lizette Kilmer | .... | costumer (as Lizette Jaimes) | |
Editorial Department | |||
| Steven Ivey | .... | post-production coordinator | |
| Mary Kay Miller | .... | co-colorist | |
Music Department | |||
| Justin Kozonis | .... | music editor | |
| Matthew Robert | .... | composer: original music | |
| Marcelo Troilo | .... | music director | |
Transportation Department | |||
| Michael Locke | .... | transportation coordinator | |
| Richard Maginnis | .... | driver | |
| Randy Mangum | .... | transportation captain | |
| Hugo Ocana | .... | driver | |
Other crew | |||
| Krista Bean | .... | script supervisor | |
| Angelo Dalmacio | .... | production assistant | |
| Patty De Anda | .... | craft service | |
| Torrence Hall | .... | armorer | |
| Mike Mannino | .... | production assistant | |
| Jackie Mazawey | .... | assistant production coordinator | |
| Elizabeth Perikli | .... | production coordinator | |
| Irwin M. Rappaport | .... | production attorney | |
| Lisa Sanow | .... | script supervisor | |
| Heidi Snoe | .... | assistant to producer | |
| Stephany Stamatis | .... | production assistant | |
| Mike Tristano | .... | armorer | |
| Victoria Wong | .... | office production assistant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
..These are some of the movie's plot keys. Yes, you read it right; "some" !
Was Craig Sheffer, the actor and the movie's director, trying to make a crime movie ? Was he trying to make a satire about the "night" of America then thought of presenting it in a comic style ? Was he trying to make a black comedy ? Was he oh god thinking that it's a comedy from the start ? Whatever the answer is, that guy made an ugly, disturbing and disturbed movie.
Originally many problems in one night could produce a fine comedy, black or else. But many problems in one movie could produce just a bad movie. It is made in such a poor, primitive and messy way. The script thinks itself a genius, while mixing the genres together, in one night, with many story lines, and absurd spirit. But it lost being anything good or bearable. What it did win though was having a one of a kind silly sense of humor; and it's damn natural since it's directed by Sheffer; one of the silliest actors alive !
I bet that none of the movie's cast knew what the main goal was. I guess Sheffer told them that he wanted to make a satiric cross between Pulp Fiction and American Pie. So sometimes it's about bloody crimes, then it's about crude comedy, then it's about both, then it's about the ugliness of America, then it's about just ugliness !
It's "let's put some of the dirtiest matters on screen for the sake of making a satire". It turned into a great satire towards stupid movie-making mainly. Here's a movie that feeds itself, and us, with massive amount of dirt, a monster of a comedy, and low movie-making to torture everyone sat to complete it. Thus putting the American flag at the top of the movie's presented crimes wasn't something serious about "only in America"; it was rather a try to sell the movie's own crimes as something serious !
Anyway don't be confused, asking was it a comedy? A satire? A black comedy? A crime movie? A soft porn?? Because in fact it is confused. It tried to say that America has become a big toilet, but ended up as a big toilet itself. Thus I won't say "give it a chance and think about it", instead I'll say "don't forget to flush" !
(American Crude) is a dictionary of dirtiness and bad movie-making. It's nasty matters shown in nasty way.