Four Brits tunnel out of a German POW camp. One is killed, two are recaptured and one escapes. Scottish Corporal Nicholas McGrade, the lone escapee is a slacker and reluctant soldier, but ...
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Unlikely friends in a melting pot of confusion. Simon Murray fights for the French Foreign Legion. Pascal Dupont fights for himself. War torn men question honour, hope, morality...because you can desert everything...except yourself.
The Virgin Queen explores the full sweep of Elizabeth's life: from her days of fear as a potential victim of her sister's terror; through her great love affair with Robert Dudley; into her ... See full summary »
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Michelle Van Der Water,
This grim and claustrophobic drama chronicles the lives of the prisoners in Colditz Castle from the arrival of the first British prisoners after Dunkirk until the liberation of the castle ... See full summary »
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A married couple and their teenage twins move to Meadowlands, a friendly and seemingly safe suburban town, to start a new life. Here, they will soon realize that secrets and mysteries are plentiful, and past is a difficult thing to bury.
Four Brits tunnel out of a German POW camp. One is killed, two are recaptured and one escapes. Scottish Corporal Nicholas McGrade, the lone escapee is a slacker and reluctant soldier, but is coerced into the secret MI9 Unit and participates in the facilitation of other escapes. Wills and Jack Rose, the two escapees who were recaptured are transferred to Colditz, a medieval castle in Saxony which has been refitted as an escape-proof, high security institution to house recitative prisoners who repeatedly attempt to escape. At Rose's request McGrade looks up Rose's girlfriend in Britain only to find out he is falling in love with her. When the faithful Lizzie rejects the advances of the smitten McGrade, he uses his influence to fake Jack's death so as to clear any obstacles to Lizzie. Written by
One of the reasons Colditz was suitable to be refitted as a POW camp was that it was built on an outcropping of solid rock, making tunneling almost impossible. After serving as a general POW camp in 1939, it was later converted into a high security camp for recidivist escapees, the only amp in which guards outnumbered prisoners, the majority of the which were initially British, French, Poles, and Dutch. All in all, 130 prisoners escaped the grounds but depending on the source referenced, only 30, 31, or 32 of these were ultimately "home runs." See more »
At about 32 minutes into part two, Jack is leafing through a German magazine. The photo on the cover was taken about a year later, during the Battle of the Bulge. See more »
[Rhetorically, after his lecture on Trotsky is interrupted by the would-be escapees]
Don't you think this is a little bit childish?
This pathetic schoolboy obsession with escaping!
Well, if you're to yellow to bother, it's your concern.
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Does anyone do any research for programmes any more? The holes in the production of "Colditz" were too numerous to mention, and the plot too ridiculous to contemplate.
The history of Colditz must be so well documented that practically everyone must know that the first Brit to make a home run from the castle was Airey Neave, and he did not escape by way of disguising himself as an electrician and borrowing his three-wheeler. (Such an ingenious impersonation was tried, but the would be escapee was caught and photographed next to the unfortunate tradesman.) To be fair, the feature movie "The Colditz Story" was also at fault here, as it depicted Pat Reid as making the first Brit home run, but it's closing remarks did make an acknowledgement of Neave's achievement.
In this latest effort little was made in capturing the flavour of situations and events (or hunger). Even a smattering of truth would have made all the difference, but then the silly love triangle turned the whole thing into a laughable fiasco. I have nothing against the inclusion of romance into such historical series, but here the facts were changed to fit the story. This should never be done but sadly it often is. As for the misguided depictions of mock executions, all surviving Colditz POWs (and indeed guards) seeing this, must be shaking their heads in utter disbelief.
The closing credits included a statement that the production was based in part on recent documentaries. I suggest the producers etc. should study them a little closer and talk to survivors, instead of resorting to uninspired artistic licence. I also suggest they should read the many books and websites on the subject. It's not difficult to find the truth if the time is taken to look for it
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