Drama about life at Rugby School in Victorian England. The headmaster is fair but not effective and life is brutal for the young boys because of bullying and it's consequences. The acting ... See full summary »
After the death of his uncle, the 14-year-old schoolboy Alex Rider is forced by the Special OperationsDivision of Britain's secret intelligence service, MI6, for a mission which will save millions of lives.
As Cecil Gaines serves eight presidents during his tenure as a butler at the White House, the civil rights movement, Vietnam, and other major events affect this man's life, family, and American society.
In a future where people stop aging at 25, but are engineered to live only one more year, having the means to buy your way out of the situation is a shot at immortal youth. Here, Will Salas finds himself accused of murder and on the run with a hostage - a connection that becomes an important part of the way against the system.
Drama about life at Rugby School in Victorian England. The headmaster is fair but not effective and life is brutal for the young boys because of bullying and it's consequences. The acting and character development are good and the roles well cast. It's a good adaptation of the novel and was filmed at The Rugby School. Written by
The characters in this film were based in part on actual people from the original author's own childhood, including versions of the brother of the author, and the author himself. See more »
After Tom is beaten by Flashman wearing the knuckle-duster, he is shown with two deep gashes on his face. In the next scene, his face is clear of damage, but in the next appearance, there is evidence of healing wounds. See more »
Over the holiday period I enjoyed Martin Clunes' "Mr Chips" and "Pollyanna", both recent ITV adaptations, so was looking forward to this offering. I have never read the book, so cannot judge how close it was to the original story, but did see the 1971 BBC series, which I remember enjoying immensely.
I think the problem may be that it tried to squeeze three hours of story into two hours, (less ad breaks) and there is a sense of non-resolution at the end. Ending on the funeral of the unfortunate Arthur leaves things weirdly up in the air. There is no sense of catharsis that there is with the well received 1971 version. It all seems to be made up of bits and pieces of story stuck together without any real narrative thrust.
I remember the BBC series ending with the sweeping reforms of pay and conditions for masters and boys introduced by Arnold, this being the culmination of his experience and his journey to restore Rugby to its former status as a place fit for "gentlemen and Christians". In this version this is dealt with over a brief conversation while walking with an elderly master, asking him to spend the nights on the premises.
Flashman's comeuppance is disappointingly glossed over, and the consequences of incurring the wrath of one of the school's major benefactors are not addressed.
The film looks good and the acting is competent (although I too, found the "reality" camera work intrusive), but I feel that, as I have already said, the problem may well may on the cutting room floor and the amount of footage that had to be excluded to fit into 1 3/4 hours.
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