#1 NASCAR driver Ricky Bobby stays atop the heap thanks to a pact with his best friend and teammate, Cal Naughton, Jr. But when a French Formula One driver, makes his way up the ladder, Ricky Bobby's talent and devotion are put to the test.
In 2002, two rival Olympic ice skaters were stripped of their gold medals and permanently banned from men's single competition. Presently, however, they've found a loophole that will allow them to qualify as a pairs team.
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
NASCAR stock car racing sensation Ricky Bobby is a national hero because of his "win at all costs" approach. He and his loyal racing partner, childhood friend Cal Naughton Jr., are a fearless duo -- "Shake" and "Bake" by their fans for their ability to finish so many races in the #1 and #2 positions, with Cal always in second place. When flamboyant French Formula One driver Jean Girard challenges "Shake" and "Bake" for the supremacy of NASCAR, Ricky Bobby must face his own demons and fight Girard for the right to be known as racing's top driver. Written by
When Ricky gets out of the hospital and sees that Jean Girard has replaced him as the lead driver the song that can be heard is "Marie Douceur, Marie Colère", sung in French by Marie Laforêt to the tune of The Rolling Stones' "Paint It, Black". See more »
When five-year-old Ricky steals his mother's station wagon outside the convenience store, the same maroon 1972 Ford Mustang is shown twice. First spinning out from the left as Ricky exits the parking lot (viewed from the store), and in the very next shot, the Mustang swerves again as Ricky navigates the busy street (long view). See more »
[Reese is speeding]
Guess how fast we're going now!
I don't care! I'm having a baby!
Hundred and five miles an hour! Can you believe that!
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During the opening credits, the following quote is displayed: "America is all about speed. Hot, nasty, bad ass speed."
In Talladega Nights, Will Farrell and Jon C. Reilly head a nicely assembled cast (without a lot of star power) in a story about a fool who happens to be a race car driver and who has based his entire life philosophy around a phrase uttered by his alcoholic father during a drunk - "If you ain't first, you're last". Ricky Bobby rides high in his largely unexamined life until, predictably, he eventually crashes hard when confronted with a gay French intellectual who just might be a better driver than he is, and a boss who does not appreciate his arrogance.
Talladega Nights uses a narrative and editing style reminiscent of the brilliant Deathrace 2000 to create an entirely different effect - unlike Deathrace 2000's intellectually challenging political and social commentary, Talladega Nights is a simple absurdist comedy played out by several stereotypes in the contemporary racing entertainment industry. The film is successful largely because of it's careful plotting and occasional substitution of slap-stick for (dumb) dialogue driven comedy. The script is nothing special, but was probably well edited in the final construction of the film in order to emphasize its occasional moments of brilliance. If you go into this without much in the way of expectations, you just might enjoy it.
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