A newly married couple discovers disturbing, ghostly images in photographs they develop after a tragic accident. Fearing the manifestations may be connected, they investigate and learn that some mysteries are better left unsolved.
In this third installment of the Final Destination series, a student's premonition of a deadly rollercoaster ride saves her life and a lucky few, but not from death itself which seeks out those who escaped their fate.
Mary Elizabeth Winstead,
A salvage crew that discovers a long-lost 1962 passenger ship floating lifeless in a remote region of the Bering Sea soon notices, as they prepare to tow it back to land, that "strange things" happen...
The murderous fisherman with a hook is back to once again stalk the two surviving teens, Julie and Ray, who left him for dead, as well as cause even more murder and mayhem, this time at a posh island resort.
Jennifer Love Hewitt,
Freddie Prinze Jr.,
The widow Leslie Doyle has just lost her husband and moves with her teenage son Jonathan and her young daughter Jamie to a mortuary in a small town in California that she has bought with the intention of starting a new business, practicing her knowledge as mortician. When they arrive, Leslie realizes that she was lured by the former owner, Elliot, and that the decrepit Fowler Brothers Funeral Home was completely abandoned and with problem with the septic sewer. While Leslie tries to improve and clean the place and start embalming corpses, Jonathan is informed about the legend of Bobby Fowler, the deformed son of the Fowlers. Meanwhile a weird substance attacks people, transforming them in zombies. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The quote carved on the vault's door, "That is not dead which can eternal lie, and with strange eons even death may die", is from H.P. Lovecraft's short story "The Call of Cthulhu" and "The Nameless City". It is supposedly a couplet by Abdul Alhazarred, fictional author of the Necronomicon. See more »
When the Doyle's arrive at the Mortuary, it's daylight. Within a few moments, Jonathan Doyle is in Bobby Fowler's old room looking outside to the graveyard and it's pitch black. See more »
[about Bobby Fowler]
His parents abused the shit out of him, chains, matches, embalming tools, everyone knows it, but nobody can prove it.
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I really think everyone is missing the point of this movie. Maybe it was the marketing, which made it seem like a true Tobe Hooper horror film. However, after having worked on this movie, I know that it was meant to be more of a parody of its own self, and not to be taken seriously. This is what the writers intended. Also, having worked with Tobe, I know that he always saw himself as a director of comedy, but he just fell into the horror genre. This movie should be characterized as a horror/comedy combo (horredy). It's meant to be more entertaining than scary, complete with cheesy dialog. If you re-watch the film with this in mind, you may have a different opinion of it.
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