Bell and Belle want to break out of their trailer park lives and get up and out to the "Big City" of Atlanta. Just when they think they are on their way to getting a nest egg Bell falls for a handsome police officer named Rhett Butler.
Paul S. Myers,
Despite what he says, Adam is not "fine". The summer before freshman year should be a time full of possibilities, but Adam struggles with family tragedy, everyday teenage growing pains, and... See full summary »
Story of a New England boys' school and of one of the students who is infatuated with an instructor's wife who has Multiple Sclerosis. The woman struggles to show her strict husband how ... See full summary »
Sean Patrick Flanery
Eccentric Jeffrey Mannus is 29 years old and still lives at home with his mom, Jan. He sees no reason to alter this arrangement, but his perfect world is upended when Jan meets Mert, a motivational speaker. Mert successfully woos Jan and moves in on Jeffrey's territory, something Jeffrey will not tolerate. Jeffrey enlists the aid of an unlikely ally, an aspiring singer-songwriter, Nora, with an anti-establishment penchant and a soft spot for him. As the war between Mert and Jeffrey escalates, something unprecedented happens -- slowly, to both his own surprise and horror, Jeffrey discovers his inner adult. Written by
There is a scene filmed at the Burbank location of PC Club, a small computer chain that at once was nationwide but went bankrupt in July 2008. See more »
In the scene when Nora drops Jeffrey off after coming back from
Arizona, just as he punches the air in rage and the camera backs up, the camera's movement backwards disturbs a plant in the bottom of the shot. See more »
Jeff Daniels does his usual respectable job, Keaton mostly keeps the hysterics at bay, Anna Farris adds some dimension to her standard stoner chick, and Heder tries his best to not delve too deep into the Napoleon Dynamite well. Sarah Chalke is always a nice addition to any cast too. This is a decent indy movie, not great but far better than the 4.9 here. It was a victim of its marketing as much as anything. The story starts strong and finds a reasonable resolution without resorting to slapstick or painfully implausible plot twists. The cinematography was better than average - there's a great shot of Keaton framed by kitchen cabinets early on, and the lighting/exposure and set design are reminiscent of Little Miss Sunshine. Well worth picking up as a weekend rental or throwing in the online queue for some light viewing.
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