We have here a Scottish romance for a change. The first half of it is not so effective as the second half. These early scenes do not convince. This is not because they picture unbelievable actions so much as because it isn't true to its situation in little things. In fact, throughout, it is too constrained, it accepts the formal stage limitations where there is no necessity and these make it very artificial. Notwithstanding, the second part is good, because it falls into the groove of a natural and human dream which gives it vitality. Taken as a whole, it gives acceptable entertainment. - The Moving Picture World, September 7, 1912
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