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| Anuchit Sapanpong | ... | Sorn | |
| Adul Dulyarat | ... | Elderly Sorn | |
| Pongpat Wachirabunjong | ... | Lieutenant Colonel Veera | |
| Narongrit Tosa-nga | ... | Kun In | |
| Phoovarit Phumpuang | ... | Terd | |
| Sompob Benjathikul | ... | His Royal Highness | |
| Kiat Punpiputt | ... | Master Sin | |
| Arratee Tanmahapran | ... | Chote (1880s) | |
| Sumeth Ong-ard | ... | Prasit | |
| Somlek Sakdikul | ... | Master Tian (as Somchai Sakdikul) | |
| Lookpoo Doksedeo | ... | Piak | |
| Supaluk Uttamawetin | ... | Chote (older) | |
| Aunnop Anawat | ... | Tew | |
| Chumphorn Thepphithak | ... | Tew | |
| Krit Suwannapaph | ... | Second Lieutenant | |
| Thitirat Takaew | ... | Yim | |
| Mued Kaimook | ... | Thong | |
| Sirawit Chamtul | ... | Duang | |
| Sarawut Tanyaluk | ... | HRH Visitor | |
| Apitran Somanmitr | ... | Master Muk | |
| Watcharakorn Boonpeng | ... | Yok |
Directed by | |||
| Ittisoontorn Vichailak | |||
Writing credits(in alphabetical order) | ||
| Peerasak Saksiri | writer | |
| Dolkamol Sattatip | writer | |
| Ittisoontorn Vichailak | writer | |
Produced by | |||
| Pisamai Laodara | .... | producer | |
| Duangkamol Limcharoen | .... | executive producer | |
| Nonzee Nimibutr | .... | executive producer | |
| Ittisoontorn Vichailak | .... | producer | |
| Chatrichalerm Yukol | .... | producer | |
Original Music by | |||
| Nick Chaiyapak | |||
Cinematography by | |||
| Nattawut Kittikhun | |||
Film Editing by | |||
| Ittisoontorn Vichailak | |||
Production Design by | |||
| Rach-chanon Khayannagan | |||
| Kiattichai Khereessri | |||
| Nawachat Sumpao-ngen | |||
Sound Department | |||
| Conrad Slater | .... | sound (as Conrad Bradler Slater) | |
| Traithep Wongpaiboon | .... | sound re-recording mixer | |
Music Department | |||
| Traithep Wongpaiboon | .... | music editor | |
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| Suriyothai | Walk the Line | The Bridge on the River Kwai | Memoirs of a Geisha | Gandhi |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Thailand section | Add this title to MyMovies |
I am proud that the new generation has produced a great movie like Hom Rong. Thai people should be glad that there is at least a group of people who celebrate our beautiful culture and our unique way of life that is calm, beautiful, contemplative, and modest. The movie brings out the distinct character of Thai civilization. Hom Rong has romance but is not dirty, Thai history that is both real and engaging, music that is both original and creative, and actors and actress who portray appropriately the unique Thai spirit and temperament that are hard to find in the present.
It is sad that there are still so many Thai people who have never had an opportunity to touch the beauty of the lifestyle of past Thai generations. Many have ignored being Thai and appreciate only Western art without learning both before judging them.